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The Hatfield McCoy Feud was not just a conflict between two mountain families. It was, perhaps even more significantly, a series of overlapping, interlayered conflicts. While feud lore and much of what has passed for feud history focuses on the conflicts between the family of Anse Hatfield and Randolph McCoy, few writers have properly positioned these events as part of a broader struggle between and among all of the local residents, whether they realized it or not, and more powerful economic and political actors who attempted, quite successfully, to amplify and manipulate local conflicts as a means of advancing their own interests. These outside interests, which reached all the way to the door of the governor of Kentucky, had two distinct advantages over the local people. They had control of the press and control of the law. The feud as we know it grew from a complex interaction of various speakers, journalists, lawyers and lawmen, witnesses in court cases, each validating one another's version of events. This book is a great collection of writing about the Hatfield McCoy Feud by my friend Thomas Dotson. I added intros to all of the pieces to provide crucial context for readers who may not be as familiar with the history of the place, its people, and the social, economic, and political forces that drove these events. Everyone knows something about the Hatfield McCoy Feud, but almost everything that people think they know is wrong! Not just a little wrong, either. The feud as it is currently understood was, we argue, a fiction created by powerful men whose aim was to control hundreds of thousands of valuable acres of Pike and Mingo County real estate. This book is important, in my opinion, not just because it rewrites much of what has previously passed for history when it come to the Hatfield McCoy Feud, but also because it begins to chip away at what has passed for the history of the Appalachian people. The land grab that began as early as 1875 with the Bruen Lands Wars in West Virginia resulted in forced transfer of millions of acres of prime land and minerals from local farmers to outside industrialists, and the transformation of a thousands of independent subsistence farming families into a new landless class of impoverished mountaineers. The events of the Hatfield McCoy Feud lie at ground zero of that theft of wealth, and we are still experiencing the repercussions of that theft. If you want to understand how the people of Central Appalachia became poor, this book is an excellent place to start.
For a century we read in books and newspapers and saw on screen, the legend of what is the most famous feud in American history: the Hatfields and the McCoys. What we had was legend, and not history, because the story consisted of a few historical events inside several layers of tall tales and fables reported by the yellow journalists of the late nineteenth century. Except for the raids into West Virginia by Frank Phillips' posse in 1887-8, all the documented events connected to the feud occurred in Pike County, Kentucky. The feud story, like the Phillips posse, was largely made in Pikeville, in 1888. The Pikeville stories were manufactured by men who had two primary goals: 1) They wanted to see a story published which would facilitate the conviction of Wall Hatfield and the other eight members of the Hatfield faction who were in jail in Pikeville, and, 2) They wanted to justify the two cold-blooded murders that had been committed only days before the reporters arrived by the leader of their posse, Frank Phillips. Everything in the early writings of the big city reporters was given to them by men with those two interests foremost in their minds.It is impossible to overstate the importance of the fact that none of the original feud story, which forms the basis for all the succeeding iterations, was taken from the actual record. It is all hearsay, and the hearsay came from the most prejudiced sources imaginable. The Pikeville elite not only had "a dog in the fight," they had the whole damn pack in it.The same moneyed interests that owned the newspapers also wanted the vast mineral riches underlying the land occupied by the Hatfields and McCoys, and their reporters' depictions of the people of Tug Valley as immoral and violent barbarians helped to make the swindle more palatable to the public.The Hatfield and McCoy feud is probably unique among all the events in history in that writers of feud-based fiction are more constrained than are writers of feud history. The good fiction writer is always careful to avoid writing something that is patently impossible. A fiction writer would never say that twelve hundred people regularly attended a church in an isolated mountain hollow that had only two dozen members. A "True Story" of the feud, can say that and still have reviewers from prestigious media organs laud its factual accuracy.As fiction can be made just as exciting as the screenwriter or author desires, the 2012 TV epic, "Hatfields & McCoys," and the recent fictional 'history'' books are great entertainment, but they are not history.Some of the books that followed the Kevin Costner movie contain an even greater ratio of fable to facts than did the movie. With a rare combination of facts and humor, this author calls them all to task.Tom E. Dotson, holder of a Cornell masters degree in labor history, and descended from both the Hatfields and McCoys, asks the question: "When only five Hatfields (along with three McCoys) were among the twenty men indicted for the vigilante slaying of the three McCoys in 1882, and only nine of the forty who rode with the Phillips posse in 1887-8 were McCoys, why is it called 'The Hatfield and McCoy feud'?" With solid research and a unique insight, Dotson answers that question.
Set in Appalachian coal country, this “superb” (Pittsburgh Post-Gazette) legal drama follows one determined lawyer as he faces a coal industry giant in a seven-year battle over clean drinking water for a West Virginia community. For two decades, the water in the taps and wells of Mingo County didn’t look, smell, or taste right. Could the water be the root of the health problems—from kidney stones to cancer—in this Appalachian community? Environmental lawyer Kevin Thompson certainly thought so. For seven years, Thompson waged an epic legal battle against Massey Energy, West Virginia’s most powerful coal company, helmed by CEO Don Blankenship. While Massey’s lawyers worked out of a gray glass office tower in Charleston known as “the Death Star,” Thompson set up shop in a ramshackle hotel in the fading coal town of Williamson. Working with fellow lawyers and a crew of young activists, Thompson would eventually uncover the ruthless shortcuts that put the community’s drinking water at risk. Retired coal miners, women whose families had lived in the area’s coal camps for generations, a respected preacher and his brother, all put their trust in Thompson when they had nowhere else to turn. Desperate is a masterful work of investigative reporting about greed and denial, “both a case study in exploitation of the little guy and a playbook for confronting it” (Kirkus Reviews). Maher crafts a revealing portrait of a town besieged by hardship and heartbreak, and an inspiring account of one tenacious environmental lawyer’s mission to expose the truth and demand justice.
Criticizes the way history is presented in current textbooks, and suggests a more accurate approach to teaching American history.
Do you believe in curses? I never did. Not until that fated night, six years ago, when I sat in The Devil's Chair and made a wish. Not until it came true. Not until I met River Caliban himself, heir to a fortune of curses. My fated sworn enemy. I knew I should have stayed away from him. I should have run the other way when he called out my name, when he flashed that sinful smile of his, but instead, I walked toward him, leaving the light behind. Instead, I go against all reason, against all warning, and attended the gala of the year at his dark, allegedly haunted home at the top of the hill. The moment I step foot inside I know I'm in trouble, but there's something about River that magnetizes me, reels me in, and when he asks for the impossible, I find it impossible to turn him away.
Sam McCoy (1855-1941) was a descendant of William McCoy (1750-1820), who was an early pioneer in Pike County, Kentucky. "Big Sam" or "Squirrel huntin' Sam" was involved in the Hatfield-McCoy feud. He married three or four times. Descentants lived in Kentucky, Mississippi, Texas, Colorado, Utah, Montana and elsewhere.
Following up the first book in her new "Elemental Assassin" series, Jennifer Estep's Web of Lies once again brings readers into sexy assassin Gin Blanco's world, which is populated with giants, goth dwarves, elementals, and some kick-butt BBQ. Curiosity is definitely going to get me dead one of these days. Probably real soon. I’m Gin Blanco. You might know me as the Spider, the most feared assassin in the South. I’m retired now, but trouble still has a way of finding me. Like the other day when two punks tried to rob my popular barbecue joint, the Pork Pit. Then there was the barrage of gunfire on the restaurant. Only, for once, those kill shots weren’t aimed at me. They were meant for Violet Fox. Ever since I agreed to help Violet and her grandfather protect their property from an evil coal-mining tycoon, I’m beginning to wonder if I’m really retired. So is Detective Donovan Caine. The only honest cop in Ashland is having a real hard time reconciling his attraction to me with his Boy Scout mentality. And I can barely keep my hands off his sexy body. What can I say? I’m a Stone elemental with a little Ice magic thrown in, but my heart isn’t made of solid rock. Luckily, Gin Blanco always gets her man...dead or alive.
“I remember the movement of his hips pressing against the pinball machine. This one sentence had me in its grip until the end. Two young men find each other, always fearing that life itself might be the villain standing in their way. A stunning and heart-gripping tale.” —André Aciman, author of Call Me by Your Name A New York Times Book Review Editor’s Choice The critically acclaimed, internationally beloved novel by Philippe Besson—“this year’s Call Me By Your Name” (Vulture) with raves in The New York Times, The New Yorker, The Wall Street Journal, NPR, Vanity Fair, Vogue, O, The Oprah Magazine, and Out—about an affair between two teenage boys in 1984 France, translated with subtle beauty and haunting lyricism by the iconic and internationally acclaimed actress and writer Molly Ringwald. In this “sexy, pure, and radiant story” (Out), Philippe chances upon a young man outside a hotel in Bordeaux who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a boy named Thomas during their last year of high school. Thomas is the son of a farmer; Philippe the son of a school principal. At school, they don’t acknowledge each other. But they steal time to meet in secret, carrying on a passionate, world-altering affair. Despite the intensity of their attraction, from the beginning Thomas knows how it will end: “Because you will leave and we will stay,” he says. Philippe becomes a writer and travels the world, though as this “tender, sensuous novel” (The New York Times Book Review) shows, he never lets go of the relationship that shaped him, and every story he’s ever told. “Beautifully translated by Ringwald” (NPR), this is “Philippe Besson’s book of a lifetime...an elegiac tale of first, hidden love” (The New Yorker).
Jill Elaine Hasday's Intimate Lies and the Law won the Scribes Book Award from the American Society of Legal Writers "for the best work of legal scholarship published during the previous year" and the Foreword INDIES Book of the Year Award for Family and Relationships. Intimacy and deception are often entangled. People deceive to lure someone into a relationship or to keep her there, to drain an intimate's bank account or to use her to acquire government benefits, to control an intimate or to resist domination, or to capture myriad other advantages. No subject is immune from deception in dating, sex, marriage, and family life. Intimates can lie or otherwise intentionally mislead each other about anything and everything. Suppose you discover that an intimate has deceived you and inflicted severe-even life-altering-financial, physical, or emotional harm. After the initial shock and sadness, you might wonder whether the law will help you secure redress. But the legal system refuses to help most people deceived within an intimate relationship. Courts and legislatures have shielded this persistent and pervasive source of injury, routinely denying deceived intimates access to the remedies that are available for deceit in other contexts. Intimate Lies and the Law is the first book that systematically examines deception in intimate relationships and uncovers the hidden body of law governing this duplicity. Hasday argues that the law has placed too much emphasis on protecting intimate deceivers and too little importance on helping the people they deceive. The law can and should do more to recognize, prevent, and redress the injuries that intimate deception can inflict.
“Exceptionally compelling . . . even the stories without surreal contours seem to be set in a world that is not quite our own.” —New York Daily News The stories in Rise are fairytales, except that the witch, lucky Hans, and the frog prince are characters at the fringes of everyday life. There are rockets, swells of starlings, and children who disappear into thin air. L. Annette Binder writes magical tales with authority and restraint, and we believe her stories, every one. “In one of these amazing stories a character says to her husband, ‘Why are you smiling? You’re scaring me.’ That’s how I feel about Rise. There is a yearning so deep in each story, something beautiful and urgent, that the book glows. L. Annette Binder arrives with worlds of empathy and strange surprise.” —Ron Carlson “L. Annette Binder is a stunningly talented writer. Her stories are the stories of outsiders, gripping and heartfelt, heightened with hidden undertones of the surreal. It is this tension that makes the worlds she creates so vibrant, and allows her readers to see so deeply into these characters’ souls. Rise is a beautiful book, and Binder’s words cut clear and straight to the bone.” —Hannah Tinti “She both casts a spell and breaks it. To experience Rise is to experience wonder.” —Laura Kasischke