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In the period between the Civil War and the Great Depression, Louisville, Kentucky was host to what George C. Wright calls "a polite form of racism." There were no lynchings or race riots, and to a great extent, Louisville blacks escaped the harsh violence that was a fact of life for blacks in the Deep South. Furthermore, black Louisvillians consistently enjoyed and exercised an oft-contested but never effectively retracted enfranchisement. However, their votes usually did not amount to any real political leverage, and there were no radical improvements in civil rights during this period. Instead, there existed a delicate balance between relative privilege and enforced passivity.A substantial paternalism carried over from antebellum days in Louisville, and many leading white citizens lent support to a limited uplifting of blacks in society. They helped blacks establish their own schools, hospitals, and other institutions. But the dual purpose that such actions served, providing assistance while making the maintenance of strict segregation easier, was not incidental. Whites salved their consequences without really threatening an established order. And blacks, obliged to be grateful for the assistance, generally refrained from arguing for real social and political equality for fear of jeopardizing a partially improved situation and regressing to a status similar to that of other southern blacks.In Life Behind a Veil: Blacks in Louisville, Kentucky, 1865 - 1930, George Wright looks at the particulars of this form of racism. He also looks at the ways in which blacks made the most of their less than ideal position, focusing on the institutions that were central to their lives. Blacks in Louisville boasted the first library for blacks in the United States, as well as black-owned banks, hospitals, churches, settlement houses, and social clubs. These supported and reinforced a sense of community, self-esteem, and pride that was often undermined by the white world.Life Behind a Veil is a comprehensive account of race relations, black response to white discrimination, and the black community behind the walls of segregation in this border town. The title echoes Blyden Jackson's recollection of his childhood in Louisville, where blacks were always aware that there were two very distinct Louisvilles, one of which they were excluded from.
An unprecedented, sympathetic, and wide-ranging exploration of the mysterious world of Islamic women--the people behind the veils--is presented by female writers and Christian workers.
In 1920s Los Angeles, Letitia Hawking inhabits the veil between life and death. Using her scrying bowl to experience the final moments of the deceased, Letitia brings what little closure she can to her clients, allowing them to move on with their lives. Grief-stricken war widows and mourning families find peace when they visit Letitia. She knows no such peace. For Letitia, it's penance.For Alasdair Driscoll, Letitia's abilities offer the chance to save his beloved niece, Finola, from her nightmares and-as he fears-her growing insanity. But when Letitia sees a shadowy figure attached to the Driscoll family, old fears of her unspeakable past in England surface. She refuses to help him, despite his money and insistence. Instead, Letitia finds herself facing a father whose young daughter has been kidnapped-the third girl to have gone missing in as many months. Evading a determined Mr. Driscoll, a man used to getting his way, proves difficult. And as the darkness creeps in, Letitia makes the connection between the missing girls and Finola: the shadows haunting her visions. Letitia thought she could find refuge in a new, burgeoning city, far from her past. But she'll discover that unless she helps Mr. Driscoll rid his niece of her nightmares, the shadows will haunt Letitia-risking not only her newfound sanctuary but also her very sanity.
The Life Beyond the Veil contains a series of communications from various personalities "on the other side," received and written down by the Rev. G. Vale Owen, Vicar of Orford, Lancashire, England. It was first published as four separate books: The Lowlands of Heaven (1920), The Highlands of Heaven (1920), The Ministry of Heaven (1921), and The Battalions of Heaven (1921). This volume combines all four works, and includes revised and standardized introductory pages. As described by Editor H. W. Engholm in his introduction to Book I, The Life Beyond the Veil brings us "face to face with a Spiritual Universe of unimaginable immensity and grandeur, with sphere upon sphere of the realms of light which stretch away into infinity. We are told that those who have passed from our earth life inhabit the nearer spheres, amid surroundings not wholly dissimilar from those they have known in this world; that at death we shall enter the sphere for which our spiritual development fits us. There is to be no sudden change in our personality. We shall not be plunged into forgetfulness. A human being is not transformed into another being. . . . So small a thing is the change which we call death . . . that many do not realize it. They have to be taught that they are in another world, the world of reunion. . . ." Books II, III and IV cover a wider range than the first book, more fully explaining the afterlife and giving, in H.W.E.'s words, "a little more of those 'many things' designed to broaden our vision, strengthen our faith, and help us to realize more fully the wonderful things which God has in store for all those that love Him." * * * "Is it subversive of old beliefs? A thousand times No. It broadens them, it defines them, it beautifies them, it fills in the empty voids which have bewildered us . . . it is infinitely reassuring and illuminating."-Sir Arthur Conan Doyle.
I was drawn to the unusual things in life at a young age. I examined things like space, death, cloning, angels and other strange phenomena that have been considered as mysterious or controversial. As an adult the interest in such things only intensified as I experienced things I didn't understand, some of which were very intimidating and or scary. I was unsure of how God played a role in many of the things I experienced and therefore chose to remain ignorant or avoided them all together. I've experienced spirit walking, seeing in the spirit, prophetic dreams and other occurrences in which I do not know how to explain. I will share some of these experiences in this book. I will show you things God has demystified for me, He will also do the same for you.
"Life Behind The Veil" is a gripping story that is very difficult to fix as a novel or an autography. The story grapples with the life of a young man and the immediate environment which he found himself ie the Royal Family with all of its paraphernalia. Some astonishing philosophical propositions shaped the life style of the author to such an extent that the title fits exactly the life lived by many royal families in the world. This life is not extolled and neither is it condemned. The reader is left to deduce his/her own concepts and understand what it takes to belong to or be a part of the royalty. The flux of enthusiasm and love of the apparent affluence of royalty led the young man into going deep into himself and discovering his purpose in life. And what is this purpose? It is left in an artistic manner and interpretation for the reader to discover it as an individual. This book is very appealing to both the intellectual and literary minded readers. One does not need very obtuse knowledge to enjoy the substance of internal conflicts within the being of the narrator. The narrator immersed himself in the first person narrative and became omniscient and omnipresent in all the activities within the palace and the community. He is very versatile and adept in meandering through reality and fiction and it becomes difficult to fix where reality begins and where his imagination takes over. The verisimilitude between the two versions of writing appeals more to the sensuality of the reader rather than the intellectual aspects. But both are so well mixed to portray a life that is full of complexities and simplicity conjoined to produce a work of art. Here you find the frustration of a young man who thought he had left his many demons behind to find a calming and suiting life abroad only to meet with a more fiercer demons of Western societies - the demons of none inclusiveness, rejections and unacceptability.