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Before his death in 2000, Rafael Perez Estrada was one of contemporary Spain's most imaginative and unique writers. A several-time finalist for Spain's Premio Nacional de Literatura, he published over forty books in his lifetime. He created a body of work that often defies classification, crafting fantastic realities from myth, fable, and his own Mediterranean surroundings. Perez Estrada's writing has been compared to that of Borges and Calvino for the way it incorporates the fantastic to alter our perception of reality. These translations by Steven J. Stewart present his work in all its richness.
"Se me ocurre que vas a llegar distinta no exactamente mas linda ni mas fuerte ni mas docil ni mas cauta (VIII Premio ""Reina Sofia"" de Poesia lberoamericana)."
Wolves' Dream is the story of five characters who hatch a plan to carry out a bank robbery in Quito, Ecuador in 1980, at the end of the oil boom. Against the background of the city, another character in the novel, the five schemers merge their talents and learn to overcome mutual mistrust to form a team in crime. Their dream of easy wealth becomes a nightmare, as their situation changes in ways none of them could have foreseen.
The Spatiality of the Hispanic Avant-Ultraísmo & Estridentismo, 1918-1927 is a thorough and original exploration of place and space in the work of the Hispanic vanguards; a transatlantic study that will surely join international discussions on space and modernism.
The late scholar and critic Flores (1900-1992) selected some 330 major novelists and poets from Puerto Rico, the Caribbean, and Central and South America, both as exemplars of the literature of all the countries of Spanish America and as personally important literary creators. Flores knew most of the authors and was able to obtain from many extraordinary autobiographical passages that often form a part of the author's sketch. Most of the sketches were written in Spanish and translated into English. Critical insights and assessments of translations (a feature of inestimable value and interest) accompany biographies and autobiographies. All material was edited by Flores, who also prepared most of the excellent and extensive bibliographies. Annotation copyright by Book News, Inc., Portland, OR
Magicians, necromancers and astrologers are assiduous characters in the European golden age theatre. This book deals with dramatic characters who act as physiognomists or palm readers in the fictional world and analyses the fictionalisation of physiognomic lore as a practice of divination in early modern Romance theatre from Pietro Aretino and Giordano Bruno to Lope de Vega, Calderón de la Barca and Thomas Corneille.