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"Life And Letters Of John Gay (1685-1732), Author of "The Beggar's Opera"" by Lewis Melville John Gay was an English poet and dramatist and a member of the Scriblerus Club. He is best remembered for The Beggar's Opera whose characters became household names. In this book, Melville describes the life of this important figure in literary history through a collection of facts and letters that were collected and thoroughly researched to create an encompassing picture of Gay.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
How did people learn to write letters in the eighteenth century? Among other books, letter-writing manuals provided a possible solution. Although more than 160 editions can be traced for the eighteenth century, most manuals were largely intended for men. As a consequence, when The Ladies Complete Letter-Writer was released in London in 1763, it was the first manual to be exclusively destined for women in eighteenth-century Britain. Even though it was published anonymously, several elements tend to show that it must have been edited by Edward Kimber. It was reprinted in Dublin in 1763 and in London in 1765 and largely circulated. The reasons for its success may have come from its concern in epistolary rhetoric, its original organisation, or the entertainment provided by examples coming from different sources, among which letters by Eliza Haywood, Samuel Richardson, Mary Collier, or the Marquise de Lambert. It also provided women with a variety of subjects which were supposed to be part of their sphere of interest, and others which were not, thus questioning a number of pre-conceived ideas on women and their way of writing with or without propriety. Unedited since 1765, the manual is now presented with introduction, notes and two indices focusing on the issues of sources, society and epistolary writing.
Issues for 1912-16, 1919- accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly) This bibliography was incorporated into the main list in 1917-18.
The Dramatic index for 1912-16, 1919-49 accompanied by an appendix: The Dramatic books and plays (in English) (title varies slightly). This bibliography was incorporated in the main list in 1917-18.
Contains the cumulation of the subject index issued in the quarterly numbers of the Bulletin of bibliography and magazine subject-index.
This book is a meticulously researched but very readable story of Huguenot Paul Fourdriniers journey from being an apprentice in Holland to a highly recognized printmaker in London in the eighteenth century. Paul is almost forgotten and artistically underrated but was an accomplished copper engraver who founded the English Fourdrinier dynasty, which produced the developers of the Fourdrinier papermaking machine and the mother of Cardinal Newman. The reader will be immersed in his world and his connections to aristocrats, artists, and great projects of the ageincluding the development of Palladian neoclassical architecture, the Foundlings Hospital, and the Savannah colony in Georgiaand renowned talents such as the sculptor Rysbrack, painter Hogarth, designer William Kent, and composer George Frederick Handel. As well as the great and powerful, we meet the eccentricsGeorge Vertue, Horace Walpole, the reverend Stephen Duck, Batty Langley, courtesan Teresia Constantia Phillips, and the curious affair of Mary Toft, who convinced half the nation that she had given birth to rabbits. This was a time of exciting intellectual development. The combination of copper engraving and printing along with the removal of state censorship and the institution of copyright led to a wave of information and learning not dissimilar to the impact of the Internet. The institution of commercial companies and banks foreshadowed the Industrial Revolution and made possible projects such as Charles Labeyles first Westminster Bridge, the building of Regency Bath and James Gibbs Radcliffe Camera in Oxford, all engraved by Fourdrinier on behalf of their creators. In his shop in Whitehall, he developed master engravings of uncommon size and shapes for customers, including the Earls of Burlington and Pembroke, and engraved for Thomas Wright, the astronomer who first defined galaxies, and William Chambers, who propelled Chinese fashion into Georgian design. This is a fascinating book from beginning to end.