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Elizabeth Maslen's excellent biography offers a fresh look at the intersection of Jameson's life and work and the way these intersected with figures from Rebecca West to Arthur Koeslter to Czeslaw Milosz.
In 1960, Storm Jameson decided to write her memoirs. The result was Journey from the North, one of the great literary autobiographies of the century. Volume One, first published in 1969, tells of her childhood in Whitby before the First World War, the strong ties with her formidable mother, an early love of the sea, her intellectual achievements at university and falling in love. She vividly recalls her first marriage and the birth of her son; then came her first book, work in London, and the deep happiness of her second marriage to Guy Chapman, the novelist and historian. In the thirties she became increasingly involved in politics, and her accounts of the Depression and the rise of Fascism in Europe demonstrate her exceptional understanding of the years between the wars. But the most extraordinary quality of this autobiography is its fine truthfulness. Her candour - about wanting to be an artist, about failures of courage and of love, her devotion to her son and yet a need for a life of her own - is quite exceptional. Journey from the North is a brilliantly told story of a fascinating life.
The second volume in Storm Jameson s autobiography starts on the eve of the Second World War, and encompasses Jameson's involvement as the first female president of PEN, where she met all of the writers and artists of her day, and was pivotal in helping refugee families get to Britain.
From her childhood in Whitby to her long old age in Cambridge, the life of Margaret Storm Jameson (1891-1986), novelist, autobiographer, and political activist, spanned almost the whole of the twentieth century. A self-styled Little Englander by nature, and European by nurture, equally at home, or out of place, in the North Yorkshire moors and seascape of her birth, metropolitan London, rural France, and the capitals of Central Europe, she wrote of country, cities and the exile from both with equal knowledge and sympathy. Out of the changing landscapes of her present, she fashioned her vision of the future. The title of her autobiography, Journey from the North, is a simultaneous evocation and erasure of nostalgia for lost commonality, and in her long life as writer and activist, President of wartime PEN (the association of Poets, Essayist, Novelists) committed to the values of freedom and social justice, she fought to reconcile the conflicting forms of emergent modernity. Her own journey is the generic experience of twentieth-century Britain, and the England she urges on her contemporaries is one that shares the life and mind of Europe. The present book traces the history of that shared experience. It recovers, through her writing, the aspirations and the disappointments of the generation of socialists that was Class 1914. The soldiers returning from the front in 1918, to unemployment and the General Strike of 1926, fight in 1940 alongside Frenchmen, and against Germans, who are victims of the same system: class conflict, nationalist rivalries, imperialist ambition, all for Jameson have the same defining economic horizon. At the end of the odyssey the stark alternatives take shape: Washington or Moscow, the madness of American capitalism, or the oppression of Stalinist Communism. Alongside the narrative of Jameson's life, and the experiences as daughter, wife, and mother that shaped her personality and her career, the book explores her concern with issues of culture and society, cultural memory, and cultural landscapes, her fascination with aesthetic form and the relation of writing to politics, her insight into the materiality of words, and her persistent probing of the nature of the writing subject. It draws on unpublished archive material and brings new research on neglected areas of cultural history into conjunction with literary-critical analyses of Jameson's novels and studies of her journalism and essays. There is an extensive Bibliography of her work.
(Margaret) Storm Jameson (1897- ), an author, was born in England. Includes events in her life from the early 1900s to the 1930s.
A Category 4 hurricane, with winds of up to 155 miles per hour, tears roofs off buildings, smashes windows and doors, and can send floodwaters up to the second floor. and Jake Baxter, a weatherman for the CIA, to try, using a secret US Navy weapon. The catch? It has to be deployed inside the hurricane.
Once upon a time there was a war . . . and a young American who thought of himself as the Quiet American and the Ugly American, and who wished to be neither, who wanted instead to be the Wise American, or the Good American, but who eventually came to witness himself as the Real American and finally as simply the Fucking American. That’s me. This is the story of Skip Sands—spy-in-training, engaged in Psychological Operations against the Vietcong—and the disasters that befall him thanks to his famous uncle, a war hero known in intelligence circles simply as the Colonel. This is also the story of the Houston brothers, Bill and James, young men who drift out of the Arizona desert into a war in which the line between disinformation and delusion has blurred away. In its vision of human folly, and its gritty, sympathetic portraits of men and women desperate for an end to their loneliness, whether in sex or death or by the grace of God, this is a story like nothing in our literature. Tree of Smoke is Denis Johnson’s first full-length novel in nine years, and his most gripping, beautiful, and powerful work to date. Tree of Smoke is the 2007 National Book Award Winner for Fiction.
One of the 20th century's finest memoirs of literary and political life, with an introduction by Vivian Gornick, who referred to the book as “literary gold” “Stops you in your tracks. I would like to persuade everyone to read it” — Sunday Times A compulsively readable, beautifully written account of a fascinating twentieth-century woman and life. This candid, affecting portrait of a woman who loathed domesticity explores how she sought to balance a literary career with political commitment. Towards the end of her life, the writer Storm Jameson began her memoir by asking, “can I make sense of my life?” This question propelled her through an extraordinary reckoning with how she had lived: her early years in Whitby, shadowed by her tempestuous, dissatisfied mother; an early, unhappy marriage and repeated flights from settled domesticity; a tenaciously pursued literary career, always dogged by a lack of money; and her lifelong political activism, including as the first female president of English PEN, helping refugees escape Nazi Germany. In a richly ironic, conversational voice, Jameson tells also of the great figures she knew and events she witnessed: encounters with H.G. Wells and Rose Macaulay, travels in Europe as fascism was rising and a 1945 trip to recently liberated Warsaw. Throughout, she casts an unsparing eye on her own motivations and psychology, providing a rigorously candid and lively portrait of her life and times.