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Libby Larsen has composed award-winning music performed around the world. Her works range from chamber pieces and song cycles to operas to large-scale works for orchestra and chorus. At the same time, she has advocated for living composers and new music since cofounding the American Composers Forum in 1973. Denise Von Glahn’s in-depth examination of Larsen merges traditional biography with a daring scholarly foray: an ethnography of one active artist. Drawing on musical analysis, the composer’s personal archive, and seven years of interviews with Larsen and those in her orbit, Von Glahn illuminates the polyphony of achievements that make up Larsen’s public and private lives. In considering Larsen’s musical impact, Von Glahn delves into how elements of the personal—a 1950s childhood, spiritual seeking, love of nature, and status as an “important woman artist”—inform her work. The result is a portrait of a musical pathfinder who continues to defy expectations and reject labels.
Tells the story of the history-making meeting between scorned master composer Johann Sebastian Bach and Prussia's Frederick the Great.
Explores the relationship between listening and musical composition focusing on nine American women composers inspired by the sounds of the natural world
In this collection of essays and interviews, nine gifted composers openly discuss their work.
Seven songs for children's chorus (SAA) and harp to texts by Sally M. Gall. The Ballerina and the Clown develops a completely new story inspired by some of Hans Christian Andersen's charming papercuts, which are reproduced in the score.
Each composer addresses the following topics: biography ; creative process ; the relationship between text and music; views from the composer to the conductor ; the relationship between the composer and the commissioning party ; views on the teaching of composition ; influencial individuals ; ten works all choral conductors at all levels should study ; the future of choral music ; comprehensive list of [his/her] works for choir.
This collection of new interviews with twenty-five accomplished female composers substantially advances our knowledge of the work, experiences, compositional approaches, and musical intentions of a diverse group of creative individuals. With personal anecdotes and sometimes surprising intimacy and humor, these wide-ranging conversations represent the diversity of women composing music in the United States from the mid-twentieth century into the twenty-first. The composers work in a variety of genres including classical, jazz, multimedia, or collaborative forms for the stage, film, and video games. Their interviews illuminate questions about the status of women composers in America, the role of women in musical performance and education, the creative process and inspiration, the experiences and qualities that contemporary composers bring to their craft, and balancing creative and personal lives. Candidly sharing their experiences, advice, and views, these vibrant, thoughtful, and creative women open new perspectives on the prospects and possibilities of making music in a changing world.
In dramatic writing and numerous archival and contemporary photos, this accessible and lively coffee-table book tells the story of the small prairie city with the big, big reputation.Despite its odd name - or maybe even partially because of it - Moose Jaw has had a history that is rich beyond that of most of its sister prairie cities. This new and comprehensive book charts the events that make up both the city's history and its mythology: the infamous River Street red-light district; the time half the police force threw the other half in jail; the coming of the air force training base. And, of course, those mysterious tunnels.Extensive interviews with Moose Jaw people who were witness to many of its historical highlights give the book a conversational immediacy. Numerous photos from past and present, along with reproductions of letters, posters, handbills and interesting documents, present the visual record to complement the text.
This is a five-volume series on major contemporary composers and their works for wind band. Included in this initial volume are rare, behind-the-notes perspectives acquired from personal interviews with each composer. An excellent resource for conductors, composers or enthusiasts interested in acquiring a richer musical understanding of the composers' training, compositional approach, musical influences and interpretative ideas. Features the music of: Timothy Broege, Michael Colgrass, Michael Daugherty, David Gillingham, John Harbison, Karel Husa, Alfred Reed and others.
Naslagwerk van de liedkunst en de literatuur hierover.