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Thomas Reid (1710&–1796) is now recognized as one of the towering figures of the Enlightenment. Best known for his published writings on epistemology and moral theory, he was also an accomplished mathematician and natural philosopher, as an earlier volume of his manuscripts edited by Paul Wood for the Edinburgh Reid Edition, Thomas Reid on the Animate Creation, has shown. The Correspondence of Thomas Reid collects all of the known letters to and from Reid in a fully annotated form. Letters already published by Sir William Hamilton and others have been reedited, and roughly half of the letters included appear in print for the first time. Writing in 1802, Reid's disciple and biographer Dugald Stewart doubted that Reid's correspondence &"would be generally interesting.&" This collection proves otherwise, for the letters illuminate virtually every aspect of Reid's life and career and, in some instances, provide us with invaluable evidence about activities otherwise undocumented in his manuscripts or published works. Through his correspondence we can trace Reid's relations with contemporaries such as David Hume and his colleagues at both King's College, Aberdeen, and the University of Glasgow, as well as his engagement with the most controversial philosophical, scientific, and political issues of his day. If anything, the letters assembled here serve as the starting point for understanding Reid and his place in the Enlightenment.
Reprint of the original, first published in 1875.
A hypnotic mix of cyberpunk and magical realism, this chilling first novel by Sue Thomas marks the debut of a corrosively brilliant new writer. A novel of woman and machine, Correspondence blurs the boundaries between virtual reality and real life and examines the interconnectedness of fantasy, desire and memory. More than a novel, Correspondence is a roleplay and you are both reader and narrator, a computer programmer who is a compositor of fantasies. You take your source material from the accumulated hopes and desires of the world, but you must be careful. Sometimes the end result is unexpected. Emotionally deadened by the loss of your family in an accident, you begin turning yourself into a machine; you become an extension of the prosthetics for your compositing work. Soon there will be no future for you, and no past; no emotion and no pain. But your machine consciousness is not yet complete, and from your source material you create Rosa. As she grows and flourishes, Rosa develops a life of her own and starts to distance herself from you. Still deeply connected to the woman you have made, you are left with devastating choices. Subversive and utterly imaginative, Correspondence breaks the boundaries of conventional fiction to explore the meaning of consciousness itself.
Reprint of the original, first published in 1882.
The relationship between Thomas Wolfe and his editor, Maxwell Perkins has been the subject of guesswork and anecdote for 70 years. Scholars have debated Wolfe's dependence on his editor. This volume of 251 letters should clarify the relationship and set the record straight.