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A groundbreaking and richly illustrated study of the leading artist of the twentieth century.
A long-time companion of Picasso describes the artistic and personal friendship between two giants of twentieth-century art, capturing the affection, rivalry, and creative interaction of the two geniuses, along with examples of their works
"The French Riviera, spring 1936. It's off-season in the lovely seaside village of Juan-les-Pins, where seventeen-year-old Ondine cooks with her mother in the kitchen of their family-owned Cafe Paradis. A mysterious new patron who's slipped out of Paris and is traveling under a different name has made an unusual request--to have his lunch served to him at the nearby villa he's secretly rented ... Pablo Picasso is at a momentous crossroads in his personal and professional life--and for him, art and women are always entwined ... New York, present day. Caeline, a Hollywood makeup artist who's come home for the holidays, learns from her mother Julie that Grandmother Ondine once cooked for Picasso"--
Offers a highly focused examination of La Vie, accompanied by a more expansive reading of its meaning.
"Picasso and Truth" offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early "The Blue Room" to the later "Guernica", eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined--too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso's art. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, this lavishly illustrated volume remedies the biographical and idolatrous tendencies of most studies on Picasso, reasserting the structure and substance of the artist's work. With compelling insight, Clark focuses on three central works--the large-scale "Guitar and Mandolin on a Table" (1924), "The Three Dancers" (1925), and "The Painter and His Model" (1927)--and explores Picasso's answer to Nietzsche's belief that the age-old commitment to truth was imploding in modern European culture. Masterful in its historical contextualization, "Picasso and Truth" rescues Picasso from the celebrity culture that trivializes his accomplishments and returns us to the tragic vision of his art--humane and appalling, naive and difficult, in mourning for a lost nineteenth century, yet utterly exposed to the hell of Europe between the wars.
Explores the life of Pablo Picasso, the significant influences of his work, and the lasting contributions he has made in many art forms.
Marina Picasso remembers being six years old and standing awkwardly in front of the gates of Picasso's grand house near Cannes. She was there with her father and eight-year-old brother to collect from her grandfather the weekly allowance that Picasso grudgingly gave his eldest son to support is family. Sometimes they were sent away and on other occasions, the gates would be opened and they would walk into the intimidating, exciting chaos of Picasso's studio to face the man himself and his unpredictable moods. Looking back, Marina can understand why Picasso had so little interest in his grandchildren; but at the time, she and her brother longed for him to love and understand them. Just a few miles away down the Côte d'Azur, they led a hand-to-mouth existence. Her father was a weak man, reliant on his father for everything and her mother lived in her own fantasy world; the family were therefore utterly dependent on Picasso. People assumed they were rich and privileged because they were Picassos and they were to live their lives under the burden of these assumptions. It was this that caused Marina's brother to commit suicide and when her father died Marina found herself in the ironic position of being one of the major heirs to Picasso's estate.
The author sets out to capture Picasso's early life in this biography, exploring the originality of his art and ambition. At the heart of the interpretation is Picasso's first great love, Fernande Olivier, with whom the artist lived for seven years - a period which included his most revolutionary works. Fernande is given her own voice by way of excerpts from her candid memoirs. Including the artist's friendships with Apollonaire and Gertrude Stein, the book evokes the atmosphere of bohemian life in Paris in the early 1900s.
From the foremost Picasso scholar, the first volume of his Life of Picasso draws on Richardson's close friendship with Picasso, his own diaries, the collaboration of Picasso's widow Jacqueline, and unprecedented access to Picasso's studio and papers to arrive at a profound understanding of the artist and his work. Combining meticulous scholarship with irresistible narrative appeal, this definitive biography of one of the greatest artists of the twentieth century details the years 1881-1906, from Picasso's beginnings in Spain to age twenty-five in Paris. With more than 800 extraordinary black-and-white illustrations.
David Douglas Duncan presents a photographic record of the life which Picasso and Jacqueline shared together in their home. The author was a friend of the couple and records the time he spent with them, from his first visit in 1956 to Picasso's death in 1973 and afterwards, until Jacqueline herself died in 1986. He portrays their everyday domestic life, their leisure time and intimate moments and also shows Picasso at work on his paintings. Duncan recalls "The three of us enjoyed a life so close and casual and natural that I was able to use my cameras as though neither they nor I existed".;Duncan is a well-known photographer and has written over 16 books.