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Chris is an average Joe who wakes up everyday and follows the same old routine...his work, his marriage, and his life becoming more and more stale and unexciting. His life drastically changes on February 26th, in ways that he would have never imagined. He crossed that imaginary line between sanity and insanity, life and death, losing all respect. Then, he experienced the bizarre, in every possible dark way. Accompany Chris on his wild twenty four hour ride into eternity...
Diplomacy has never been Alex’s strong suit… When the vampire council puts Alex and James on trial for exposing the species’ existence to the world, Alex's freedom and James's life hang in the balance, though Alex suspects James’s new daywalking ability is the real aim of their inquisition. Any hope of talking their way out of hot water evaporates when one of the council members is found murdered…with James standing over the smoldering corpse. With every vampire looking to claim Alex’s power for themselves, she will have to team up with an unlikely ally, push her magic to its limits, and match wits against a powerful new foe if she hopes to come out unscathed. Praise for L. R. Braden: “Magic, Murder and Romance, oh my! This is an amazing fantasy in which every character is more than they appear.‗Winchester Public Library on A Drop of Magic “A riveting world filled with amazing characters and a tightly woven plot.‗Richelle Rodarte, Netgalley reviewer on Chaos Song “This is one of my favorite fictional worlds to visit. . . . I devoured this like a reader starved for every word, gulping yet somehow managing to savor the delightful taste of the story.‗Lucretia, Goodreads reviewer on Of Mettle & Magic About the Author: L.R. Braden is the bestselling author of the Magicsmith urban fantasy series, the spin-off Rifter Series (Book One Demon Riding Shotgun), and several works of short fiction. Her writing has won the Eric Hoffer Book Award for Sci-fi/Fantasy, the First Horizon Award for debut authors, the Imadjinn Award for Best Urban Fantasy, and the CAL Award in both the Fantasy and Paranormal categories. She was also honored to be a finalist for the Rocky Mountain Fiction Writers 2021 Writer of the Year award. She and her family live in the foothills of the Colorado Rockies.
Why do you believe what you believe? You’ve been lied to. Probably a lot. We’re always stunned when we realize we’ve been deceived. We can’t believe we were fooled: What was I thinking? How could I have believed that? We always wonder why we believed the lie. But have you ever wondered why you believe the truth? People tell you the truth all the time, and you believe them; and if, at some later point, you’re confronted with evidence that the story you believed was indeed true, you never wonder why you believed it in the first place. In this incisive and insightful taxonomy of lies and liars, New York Times bestselling author Aja Raden makes the surprising claim that maybe you should. Buttressed by history, psychology, and science, The Truth About Lies is both an eye-opening primer on con-artistry—from pyramid schemes to shell games, forgery to hoaxes—and also a telescopic view of society through the mechanics of belief: why we lie, why we believe, and how, if at all, the acts differ. Through wild tales of cons and marks, Raden examines not only how lies actually work, but also why they work, from the evolutionary function of deception to what it reveals about our own. In her previous book, Stoned, Raden asked, “What makes a thing valuable?” In The Truth About Lies, she asks “What makes a thing real?” With cutting wit and a deft touch, Raden untangles the relationship of truth to lie, belief to faith, and deception to propaganda. The Truth About Lies will change everything you thought you knew about what you know, and whether you ever really know it.
The third of Russ Kick’s bestselling Disinformation Guides gathers another all-star line-up of exposés: Juries have ruled in recent trials that Watergate was really about a Democratic Party prostitution ring. Ignored in the U.S. and distorted elsewhere, the Milosevic tribunal hasn’t gone the way authorities were anticipating. (We present exclusive first-hand reporting from the trial). Most theologians don’t believe in the physical Resurrection of Jesus. In 2001, the U.S. uncovered the biggest spy ring in the country since WWII, yet most people never heard about it. The U.S. is engaging in bioweapons research that violates international treaties and federal law. (The New York Times knows about this but refuses to report it). Teddy Roosevelt and Wall Street created Panama for profit. Gandhi wasn’t so wonderful, after all. These are just some of the revelations in the third of our all-star anthologies. Following up on bestsellers You Are Being Lied To and Everything You Know Is Wrong, editor Russ Kick has again assembled a line-up of leading investigative journalists, academics, activists, commentators, and independent researchers, covering CIA assassinations, the anthrax attacks, fluoride, TWA 800, Abraham Lincoln, child protective services, the tobacco industry, forgotten uprisings, the government's missing trillions, even more revelations about 9/11 and much more. Contributors include Gary Webb, Greg Palast, Noreena Hertz, Howard Zinn, Douglas Valentine, Jim Hougan, Kristina Borjesson, Arianna Huffington and many more well-known writers—some of whom you’ll be extremely surprised to see in these pages!
Light and shadow, reflection, colour and motion - these are the primary elements of visual art. Shadow play, tricks of perspective, anamorphoses and magic lanterns have fascinated artists and craftsmen throughout the centuries and continue to inspire and stimulate the imagination to this day. The Art of Illusion explores this world of perceptual paradox through the astonishing collection of the German experimental filmmaker Werner Nekes, and the work of contemporary artists including Christian Boltanski, Carsten Holler, Tony Oursler and Markus Raetz.The Art of Illusion illustrates a vast range of intriguing optical media and artworks from the sixteenth to the twenty-first centuries - manuscripts, prints and books, optical devices and experiments, early cameras, games and toys. This handsome volume incorporates optical tricks, puzzles and illusions, which are sure to make it a collector's item.
“The Knowledge Illusion is filled with insights on how we should deal with our individual ignorance and collective wisdom.” —Steven Pinker We all think we know more than we actually do. Humans have built hugely complex societies and technologies, but most of us don’t even know how a pen or a toilet works. How have we achieved so much despite understanding so little? Cognitive scientists Steven Sloman and Philip Fernbach argue that we survive and thrive despite our mental shortcomings because we live in a rich community of knowledge. The key to our intelligence lies in the people and things around us. We’re constantly drawing on information and expertise stored outside our heads: in our bodies, our environment, our possessions, and the community with which we interact—and usually we don’t even realize we’re doing it. The human mind is both brilliant and pathetic. We have mastered fire, created democratic institutions, stood on the moon, and sequenced our genome. And yet each of us is error prone, sometimes irrational, and often ignorant. The fundamentally communal nature of intelligence and knowledge explains why we often assume we know more than we really do, why political opinions and false beliefs are so hard to change, and why individual-oriented approaches to education and management frequently fail. But our collaborative minds also enable us to do amazing things. The Knowledge Illusion contends that true genius can be found in the ways we create intelligence using the community around us.
The Vital Lie is the first book to examine the reality-illusion conflict in modern drama from Ibsen to present-day playwrights. The book questions why vital lies, lies necessary for life itself, are such an obsessive concern for playwrights of the last hundred years. Using the work of fifteen playwrights, Abbott seeks to discover if modern playwrights treat illusions as helpful or necessary to life, or as signals of sicknesses from which human beings need to be cured. What happens to characters when they are forced to face the truth about themselves and their worlds without the protection of their illusions? The author develops a three-part historical analysis of the use of the reality-illusion theme, from its origins as a metaphysical search to its current elaborations as a theatrical game.
Saul Smilansky presents an original treatment of the problem of free will, which lies at the heart of morality and human self-understanding. He maintains that we have most of the resources we need for a proper understanding of the problem; and the key to it is the role played by illusion. The major traditional philosophical approaches are inadequate, Smilansky argues: their partial insights need to be integrated into a hybrid view, which he calls Fundamental Dualism. Common views about justice, responsibility, human worth, and related notions are radically misguided, and the absurd looms large. We do, however, find some justification for enlightened moral views, and grounding for some of our most cherished views of human nature. The bold and perhaps disturbing claim of Free Will and Illusion is that we could not live adequately with a complete awareness of the truth about human freedom: illusion lies at the centre of the human condition. The necessity of illusion is seen to follow from the basic elements of the free will issue, helping keep our moral and psychological worlds intact. Smilansky offers the challenge of recognizing the centrality of illusion and trying to free ourselves to some extent from it; this is not only a philosophical challenge, but a moral and psychological one as well.
Most of us believe that we are unique and coherent individuals, but are we? The idea of a "self" has existed ever since humans began to live in groups and become sociable. Those who embrace the self as an individual in the West, or a member of the group in the East, feel fulfilled and purposeful. This experience seems incredibly real but a wealth of recent scientific evidence reveals that this notion of the independent, coherent self is an illusion - it is not what it seems. Reality as we perceive it is not something that objectively exists, but something that our brains construct from moment to moment, interpreting, summarizing, and substituting information along the way. Like a science fiction movie, we are living in a matrix that is our mind. In The Self Illusion, Dr. Bruce Hood reveals how the self emerges during childhood and how the architecture of the developing brain enables us to become social animals dependent on each other. He explains that self is the product of our relationships and interactions with others, and it exists only in our brains. The author argues, however, that though the self is an illusion, it is one that humans cannot live without. But things are changing as our technology develops and shapes society. The social bonds and relationships that used to take time and effort to form are now undergoing a revolution as we start to put our self online. Social networking activities such as blogging, Facebook, Linkedin and Twitter threaten to change the way we behave. Social networking is fast becoming socialization on steroids. The speed and ease at which we can form alliances and relationships is outstripping the same selection processes that shaped our self prior to the internet era. This book ventures into unchartered territory to explain how the idea of the self will never be the same again in the online social world.
Chuck's personal website receives thousands of hits and he receives tremendous fan support from around-the-world. Though books and movies on rock groups abound, there are not yet any published books on either STYX or Chuck Panozzo. His is an illuminating story, written by Chuck (one of the two original founders of one of the longest lasting arena bands in the history of rock 'n' roll), and co-author and professional journalist, Michel Skettino. After 25 years of continual success in the music industry, STYX remains an enormously successful rock band, touring the world every year for the last fifteen, and winning new fans around-the-world with each successive appearance.; With four consecutive triple-platinum albums and 25 million in record sales, a natural market exists for this new book title, and with STYX' millions of fans worlwide, along with ongoing concerts being performed constantly in this country and abroad (attracting even greater audiences and younger fans), the telling of this story is both timely and is sure to speak to both gay audiences and adoring fans of rock and roll.