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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Life of Benjamin Robert Haydon, Vol. 1 of 3: Historical Painter, From His Autobiography and Journals Where all is invention, if consistency be kept high colouring is a merit; but a biography derives its sole interest or utility from its exact truth. Every man who has suffered for a principle and would lose his life for its success, -who in his early days has been Oppressed without ever giving the slight est grounds for oppression, and persecuted to ruin be cause his oppression was unmerited, who has incurred the hatred of his enemies exactly in proportion as they became convinced they were wrong, -every man who, like me, has eaten the bitter crust of poverty, and en dured the penalties of vice and wickedness where he merited the rewards of virtue and industry, -should write his own life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Before the painter Benjamin Robert Haydon (1786-1846) committed suicide, he had left instructions that an account of his life should be published, using his autobiography up to 1820 and his letters and journals for the rest. The writer and dramatist Tom Taylor (1817-80) took on the editing, and the three-volume work was published in 1853. (The slightly enlarged second edition, also of 1853, is reissued here.) Haydon was a history painter at a time when that genre was perceived as the greatest form of the art, and his friends included Wordsworth, Keats, Shelley, Charles Lamb, Hazlitt and Elizabeth Barrett Browning. However, he was constantly in financial difficulties, and in later life a sense of failure seems to have turned into outright paranoia. Volume 1 reproduces Haydon's autobiographical writings up to 1820. His Conversations and Table-Talk, edited in two volumes by his son, is also reissued in this series.