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Providing a short history of human rights from the eighteenth century to present day, this book traces English Common Law through the French and American declarations of rights, identifying rights which evolved from the English law and politics of the fifteenth century, and which are recognised in the human rights law we see today.
How does history end? -- The Red Queen -- Will to power -- Economics outside the corridor -- Allegory of good government -- The European scissors -- Mandate of Heaven -- Broken Red Queen -- Devil in the details -- What's the matter with Ferguson? -- The paper leviathan -- Wahhab's children -- Red Queen out of control -- Into the corridor -- Living with the leviathan.
Panoramas, cross sections, and diagrams provide a detailed portrayal of the construction of the Statue of Liberty, one of the nineteenth century's greatest engineering feats.
The American republic is suffering its gravest crisis since the Civil War. Will conflicts, hostility, and incivility tear the country apart? Os Guinness provides a careful observation of the American experiment, offering a stirring vision for faithful citizenship and renewed responsibility for not only the nation but also the watching world.
If there is one thing that people agree about concerning the massive, leaderless, spontaneous protests that have spread across the globe over the past decade, it's that they were failures. The protesters, many claim, simply could not organize; nor could they formulate clear demands. As a result, they failed to bring about long-lasting change. In the Street challenges this seemingly forgone conclusion. It argues that when analyses of such events are confined to a framework of success and failure, they lose sight of the on-the-ground efforts of political actors who demonstrate, if for a fleeting moment, that another way of being together is possible. The conception of democratic action developed here helps us see that events like Occupy Wall Street, the Gezi uprising, or the weeks-long protests that took place all around the US after George Floyd's killing by the police are best understood as democratic enactments created in and through "intermediating practices," which include contestation, deliberation, judging, negotiation, artistic production, and common use. Through these intermediating practices, people become "political friends"; they act in ways other than expected of them to reach out to others unlike themselves, establish relations with strangers, and constitute a common amidst disagreements. These democratic enactments are fleeting, but what remains in their aftermath are new political actors and innovative practices. The book demonstrates that the current obsession with the "failure" of spontaneous protests is the outcome of a commonly accepted way of thinking about democratic action, which casts organization as a technical matter that precedes politics and moments of spontaneous popular action as sudden explosions. The origins of this widely shared understanding lie in Jean-Jacques Rousseau's conception of popular sovereignty, shaped by his rejection of theatricality and idealization of immediacy. Insofar as contemporary thinkers see democratic moments as the unmediated expressions of people's will and/or instantaneous eruptions, they, like Rousseau, reduce spontaneity to immediacy and erase the rich and creative practices of political actors. In the Street counters this Rousseauian influence by appropriating Aristotle's notion of "political friendship," and developing an alternative conceptualization of democratic action through a close reading of Antonio Negri, Jürgen Habermas, and Jacques Rancière and the global protests of 1968 that inspired these thinkers and their work.
A quarterly review of philosophy.
- Filled with illustrations from the Liberty archive and fashion photography from the era- Focuses on the world-famous London style and design institution during the 1950s and 1960s - an important time of renewal for the company- The Liberty textile design studio of the period was used extensively by Jean Muir, Biba, Foale & Tuffin, John Cavanagh, Bill Gibb, Yves Saint Laurent and Bill Blass, among many others- Liberty led several 1960s fashion trends, such as the revivals of Art Nouveau, Orientalism and Art DecoOver the years since its inception in 1875 as the Oriental Emporium, Liberty's has both been at the forefront of fashion and the decorative arts and has sat comfortably riding on its waves. Its history is at the heart of its image to the outside world. In the fifties, Liberty's tried to subvert this image, but subsequently embraced it wholeheartedly in the following decade.Liberty's beginnings are well-known and most historians of the decorative arts will agree that the company had a significant impact on design in the early twentieth century. However, through the years Liberty & Co. took many forms.History, far from being irrelevant nostalgia, offers us a chance to learn from our mistakes and, indeed, successes. Perhaps now, as, emerging from a difficult recent period, this grand company looks confidently to the future, it is a good time to look back to the Liberty of the fifties and sixties: a less well-recognized moment in Liberty's history, but perhaps no less significant.The 1950s were a frugal time and any retailer who wholeheartedly promoted modern design was taking a risk. In truth, Liberty & Co. probably played it safe, running its modern products alongside the more traditional ones, so as not to scare away longstanding customers. It is perhaps for this reason that Liberty & Co. is not so prominent in people's memories as a 'modern' store in the 1950s. In a way this was a period that prepared the business for its flowering in the 1960s. Almost overnight, the emporium of traditional style found itself not just at one of the best spots in London, but at the very epicenter of the world of fashion: Carnaby Street in the sixties.