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In this spirited collection of essays, Brian Doyle employs his wit, wisdom, and gusto for life as he shares with readers his thoughts on Jesus, the Mass, Birds, Bees, and so much more. What would be a good alternative name for Jesus? What does a honeybee at Mass have to tell us about Christ? What is, after all, the real point of saying prayers when someone is suffering? Through the good and the bad, the serious and the hilarious, Doyle finds just the right story and just the right words to help us better understand life and love—and to help us see our faith in a whole new light.
This is a movie tie-in edition and any reviews posted before October 10, 2019 are from the previous edition of the same title published in 2015. Aisha Chaudhary was born with SCID (severe combined immune deficiency) and underwent a bone-marrow transplant when she was six months old. She lived in New Delhi, where she was born. The year 2014 was brutal for Aisha as her disease progressed, and her lungs started giving up on her. The last few months of the year felt like a roller-coaster ride, one that seemed to be mostly going down. Spending almost all her time lying in bed, Aisha wrote down her thoughts to get some relief, to get them out of her head. Aisha's life was not anything like the average life of an urban teenager, but she had experienced a lifetime of emotions; life and death, fear and anger, love and hate, the depths of utter sorrow and the happiest one can be. In My Little Epiphanies she took a hard look at her own feelings and what it was that gave her a sense of hope and control. This book gave her life purpose and meaning, something to hold on to. Sometimes, Aisha's little epiphanies had morphed into doodles that capture what was going on in her mind as her destiny played itself out. Through the book she wanted the world to understand her unusual life and she hoped that it will inspire others, going through similar hardships, to find peace.
The poetics of epiphany have long been recognised as a broad aesthetic trend of modernism, related to the power of art to reveal the hidden essence of reality. Yet the critical use of the concept is still contested, complicated by the fact that in many modernist works exceptional moments are anything but revealing. This book embraces the blurred nature of epiphanies and sets out to explore their effects in a comparative journey paralleling Anglophone and Italian modernist short fiction. The work of four modernist short story writers – Luigi Pirandello, James Joyce, Federigo Tozzi, and Katherine Mansfield – illuminates epiphanies as complex phenomena, connected to multiple aspects of modernist culture, which appear in artistic experiences developed independently in the same decades. The ideas of Henri Bergson, William James, Martin Heidegger, and Maurice Merleau-Ponty, among others, nuance our understanding of the stories and of the author's vision behind them. At least three threads emerge, as a result, as common characteristics of modernist epiphanies. First, they are a result of the ‘inward turn’ and of the curiosity about the psyche’s subconscious processes. Second, they attempt to rediscover lived experience as a source of partial but reliable knowledge. Third, they re-actualise mystical experiences as conduits to a secular insight about life. The main appeal of these modernist moments of enlightenment is precisely that they establish an atmosphere of ambiguity where multiple and sometimes irreconcilable potential meanings can be found. By so doing, they succeed in evoking the undifferentiated creative potential that, according to the widespread vitalist philosophies of the age, constitutes the essence of life. In reframing ambiguity and indeterminacy as spaces of creation and choice, epiphanies thus bring out a lesser known, life-affirming but not naïve vein of modernist inspiration.
'Lies and Epiphanies' offers case studies of 'inspiration' in five composers. Their own tales of their 'epiphanies' played a determining role in the reception history of their works: the finale of Mahler's Second Symphony was supposedly inspired by a 'lightning bolt' of inspiration at the funeral of Hans von Bulow, while Alban Berg's Violin Concerto was purportedly his direct response to the tragic early death of Alma Mahler's daughter. Chris Walton looks behind these lightning bolts to explore instead the composers' dual roles a.
*Best New Science Fiction for Summer by The Washington Post *A Most-Anticipated book of 2017 by The Millions Everyone else knows the truth about you, now you can know it, too. That’s the slogan. The product: a junky contraption that tattoos personalized revelations on its users’ forearms. It’s an old con, playing on the fear that we are obvious to everybody except ourselves. This particular ad has been circulating New York since the 1960s and it works. But, oddly enough, so might the device... A small stream of city dwellers buy into this cult of the epiphany machine, including Venter Lowood’s parents. This stigma follows them when they move upstate, where Venter can’t avoid the whispers of teachers and neighbors any more than he can ignore the machine’s accurate predictions: his mother’s abandonment and his father’s disinterest. So when Venter’s grandmother finally asks him to confront the epiphany machine and inoculate himself against his family’s mistakes, he’s only too happy to oblige. Like his parents before him, Venter is quick to fall under the spell of the device’s sweat-stained, profane, and surprisingly charming operator, Adam Lyons. But unlike them, Venter gets close enough to Adam to learn a dark secret. There’s an undeniable pattern between specific epiphanies and violent crimes. And Adam won’t jeopardize the privacy of his customers by alerting the police. It may be a hoax, but that doesn’t mean what Adam is selling isn’t also spot-on. And in this sprawling, snarling tragicomedy about accountability in contemporary America, the greater danger is that Adam Lyon’s apparatus may just be right about us all. This is "can't-miss pop culture."(Vox)
Epiphanies is a philosophical exploration of epiphanies, peak experiences, 'wow moments', or ecstasies as they are sometimes called. What are epiphanies, and why do so many people so frequently experience them? Are they just transient phenomena in our brains, or are they the revelations of objective value that they very often seem to be? What do they tell us about the world, and about ourselves? How, if at all, do epiphanies fit in with our moral systems and our theories of how to live? And how do epiphanic experiences fit in with the rest of our lives? These are Sophie Grace Chappell's questions in this ground-breaking new study of an area of inquiry that has always been right under our noses, but remains surprisingly under-explored in contemporary philosophy.
In The Visionary Moment, Paul Maltby draws on postmodern theory to examine the metaphysics and ideology of the visionary moment, or "epiphany," in twentieth-century American fiction. Engaging critically with the works of Don DeLillo, Jack Kerouac, Saul Bellow, Flannery O'Connor, Alice Walker, and William Faulkner, Maltby explains how the literary convention of the visionary moment promotes the myth that there is a superior level of knowledge that can redeem or regenerate the individual. He contends that this common-sense assumption is a paradigm that needs to be confronted and critiqued.
In the fall of 1942, with Rommel's forces poised to overrun Egypt, the Suez, and the oil rich Middle East, the British launch a desperate plan to send a small, heavily armed team behind enemy lines to stop Germany's Afrika Korps and its commander.
Most of us walk through each day expecting few surprises. If we want to better ourselves or our lives, we map out a path of gradual change, perhaps in counseling or psychotherapy. Psychologists William Miller and Janet C'de Baca were longtime scholars and teachers of traditional approaches to self-improvement when they became intrigued by a different sort of change that was sometimes experienced by people they encountered--something often described as "a bolt from the blue" or "seeing the light." And when they placed a request in a local newspaper for people's stories of unexpected personal transformation, the deluge of responses was astounding. These compelling stories of epiphanies and sudden insights inspired Miller and C'de Baca to examine the experience of "quantum change" through the lens of scientific psychology. Where does quantum change come from? Why do some of us experience it, and what kind of people do we become as a result? The answers that this book arrives at yield remarkable insights into how human beings achieve lasting change--sometimes even in spite of ourselves.
Gustav Mahler's Seventh Symphony stands out as one of the most provocative symphonic statements of the early twentieth century. Throughout its performance history, it has often been heard as "existing in the shadow" of the Sixth Symphony or as "too reminiscent" of Richard Wagner's opera Die Meistersinger von Nürnberg. Anna Stoll Knecht's Mahler's Seventh Symphony offers a new interpretation of the Seventh based on a detailed study of Mahler's compositional materials and a close reading of the finished work. With a focus on sketches previously considered as "discarded," Stoll Knecht exposes unexpected connections between the Seventh and both the Sixth and Meistersinger, confirming that Mahler's compositional project was firmly grounded in a dialogue with works from the past. This referential aspect acts as an important interpretive key to the work, enabling the first thorough analysis of the sketches and drafts for the Seventh, and shedding light on its complex compositional history. Considering each movement of the symphony through a double perspective, genetic and analytic, Stoll Knecht demonstrates how sketch studies and analytical approaches can interact with each other. Mahler's Seventh Symphony exposes new facets of Mahler's musical humor and leads us to rethink much-debated issues concerning the composer's cultural identity, revealing the Seventh's pivotal role within his output.