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These lectures show the factors in life on earth that will influence one's experiences during life after death, as well as elements of the spiritual world that will affect one's future life on earth. Steiner also speaks of the influence the living may have on the souls of the dead.
"He listened extremely attentively, apparently not looking at me at all, but totally devoted to my words." --Franz Kafka "The only love that you can show me is to call me anytime, day or night, when you need me." --Rudolf Steiner (to Friedrich Rittelmeyer) For Peter Selg, if Anthroposophy to be a living reality, we must learn to know and love Rudolf Steiner as he appeared to those who knew and loved him: namely, as a spiritual teacher. To help us do so, he gathered recollections of those of who knew Steiner personally--"historical witnesses to the 'living phenomenon' of the 'figure of the teacher." It is his hope that these firsthand accounts will help readers see and experience the amazing, ever-mysterious person that Rudolf Steiner was--a dynamic, energetic "dual citizen" of both the spiritual and the physical worlds. He moved constantly between these two realities, while his whole life was dedicated in service to the spiritual evolution of humanity. Nonetheless, he was also deeply sociable and a true friend, convivial, cheerful, humorous, and always able to enjoy--and tell--a good joke. He was also austere and painfully serious. In other words, Rudolf Steiner was a paradox. Steiner was "imposing," but it would be difficult to say why. He was slim; there was no heaviness in him. Indeed, what seemed to strike most people first was his lightness. He moved rhythmically, youthfully, artistically, with quick, light steps, his posture erect but fluid, his head seeming to float between Heaven and Earth. Yet he was fully grounded. When he stood, it was as if nothing could move him. When he spoke, his gestures and tone expressed perfectly what he had to say. He was completely one with what he said, so that he changed as the content changed. Those who listened to his lectures found themselves transported to the source of what they were hearing. Sometimes "ten Steiners" would pass before them. To hear a lecture, was a meditation experience. Quite another figure appeared in conversations, which filled his every public moment. One experienced luminous kindness, selfless interest, and intense listening attention. It was as tough one were singled out in the world and having a sense of being allowed complete inner freedom. All who came to him for advice felt Steiner's love. They felt that he saw the best in them and spoke from that point of view, whether it was a matter of life's journey or esoteric training. By his example, then, he sought to exemplify the kind of spiritual community toward which he hoped anthroposophists would strive. For anyone who has wondered what Rudolf Steiner was like, this book will open many windows.
Dolores has accumulated information about the Death experience and what lies beyond through 16 years of hypnotic research and past-life therapy. While retrieving past-life experiences, hundreds of subjects reported the same memories when experiencing their death, the spirit realm, and their rebirth.This book also explores: * Guides and guardian angels* Ghosts and poltergeists* Planning your present lifetime and karmic relationships before your birth* The significance of bad lifetimes* Perceptions of God and the Devil* And much more
The primal role of art in awakening and liberating the soul of humanity • Presents a seven-stage journey of transformation moving from the darkened soul to the light of spiritual illumination • Provides a meditation practice to experience the spiritual energy embedded within art • Includes artists Alex Grey, Jackson Pollock, Mark Rothko, Walter Gaudnek, and others Art and Spiritual Transformation presents a seven-stage journey from the darkened soul to the light of spiritual illumination that is possible through the world of art. Finley Eversole introduces a meditation practice that moves beyond the visual content of an art form in order to connect with its embedded spiritual energy, allowing the viewer to tap in to the deeper consciousness inherent in the artwork and awaken dormant powers in the depths of the viewer’s soul. Examining modern and postmodern artwork from 1945 onward, Eversole reveals the influences of ancient Egypt, India, China, and alchemy on this art. He draws extensively on philosophy, myth and symbolism, literature, and metaphysics to explain the seven stages of spiritual death and rebirth of the soul possible through art: the experience of self-loss, the journey into the underworld, the experience of the dark night of the soul, the conflict with and triumph over evil, the awakening of new life in the depths of being, and the return and reintegration of consciousness on a higher plane of being, resulting finally in ecstasy, transfiguration, illumination, and liberation. To illustrate these stages, Eversole includes works by abstract expressionists Jackson Pollock, Willem de Kooning, and Mark Rothko and modern visionary artists Alex Grey and Ernst Fuchs, among others, to reveal the powerful and liberating forces art contributes to the transformation and evolution of human consciousness.
Life After Death? Afterlife: Life After Death - What Happens When You Die? Rebirth or Game Over? Ever wonder what really happens when you die? "What happens to us when we die?" Have you ever asked yourself this question? Whether is was out of curiosity for yourself or because you've experienced the passing of a loved one and want to know if they're OK, then finally the answers you have been waiting for are here. Afterlife: What Happens When You Die - Rebirth or Game Over? is your ultimate guide to unraveling, once and for all, the great mysteries of the afterlife. Here's what you'll discover: Karma and the Balancing of Life Activities Remembering Past Lives How We Experience Life after Death Stop wondering and waiting. Discover the truth about death today so you can live the life you've always wanted. The truth is waiting for you!
The title says it all. Eric Weiss is going for the gold. I'm watching and believing. -Michael Murphy, Cofounder of Esalen Institute Author of The Future of the Body As I read Eric Weiss' The Long Trajectory, I am often lifted beyond understanding into ecstasy. Integrating the physical, transphysical, and spiritual dimensions, Weiss offers a metaphysical model that heals the past and opens the door to a new future for humanity. -Dr. Christopher M. Bache, Youngstown State University Author of Dark Night, Early Dawn What happens to us after we die? Do we cease to exist? Do we survive bodily death? Do we live again in a new body? Without answers to these questions, we cannot know who and what we really are. In The Long Trajectory, author and philosopher Eric Weiss explores these fundamental questions. Inspired by the philosophies of Alfred North Whitehead and Sri Aurobindo, Weiss develops a new metaphysical system he calls "transphysical process metaphysics." It rethinks space, time, matter/energy, consciousness, and personality in ways consistent with the findings of science, while providing a coherent explanation for the survival of the personality beyond death and how it can reincarnate in a new body.
A single lecture taken from the volume Life Beyond Death.
It is a classical anthropological paradox that symbols of rebirth and fertility are frequently found in funerary rituals throughout the world. The original essays collected here re-examine this phenomenon through insights from China, India, New Guinea, Latin America, and Africa. The contributors, each a specialist in one of these areas, have worked in close collaboration to produce a genuinely innovative theoretical approach to the study of the symbolism surrounding death, an outline of which is provided in an important introduction by the editors. The major concern of the volume is the way in which funerary rituals dramatically transform the image of life as a dialectic flux involving exchange and transaction, marriage and procreation, into an image of a still, transcendental order in which oppositions such as those between self and other, wife-giver and wife-taker, Brahmin and untouchable, birth and therefore death have been abolished. This transformation often involves a general devaluation of biology, and, particularly, of sexuality, which is contrasted with a more spiritual and controlled source of life. The role of women, who are frequently associated with biological processes, mourning and death pollution, is often predominant in funerary rituals, and in examining this book makes a further contribution to the understanding of the symbolism of gender. The death rituals and the symbolism of rebirth are also analysed in the context of the political processes of the different societies considered, and it is argued that social order and political organisation may be legitimated through an exploitation of the emotions and biology.
The final literary testament of “one of the most innovative, brilliant novelists in the Western World” (New York Times), Between Life and Death is a startling, brave, funny, and poetic autobiographical novel about the four months Yoram Kaniuk spent in a coma near the end of his life. In Between Life and Death, celebrated Israeli writer Yoram Kaniuk relives the four months during which he lay unconscious in a Tel Aviv hospital, hovering between the worlds of the living and of the dead. With an arresting, dreamlike style that blends playfulness with fearless honesty, Kaniuk attempts to penetrate his own lost consciousness. Shifting between memory and illusion, imagination and testimony, Kaniuk explores the place of death in society, his own lust for life, and the encompassing struggles of the twentieth century. He writes about the colorful characters of his childhood neighborhood, battles in the 1948 War of Independence, and his defiant voyages across the Mediterranean on ships packed with Jewish refugees from war-torn Europe. With renewed vitality at the age of seventy-four, Kaniuk announced his rebirth with Between Life and Death, and left us a treasure of world literature that is destined for immortality. “How can one even review the final work of a writer as rewarding, innovative, and rebellious as Kaniuk?... Kaniuk’s achievement is inconceivable and awe-inspiring: at the age of seventy-seven, with a broken body, after his soul almost parted from this life, he managed to pull himself together for a short while, get back to his writing desk, and recount his near-death experience.… The writing is skilful and you cannot stop turning the pages.” —Time Out “Kaniuk’s best novel to date…The author captures a rare voice, a tone which is elegiac, full of rhythm, paratactic, and irresistible in its pull.… It achieves excellence and transparent wonder.” —Frankfurter Allgemeine Zeitung