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Advice for organizing a family toolbox to be used in family emergencies and natural or man-made disasters.
Auction catalogues can reveal a lot about a person - their lives, loves and style. Sarah Jane Adams, a jewellery and antiques dealer who became an international model and Instagram sensation overnight in her 60s, tells her story through a lifetime's collection of rare pieces, valuable jewellery and worthless objects, as well as personal photographs and effects from her 'estate'. A former punk, rebel and single mother of twin girls, Sarah Jane Adams was sent to boarding school as a young child, where she soon learned the value of packing her belongings for a quick getaway. Modelling her style upon Jimi Hendrix and Keith Richards throughout the late 1960s and early '70s before becoming a punk, this globe-hopping iconoclast dealt and traded her way around the world, living a gloriously technicolour life. Told with wit, pathos and charm. Life In A Box illustrates how style is always deeply personal to the wearer, laden with rich meaning and adventure and above all, redolent of our stories.
A National Public Radio veteran and a satellite radio pioneer discusses his influential life in radio.
His fans have spoken, but despite their requests, Peter Davison has gone ahead and written his autobiography anyway. It wasn’t the book they tried to stop – it was more like the book they didn’t want him to start. An aspiring singer-songwriter, once dubbed Woking’s answer to Bob Dylan (by his mum, who once heard a Bob Dylan song), Peter actually penned a hit for Dave Clark but soon swapped a life on the pub circuit to tread the boards. From colonial roots – his dad was Guyanese and his mother was born in India – the family settled in Surrey where Peter’s academic achievements were unspectacular – he even managed to fail CSE woodwork, eliciting a lament from his astonished teacher (‘All you have to do is recognise wood!’). Despite this, Peter has secured his place in science fiction history, becoming the fifth Doctor Who, although he nearly turned down the role. The Time Lord connection continued with the marriage of his daughter Georgia to Dr Who number ten, David Tennant. The artist formerly known as Peter Malcolm Gordon Moffett has starred in a number of television series including Love for Lydia, A Very Peculiar Practice, At Home with the Braithwaites and The Last Detective and became a national treasure for having his arm up a cow in his role as Tristan Farnon in All Creatures Great and Small. He was also in a Michael Winner movie... He made his first stage appearance with an amateur dramatic company, but The Byfleet Players’ loss was the West End’s gain as he now has a number of musicals to his name, including Legally Blonde, Chicago and Spamalot. Most recently he starred in the box office record-breaking Gypsy where he rubbed shoulders backstage with Dames Meryl Streep, Maggie Smith and Judi Dench – all asking him for directions to Imelda Staunton’s dressing room. One thing is for sure: of all the British screen and stage actors of the last fifty years, Peter Davison is certainly one of them and, within these pages, intrepid readers will at last have the dubious honour of sharing in his life and times – as he despairs over whether there truly ever can be life outside the box.
A provocative new collection examining the power of language and race in contemporary culture by a leading American poet
Have you ever wondered what happens to a cardboard box when you no longer need it? This lovely bedtime story helps children understand how and why we should recycle our cardboard.
Get inspired to step out of your box and embrace your potential. From the corporate world, to the arts, to working with the disenfranchised, the message is clear: there is no such thing as a normal way to live your life and no one right solution to any problem. Selected from over a hundred interviews, the stories shared here open a window on the journeys of seven women and three men who have charted their own paths, including Ruthie Davis--top US luxury shoe designer and the winner of the 2014 AAFA Footwear Designer of the Year award; and Geir Ness whose perfume is a staple in Nordstrom, Disney World, and on Disney Cruise Lines. Enjoy a glimpse behind the scenes into the unique ways these individuals have chosen to deal with life's challenges and how they define success in their careers.
For more than 25 years, author Megan O’Hara worked as an hourly associate at Walmart in fifteen stores across five states. In Life within a Big Box, she shares her story, revealing the challenges, laughter, tears, fun, and hard work that went into every year. In chronoloigcal order, O’Hara describes her work experiences. This memoir follows her career from one store to another, through her progressive and sometimes regressive steps toward her final goal. Offering a behind-the-scenes look at how the stores work, she discusses: well-managed and ill-managed stores; how to do the job; shift changes and schedules; a CEO visit; fraternizing with hourly associates; unfair coaching with integrity at stake; discrimination, unions, and Walmart; corporate rules; Black Friday, Christmas, and other holidays; theft; associate camaraderie and favoritism; and hourly wage problems. Life within a Big Box gives an insider’s perspective of Walmart and explores what it’s like to work for the largest retailer and private employer in the world.
This is a book of permission slipsbut not for scout hikes or eighth-grade field trips. These give you permission to own the thoughts and feelings that you may already secretly harbor but never knew you were even allowed to consider. You may already have had rebellious thoughts about other peoples expectations of you, but quickly squelched them in order not to disappoint. You may have imagined that God might be quite different from what was taught in your home and your culture, but never felt comfortable expressing your beliefs. Get Out of the Box and Discover Your Life is a liberating look at ideas that could open up the excitement of discovery in your lifeeven if your societys rules have blocked you from entertaining these ideas until now. Learn how you can help save Earth and its people from ongoing deterioration by changing your own energy field. This can be done only if you can remove the mental shackles that your tribal rules have fettered you with.
A compelling revision of the history of experimental writing from Pound and Stein to Language poetry, disclosing its uses and its limits. In this bold new study of twentieth-century American writing and poetics, Natalia Cecire argues that experimental writing should be understood as a historical phenomenon before it is understood as a set of formal phenomena. This seems counterintuitive because, at its most basic level, experimental writing can be thought of as writing which breaks from established forms. Touching on figures who are not typically considered experimental, such as Stephen Crane, Jacob Riis, Busby Berkeley, Ursula K. Le Guin, and Gottlob Frege, Experimental offers a fresh look at authors who are often treated as constituting a center or an origin point of an experimental literary tradition in the United States, including Gertrude Stein, Ezra Pound, William Carlos Williams, and Marianne Moore. In responding to a crisis of legitimization in the production of knowledge, this tradition borrows and transforms the language of the sciences. Drawing upon terminology from the history of science, Cecire invokes the epistemic virtue, which tethers ethical values to the production of knowledge in order to organize diverse turn-of-the-century knowledge practices feeding into "experimental writing." Using these epistemic virtues as a structuring concept for the book's argument, Cecire demonstrates that experimental writing as we now understand it does not do experiments (as in follow a method) but rather performs epistemic virtues. Experimental texts embody the epistemic virtues of flash, objectivity, precision, and contact, associated respectively with population sciences, neuroanatomy, natural history and toolmaking, and anthropology. Yet which virtues take precedence may vary widely, as may the literary forms through which they manifest. Bringing it up to the 1980s, Cecire reveals the American experimental literary tradition as a concerted and largely successful rewriting of twentieth-century literary history. She shows how the Language poets, a group of primarily white experimental writers, restored to the canon what they saw as modernism's true legacy, whose stakes were simultaneously political and epistemological: it produced a poet who was an intellectual and a text that was experimental.