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The novelist and essayist Libuše Moníková (1945-1998) made a unique contribution to German, Czech and world literature, writing in German from a distinctly Czech perspective in a manner which can best be described as encyclopaedic and highly intertextual. Positively received abroad, particularly in Germany and the US, her works remained until recently relatively unknown in the land of her birth. This volume, whose appearance marks what would have been the sixtieth anniversary of her birth, is the first in-depth study of the work of this truly European writer. It contains specially commissioned articles by Czech, German, US and British scholars, as well as an appreciation by her friend and fellow writer F.C. Delius, an English translation of one of her last interviews, and the first comprehensive bibliography. The essays range from close readings of a single text, in particular the satirical, picaresque novel Die Fassade and the posthumously published Der Taumel, to surveys of themes, techniques or motifs within her œuvre, for example nation, exile, history and myth, and studies of Moníková’s intertextual references, particularly to film and the work of Arno Schmidt. The contributions emphasise the comic, the personal and the ambiguity in her works, as well as the sheer breadth of Moníková’s interests and sources.
This book compares three contemporary women writing in German: Herta Muller (from Romania), Libuse Monikova (from Czechoslovakia), and Kerstin Hensel (from the GDR). It looks at images of the body and their relationship to the structures of their writing as well as analysing the social, cultural, and political contexts.
Established, commissioned, and edited by the Department of German at the University of Edinburgh, Edinburgh German Yearbook encourages and disseminates lively and open discussion of themes pertinent to German Studies. No other yearbook covers the entire field while addressing a focused theme in each issue. Volume 4 focuses on disability in German literature, film, and theater. Disability Studies is part of the broader discussion of difference and "otherness," of the politics of identity, human rights, ethics, and discrimination. It retrieves disabled figures from literature, film, and theater and discusses them vis- -vis "normalcy." Recently, Disability Studies has explored the binary of "able" and "disabled," strategies of exclusion, and the marginalization and suffering of the disabled body under social and medical structures of control. It is now entering a phase of positive reflection addressing the ontological politics of disability. Accordingly, this volume examines cultural representations of disability that raise questions about "the humane gaze" and posits disability as historically central to discussions of humanity, modernity, and social and moral behavior in German-language literature, film, and theater. Points of focus include blindness, physical deformity, injury, illness, and euthanasia. Contributors: Martin Brady, Pauline Eyre, Corinna H ger, Karin Harrasser, Urte Helduser, Eleoma Joshua, Susanne C. Knittel, Anna Kornbrodt, Siegfried Saerberg, Rosa Schneider. Eleoma Joshua is Lecturer in German Studies at the University of Edinburgh, UK. Michael Schillmeier lectures in the Department of Sociology at the Ludwig-Maximilians-University, Munich.
What is "Europe" in academic discourse? While Europe tends to be used as shorthand, often interchangeable with the "West", neither the "West" nor "Europe" are homogeneous spaces. Though postcolonial studies have long been debunking Eurocentrism in its multiple guises, there is still work to do in fully comprehending how its imaginations and discursive legacies conceive the figure of Europe, as not all who live on European soil are understood as equally "European". This volume explores this immediate need to rethink the axis of postcolonial cultural productions, to disarticulate Eurocentrism, to recognise Europe as a more diverse, plural and fluid space, to draw forward cultural exchanges and dialogues within the Global South. Through analyses of literary texts from East-Central Europe and beyond, this volume sheds light on alternative literary cartographies — the multiplicity of Europes and being European which exist both as they are viewed from the different geographies of the global South, and within the continent itself. Covering a wide spatial and temporal terrain in postcolonial and European cultural productions, this volume will be of great interest to scholars and researchers of literature and literary criticism, cultural studies, post-colonial studies, global South studies and European studies.
Every 3rd issue is a quarterly cumulation.
Womenâ (TM)s writing has, in recent decades, been one of the most exciting and productive areas of literary creativity and critical analysis. Thirty years on from the initial, spectacular blossoming of womenâ (TM)s writing and from pioneering critical projects to (re)construct a female literary tradition, Womenâ (TM)s Writing in Western Europe: Gender, Generation and Legacy is the first study to investigate the legacy of this earlier generation of writers, texts and theories for contemporary women writers from across western Europe. This important and timely book brings together original analyses by different generations of critics from around the globe, from internationally renowned feminist scholars to promising doctoral students. Their sophisticated studies uncover a complex web of explicit and implicit intertextual links between contemporary writers and such iconic figures as Aleramo, Beauvoir, Colette, Cixous, Duras, Irigaray, Kristeva, Morante, Morgner, Wolf and Woolf, so attesting to the existence of a truly international womenâ (TM)s culture across ever more fluid national borders. Womenâ (TM)s Writing in Western Europe is a major intervention in the field of feminist literary criticism which offers new, comparative understandings of such key theoretical concepts as intertextuality, intergenerational relations, gender, identity and legacy. â oeCovering an enormous range of writers and national traditions, Womenâ (TM)s Writing in Western Europe: Gender, Generation and Legacy attests to the vibrancy and the currency of feminist criticism and theory in the new Europe. These essays give us new paradigms to think and read with in the future.â â "Professor Marianne Hirsch, Columbia University, New York. â oeThirty years after the creative outburst of womenâ (TM)s writing and feminist theory of the early 1970s, can we still speak of a womenâ (TM)s tradition of writing, of gender and generation, of the iconic role of the mother figure? This dense and wide ranging collection of essays engages with the dynamics of legacy and conflict, of recognition and denial, to map out some of the many complex strands and relationships marking the textual relations of womenâ (TM)s writing across time and geographic boundaries. No simple tradition of womenâ (TM)s writing emerges, but the powerful hold exerted by some of the most canonical writers â " Beauvoir, Woolf, Cixous, Irigaray, Kristeva, Rich â " and the evidence of the construction of new relationships between and across texts by women points to a continuing network of transmission in which womenâ (TM)s texts are enmeshed. This is an important collection and a large readership will be grateful for this probing of issues which are at the heart of the reading of womenâ (TM)s writing.â â "Professor Elizabeth Fallaize, St. Johnâ (TM)s College Oxford
This volume highlights the work of novelist and essayist Libuse Monikova (1945-1998).