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Today s pastors often expected to be multitasking marvels who can make their churches "successful" are understandably confused about their role. Craig Barnes contends that the true calling of a pastor is to assist others in becoming fully alive in Christ to be a "minor poet." The pastor absorbs the wisdom of major poets the biblical poets as well as the church s theological poets and distills its essence for parishioners. / The Pastor as Minor Poet calls pastors to continually search for a deeper, truer understanding of what they see both in the text of Scripture and in the text of their parishioners' lives. Discerning the subtexts beneath these texts reveals the core truths that allow pastors to preach the heart of the Word and to understand the hearts of the people to whom they minister. Written with a seasoned pastor s depth of understanding and a poet's sensibility and sensitivity, this book will minister to and inspire pastors everywhere.
An icon of Latin American literature captures the strangeness of childhood as he explores the aftermath of a long-ago injury in this “searching, lyrical memoir” with elements of magical realism “reminiscent of García Márquez” (Kirkus Reviews) Homero Aridjis has always said that he was born twice. The first time was to his mother in April 1940 and the second time was as a poet, in January 1951. His life was distinctly cleaved in two by an accident. Before that fateful Saturday, he was carefree and confident, the youngest of five brothers growing up in the small Mexican village of Contepec, Michoacán. After the accident—in which he nearly died on the operating table after shooting himself with a shotgun his brothers had left propped against the bedroom wall—he became a shy, introspective child who spent afternoons reading Homer and writing poems and stories at the dining room table instead of playing soccer with his classmates. After the accident, his early childhood became like a locked garden. But in 1971, when his wife became pregnant with their first daughter, the memories found a way out. Visions from this elusive period started coming back to him in astonishingly vivid dreams, giving shape to what would become The Child Poet. Aridjis is joyously imaginative. The Child Poet has urgency but still takes its time, celebrating images and feelings and the strangeness of childhood. Readers will love being in the world he has created. Aridjis paints the pueblo of Cotepec—the landscape, the campesinos, the Church, the legacy of the Mexican Revolution—through the eyes of a sensitive child.
In Extremis is hte first major biography of a major 20th century modernist.
A picture-book biography of celebrated poet Gwendolyn Brooks, the first Black person to win the Pulitzer Prize A 2021 Coretta Scott King Book Award Illustrator Honor Book A 2021 Robert F. Sibert Informational Honor Book A 2021 Association of Library Service to Children Notable Children's Book Gwendolyn Brooks (1917–2000) is known for her poems about “real life.” She wrote about love, loneliness, family, and poverty—showing readers how just about anything could become a beautiful poem. Exquisite follows Gwendolyn from early girlhood into her adult life, showcasing her desire to write poetry from a very young age. This picture-book biography explores the intersections of race, gender, and the ubiquitous poverty of the Great Depression—all with a lyrical touch worthy of the subject. Gwendolyn Brooks was the first Black person to win the Pulitzer Prize, receiving the award for poetry in 1950. And in 1958, she was named the poet laureate of Illinois. A bold artist who from a very young age dared to dream, Brooks will inspire young readers to create poetry from their own lives.
National Book Award winner Nikky Finney's fifth collection of poems articulates the Black American history into a new language of "docu-poetry."
"A biography focusing on the poet John Ashbery's early life"--
Winner of the 2012 Pulitzer Prize * Poet Laureate of the United States * * A New York Times Notable Book of 2011 and New York Times Book Review Editors' Choice * * A New Yorker, Library Journal and Publishers Weekly Best Book of the Year * New poetry by the award-winning poet Tracy K. Smith, whose "lyric brilliance and political impulses never falter" (Publishers Weekly, starred review) You lie there kicking like a baby, waiting for God himself To lift you past the rungs of your crib. What Would your life say if it could talk? —from "No Fly Zone" With allusions to David Bowie and interplanetary travel, Life on Mars imagines a soundtrack for the universe to accompany the discoveries, failures, and oddities of human existence. In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like "love" and "illness" now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope. With this remarkable third collection, Smith establishes herself among the best poets of her generation.
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
A collection of poems by spoken word competition-winner and novelist A. S. Minor. This book of poetry guides the reader through the chaotic emotional underworld of Borderline Personality Disorder, but more than that, it uses empathy and sympathy through written word to describe for others the same thing that we all deal with: What we call the human experience.
"Readers will have the good fortune to experience poetry as art, game, joke, list, song, story, statement, question, memory. A primer like no other." — School Library Journal (starred review) In this splendid and playful volume — second of a trilogy — an acclaimed creative team presents examples of twenty-nine poetic forms, demonstrating not only the (sometimes bendable) rules of poetry, but also the spirit that brings these forms to life. Featuring poems from the likes of Eleanor Farjeon (aubade), X. J. Kennedy (elegy), Ogden Nash (couplet), Liz Rosenberg (pantoum), and William Shakespeare, the sonnet king himself, A Kick in the Head perfectly illustrates Robert Frost’s maxim that poetry without rules is like a tennis match without a net. Back matter includes notes on poetic forms.