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This collection, the first of its kind, gathers original and previously published fiction and poetry from lesbian, gay, bisexual, transgender, and queer authors from Appalachia. Like much Appalachian literature, these works are pervaded with an attachment to family and the mountain landscape, yet balancing queer and Appalachian identities is an undertaking fraught with conflict. This collection confronts the problematic and complex intersections of place, family, sexuality, gender, and religion with which LGBTQ Appalachians often grapple. With works by established writers such as Dorothy Allison, Silas House, Ann Pancake, Fenton Johnson, and Nickole Brown and emerging writers such as Savannah Sipple, Rahul Mehta, Mesha Maren, and Jonathan Corcoran, this collection celebrates a literary canon made up of writers who give voice to what it means to be Appalachian and LGBTQ.
A Gay man chronicles his relationship to his native Appalachian culture and society. Appalachians are known for their love of place, yet many LGBTQ+ people from the mountains flee to urban areas in search of community and broader acceptance. Jeff Mann tells his story as one who left and then returned, who insists on claiming and celebrating both regional and sexual identities. In memoir and poetry, Mann describes his life as an openly gay man who has remained true to his mountain roots. Mann recounts his upbringing in Hinton, a small town in southern West Virginia, as well as his realization of his homosexuality, his early encounters with homophobia, his coterie of supportive lesbian friends, and his initial attempts to escape his native region in hopes of finding a freer life in urban gay communities. Mann depicts his difficult search for a romantic relationship, the family members who have given him the strength to defy convention, his anger against religious intolerance and the violence of homophobia, and his love for the rich folk culture of the Highland South. His character and values shaped by the mountains, Mann has reconciled his sexuality with both traditional definitions of Appalachian manhood and his own attachment to home and kin. Loving Mountains, Loving Men is a compelling, universal story of making peace with oneself and the wider world.
Despite the stereotypes and misconceptions surrounding Appalachia, the region has nurtured and inspired some of the nation's finest writers. Featuring dozens of authors born into or adopted by the region over the past two centuries, Writing Appalachia showcases for the first time the nuances and contradictions that place Appalachia at the heart of American history. This comprehensive anthology covers an exceedingly diverse range of subjects, genres, and time periods, beginning with early Native American oral traditions and concluding with twenty-first-century writers such as Wendell Berry, bell hooks, Silas House, Barbara Kingsolver, and Frank X Walker. Slave narratives, local color writing, folklore, work songs, modernist prose—each piece explores unique Appalachian struggles, questions, and values. The collection also celebrates the significant contributions of women, people of color, and members of the LGBTQ community to the region's history and culture. Alongside Southern and Central Appalachian voices, the anthology features northern authors and selections that reflect the urban characteristics of the region. As one text gives way to the next, a more complete picture of Appalachia emerges—a landscape of contrasting visions and possibilities.
A groundbreaking nonfiction collection about queer life in the Midwest. "A marvelous ode to humanity and its passions."-- Little Village The middle of America―the Midwest, Appalachia, the Rust Belt, the Great
"Whiting Award winner Kayleb Rae Candrilli's second full-length book, All the Gay Saints, is a collection of trans joy and resilience. Focused on love, partnership, and cultivating the landscape of one's own body, All the Gay Saints seeks happiness in a world saturated with transphobia and marred by climate change. Though this world is finite, these poems want you to live forever. They will unbarb your body if you let them."--Provided by publisher.
Part I. The heart over the head: queer-affirming epistles and queerphobic challenges -- A letter to Appalachia / Amanda Hayes -- Challenging dominant Christianity's queerphobic rhetoric / Justin Ray Dutton -- Part II. Queer diaspora: existence and erasure in Appalachia -- A drowning in the foothills / Adam Denney -- A pedagogy of the flesh: deconstructing the "quare" Appalachian archetype / Matthew Thomas-Reid -- Pickin' and grinnin': quare hillbillies, counter rhetorics, and the recovery of home / Kim Gunter -- Part III. Both/and: intersectional understandings of Appalachian queers -- The crik is crooked: Appalachia as movable queer space / Lydia McDermott -- "Are y'all homos?": Mêtis as method for queer Appalachia / Caleb Pendygraft and Travis A. Rountree -- Queering trauma and resilience, Appalachian style! / delfin bautista -- Part IV. Queer media: radical acts of embodiment and resistance -- Working against the past: queering the Appalachian narrative / Tijah Bumgarner -- Writing the self: trans zine making in Appalachia / Savi Ettinger, Katie Manthey, Sonny Romano, and Cynthia Suryawan -- Queer Appalachia: a homespun praxis of rural resistance in Appalachian media / Gina Mamone and Sarah E. Meng.
Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by a hungry ghost. Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him. As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble. And there is something awful lurking, waiting for those walls to fall. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This anthology features poetry and prose that explores the queer experience in the American South.
A cult classic by Morocco’s foremost writer of life on the margins. Malika Moustadraf (1969–2006) is a feminist icon in contemporary Moroccan literature, celebrated for her stark interrogation of gender and sexuality in North Africa. Blood Feast is the complete collection of Moustadraf’s published short fiction: haunting, visceral stories by a master of the genre. A teenage girl suffers through a dystopian rite of passage​,​ a man with kidney disease makes desperate attempts to secure treatment​, and a mother schemes to ensure her daughter passes a virginity test. Delighting in vibrant sensory detail and rich slang, Moustadraf takes an unflinching look at the gendered body, social class, illness, double standards, and desire, as lived by a diverse cast of characters. Blood Feast is a sharp provocation to patriarchal power and a celebration of the life and genius of one of Morocco’s preeminent writers.
Junaluska is one of the oldest African American communities in western North Carolina and one of the few surviving today. After Emancipation, many former slaves in Watauga County became sharecroppers, were allowed to clear land and to keep a portion, or bought property outright, all in the segregated neighborhood on the hill overlooking the town of Boone, North Carolina. Land and home ownership have been crucial to the survival of this community, whose residents are closely interconnected as extended families and neighbors. Missionized by white Krimmer Mennonites in the early twentieth century, their church is one of a handful of African American Mennonite Brethren churches in the United States, and it provides one of the few avenues for leadership in the local black community. Susan Keefe has worked closely with members of the community in editing this book, which is based on three decades of participatory research. These life history narratives adapted from interviews with residents (born between 1885 and 1993) offer a people's history of the black experience in the southern mountains. Their stories provide a unique glimpse into the lives of African Americans in Appalachia during the 20th century--and a community determined to survive through the next.