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From the riotous days of Prohibition and the Jazz Age to the brutal awakening of Pearl Harbor, one man ruled the fate of America's most dangerous criminals. He was Lewis E. Lawes, warden of Sing Sing prison, the Big House up the river, who believed that no man was beyond redemption. Warden Lawes couldn't banish the electric chair (though he tried) but he knew that humanitarian care and good morale provided better security than the stoutest walls. Lawes befriended the Hollywood greats, Charlie Chaplin and Humphrey Bogart and Spencer Tracy and Harry Warner, opening Sing Sing to the movies and exposing prisoners to the glamour of the silver screen. He brought Babe Ruth to Sing Sing, fielded a winning football team called The Black Sheep that brought gridiron glory to the circuit known as the Big Pen, and ran training shops, school classes and culture programs. Truly, Warden Lawes made Sing Sing sing. But Lawes was no pushover. He brought law to Sing Sing, a tale that comes alive in the hands of prize-winning New York Times reporter Ralph Blumenthal. He killed on orders from the state, consigning 303 condemned men and women to the electric chair. But he crusaded fiercely against the death penalty as useless and preached that every man deserved a second chance, even if, in the end, he faced a terrible betrayal. Lawes taught the nation that a jail was a lockup but a prison was a community. With his perfect name and flawless eye for fashion, Lawes took over as the ninth warden in eight years -- at 39, the youngest man to lead the century-old institution, then overflowing with more than a thousand hardened criminals and luckless youths. Vice was rife -- bribery, alcohol, drugs and sex. The political bosses held sway, swinging deals for favored inmates. Enemies accused him of coddling prisoners but he ridiculed the charge. No one was coddled on a food budget of 18 cents a day. Lawes lived with his wife and daughters in a Victorian mansion abutting the cellblock, where he was shaved each morning by a prison barber convicted of slashing a man's throat, the household cook was a murderer, and his youngest daughter's favorite babysitter was serving twenty-five years for kidnapping. Lawes tamed the tyrannical Charles E. Chapin who had terrorized generations of reporters as the editor of Joseph Pulitzer's Evening World before murdering his wife and winding up as Lawes's favorite horticulturist, the Rose Man of Sing Sing. Lawes championed the advent of radio and used it to inspire his prisoners and educate the public on penal reform. He wrote film scripts and radio plays and dramas and best-selling books. But in the end, his finest tribute came not from the mighty but a lowly prisoner in the yard who muttered, to no one in particular, "There was a right guy."
Based on extensive research with original sources, Brian's narrative covers every period of the prison's checkered history, from the awful conditions of the 19th century to the relative improvements of the 20th century to today.
This “gripping social history” (Publishers Weekly), with all the passion and pathos of a classic opera, chronicles the riveting first campaign against the death penalty waged in 1895 by American pioneer activist, Cora Slocomb, Countess of Brazzà, to save the life of a twenty-year-old illiterate Italian immigrant, Maria Barbella, who killed the man who had abused her. Previously published as The Trials of Maria Barbella. In 1895, a twenty-two-year-old Italian seamstress named Maria Barbella was accused of murdering her lover, Domenico Cataldo, after he seduced her and broke his promise to marry her. Following a sensational trial filled with inept lawyers, dishonest reporters and editors, and a crooked judge repaying political favors, the illiterate immigrant became the first woman sentenced to the newly invented electric chair at Sing Sing, where she is also the first female prisoner. Behind the scenes, a corporate war raged for the monopoly of electricity pitting two giants, Edison and Westinghouse with Nikola Tesla at his side, against each other. Enter Cora Slocomb, an American-born Italian aristocrat and activist, who launched the first campaign against the death penalty to save Maria. Rallying the New York press, Cora reached out across the social divide—from the mansions of Fifth Avenue to the tenements of Little Italy. Maria’s “crime of honor” quickly becomes a cause celebre, seizing the nation’s attention. Idanna Pucci, Cora’s great-granddaughter, masterfully recounts this astonishing story by drawing on original research and documents from the US and Italy. This dramatic page-turner, interwoven with twists and unexpected turns, grapples with the tragedy of immigration, capital punishment, ethnic prejudice, criminal justice, corporate greed, violence against women, and a woman’s right to reject the role of victim. Over a century later, this story is as urgent as ever.
A popular backdrop for numerous movies, Sing Sing, or "the Big House," has been a site of both controversy and reform. The history of Sing Sing dates back to 1825, when warden Elam Lynds brought one hundred inmates to begin construction of the prison "up the river" on the banks of the Hudson. The marble quarry that supplied the building material for the prison was located in an area that was once home to the Sint Sink, a Native American tribe whose name means "stone upon stone." Prison life was dominated by hard labor during the early years. Convicts in striped suits and shackles built the prison with their own hands. With the arrival of warden Lewis Lawes in 1920, Sing Sing became the most progressive prison of its kind. During this time, the New York Yankees traveled up to Sing Sing to play the prison's home baseball team; the prison grounds were landscaped with shrubbery and flower gardens; and the compound grew to include a chapel, mess hall, barbershop, library, and gymnasium. The electric chair was first introduced at Sing Sing in 1891. Julius and Ethel Rosenberg, the first civilians to be found guilty of espionage, were put to death there in 1953. Sing Sing Prison contains rare photographs from the prison archives, the Ossining Historical Society, and a private collection.
This biography of the early 20th-century newspaper giant who became news after killing his wife “has the pace and detail of an engrossing historical novel” (Boston Herald). As city editor of Joseph Pulitzer’s New York Evening World, Charles E. Chapin was the quintessential newsroom tyrant: he drove reporters relentlessly, setting the pace for evening press journalism with blockbuster stories from the Harry K. Thaw trial to the sinking of the Titanic. At the pinnacle of his fame in 1918, Chapin was deeply depressed and facing financial ruin. He decided to kill himself and his wife Nellie. But after shooting Nellie in her sleep, he failed to take his own life. The trial made one hell of a story for the Evening World’s competitors, and Chapin was sentenced to life in Ossining, New York’s, infamous Sing Sing Prison. In The Rose Man of Sing Sing, James McGrath Morris tracks Chapin’s journey from Chicago street reporter to celebrity New York powerbroker to infamous murderer. But Chapin’s story is not without redemption: in prison, he started a newspaper fighting for prisoner rights, wrote a best-selling autobiography, had two long-distance love affairs, and transformed barren prison plots into world-famous rose gardens. The first biography of one of the founding figures of modern American journalism, and a vibrant chronicle of the cutthroat culture of scoops and scandals, The Rose Man of Sing Sing is also a hidden history of New York at its most colorful and passionate.
NOW A MAJOR MOTION PICTURE—The #1 New York Times bestselling worldwide sensation with more than 18 million copies sold, hailed by The New York Times Book Review as “a painfully beautiful first novel that is at once a murder mystery, a coming-of-age narrative and a celebration of nature.” For years, rumors of the “Marsh Girl” have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life—until the unthinkable happens. Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.
An inside look into one of the most mythologized prisons in modern America--the Sing Sing death house In the annals of American criminal justice, two prisons stand out as icons of institutionalized brutality and deprivation: Alcatraz and Sing Sing. In the 70 odd years before 1963, when the death sentence was declared unconstitutional in New York, Sing Sing was the site of almost one-half of the 1,353 executions carried out in the state. More people were executed at Sing Sing than at any other American prison, yet Sing Sing's death house was, to a remarkable extent, one of the most closed, secret and mythologized places in modern America. In this remarkable book, based on recently revealed archival materials, Scott Christianson takes us on a disturbing and poignant tour of Sing Sing's legendary death house, and introduces us to those whose lives Sing Sing claimed. Within the dusty files were mug shots of each newly arrived prisoner, most still wearing the out-to-court clothes they had on earlier that day when they learned their verdict and were sentenced to death. It is these sometimes bewildered, sometimes defiant, faces that fill the pages of Condemned, along with the documents of their last months at Sing Sing. The reader follows prisoners from their introduction to the rules of Sing Sing, through their contact with guards and psychiatrists, their pleas for clemency, escape attempts, resistance, and their final letters and messages before being put to death. We meet the mother of five accused of killing her husband, the two young Chinese men accused of a murder during a robbery and the drifter who doesn't remember killing at all. While the majority of inmates are everyday people, Julius and Ethel Rosenberg were also executed here, as were the major figures in the infamous Murder Inc., forerunner of the American mafia. Page upon page, Condemned leaves an indelible impression of humanity and suffering.