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In celebration of the 100th anniversary of Henry Moore's birth, this book features the most important and comprehensive single group of Moore's Drawings, graphics, and sculpture. More than 300 of Moore's acclaimed works are reproduced, along with fresh insights and personal anecdotes by colleagues. 290 color illustrations.
DiMag & Mick is a portrait of DiMaggio and Mantle as the old and young exemplars of what was a more confident, masterful age not only in baseball but in the country where they were held up as cultural heroes over two generations, symbolic of an America celebrating its recent triumph over Nazism and ever-curious about the new age of color television, rocket ships, and technology. Tony Castro shows DiMag and Mick as fathers and sons, rebels and heroes, and reveals the rite of passage of two men who would go down in baseball immortality – DiMaggio as he reluctantly prepares to leave the spotlight of adoration and hero-worship for glitzy world of Marilyn’s exploding Hollywood celebrity, and Mantle in his awkward attempt to leave his country roots of Dust Bowl Oklahoma for the big city exposure and expectations of greatness being placed on him. Yankee legend and glory holds a special magic all its own, and Castro examines the heart and soul of that mystique, especially the bond of the players themselves and how that came to breed and spread the perception that there was any animosity between DiMaggio and Mantle – two polarizing personalities who drove many teammates away from one and galvanized their friendship with the other.
More than any other athlete, Mickey Mantle was the American hero whose life personified the great expectations and unfulfilled dreams of the twentieth century. Hailed by Casey Stengel as the next Ruth and successor to DiMaggio, Mantle would become the first true sports icon of the television age. In Mickey Mantle: America's Prodigal Son, former Sports Illustrated writer Tony Castro recounts a story of fathers and sons, rebels and heroes, and a youth's rite of passage. He interviewed over 250 of Mantle's friends, teammates, lovers, acquaintances, and drinking partners, producing an explosive biography of one of the world's most fascinating sports heroes and a telling look at the American society of his time.
Henry Moore (1898-1986) is arguably one of the most famous and beloved sculptors of the twentieth century, yet in recent decades his work has fallen out of favor in the world of contemporary art criticism. This handsome book examines this intriguing contradiction and seeks to reassess Moore's crucial contribution to art of the last century. Looking at Moore's early engagements with primitivism, his 1930s dialogue with abstraction and surrealism, and his postwar interest in large-scale public sculpture, the authors show how the sculptor helped to define some of the most significant aspects of modernism. The authors also contextualize within the polemics of early modernism Moore's emphasis on direct carving instead of modeling and the necessary balance between abstraction and what he called the "psychological human element". Moore's early sculpture -- largely unfamiliar to the general public -- is given particular attention, enabling the reader to explore the evolution of thematic and formal elements in his work and his ongoing response to different materials. Photographs, some by Moore himself, of over 120 works, including plasters, maquettes, carvings, bronzes, and drawings, are featured, many of which are previously unpublished.
Rudyard Kipling was a Victorian and an early modernist, a disciplinarian imperialist who sympathized with children and outlaws, a globe-trotter who mythologized 'Old England', and a world-famous author whom intellectuals despised. The central theme of this book is the way his work and its reception are both fissured and energized by these contradictions. This thorough study initially discusses Kipling's ambivalent knowing attitude to unknowable otherness, his rhetorical imitations of Indian and demotic vernaculars, his work ethic and ideal of imperialist masculinity, thus contextualizing the central discussion of his masterpiece Kim which, almost uniquely, takes Indian otherness as a source of pleasure, not anxiety. Jan Montefiore describes Kipling as a writer on the cusp of modernity, examining how his fiction and poetry engaged with radio, cinema and air travel, how his poetry anticipated and influenced the subversive uncertainties of modernism, and how his post-war contributions to the literature of mourning undermined their own overt traditionalism.