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"Alice's Adventures in Wonderland and Through the Looking-Glass was originally published in 1865/1872"--T.p. verso.
Emerging in several different versions during the author's lifetime, Lewis Carroll's Alice novels have a publishing history almost as magical and mysterious as the stories themselves. Zoe Jaques and Eugene Giddens offer a detailed and nuanced account of the initial publication of Alice's Adventures in Wonderland and Through the Looking-Glass and investigate how their subsequent transformations through print, illustration, film, song, music videos, and even stamp-cases and biscuit tins affected the reception of these childhood favourites. The authors consider issues related to the orality of the original tale and its impact on subsequent transmission, the differences between the manuscripts and printed editions, and the politics of writing and publishing for children in the 1860s. In addition, they take account of Carroll's own responses to the books' popularity, including his writing of major adaptations and a significant body of meta-textual commentary, and his reactions to the staging of Alice in Wonderland. Attentive to the child reader, how changing notions of childhood identity and needs affected shifting narratives of the story, and the representation of the child's body by various illustrators, the authors also make a significant contribution to childhood studies.
Alice Through the Looking-Glass was originally commissioned by Stratford Festival Foundation under the artistic directorship of David William. The play opened July 10, 1994 at the Avon Theatre. This edition also contains illustrations by Sir John Tenniel as they appeared in the original (1872) Macmillan edition of Through the Looking-Glass and what Alice found there. When Alice passes through into the Looking Glass World, she suddenly finds herself in a bizarre and chaotic chess game that leads her on an unforgettable adventure. She encounters a dizzying array of extraordinary characters that include talking flowers, Kings and Queens, Tweedledee and Tweedledum and Humpty Dumpty himself. This brand new stage adaptation by one of Canada's most beloved authors and playwrights was a feature production of the 1994 Stratford Festival season. In addition to the text of the play, James Reaney provides the reader with background information and notes as well as useful suggestions for those wishing to stage their own production of Lewis Carroll's classic tale.
A fully annotated and illustrated version of both ALICE IN WONDERLAND and THROUGH THE LOOKING GLASS that contains all of the original John Tenniel illustrations. From "down the rabbit hole" to the Jabberwocky, from the Looking-Glass House to the Lion and the Unicorn, discover the secret meanings hidden in Lewis Carroll's classics. (Orig. $29.95)
Based on the original edition of Through the Looking-Glass Little Folks' Edition, this charming small format hardback is a companion to The Little Folks' Edition of Alice's Adventures in Wonderland. With red cloth binding, foil on the front cover and spine, and gold-sprayed edges to the pages, this is a really delightful gift, and specially abridged for younger readers to around one sixth the length of the original, it's a perfect introduction to the second of Carroll's classic Alice titles. This beautiful book is reproduced in full color with over 30 original illustrations by Sir John Tenniel.
In this sequel to Alice in Wonderland, Alice climbs through a mirror in her room and enters a world similar to a chess board where she experiences many curious adventures with its fantastic inhabitants.
Through the Looking Glass - Lewis Carroll - Through the Looking-Glass, and What Alice Found There (also known as Alice Through the Looking-Glass or simply Through the Looking-Glass) is a novel published on 27 December 1871 (though indicated as 1872) by Lewis Carroll and the sequel to Alice's Adventures in Wonderland (1865). Alice again enters a fantastical world, this time by climbing through a mirror into the world that she can see beyond it. There she finds that, just like a reflection, everything is reversed, including logic (for example, running helps one remain stationary, walking away from something brings one towards it, chessmen are alive, nursery rhyme characters exist, and so on).
Lewis Carroll’s sequel to Alice’s Adventures in Wonderland finds Alice transported to a strange new world, trapped in a fantastical game of kings and queens Through the Looking-Glass finds Alice six months after her fateful fall down the rabbit hole. This time, the portal to another world takes the form of a large mirror mounted above the fireplace mantle. Curious as to what lies on the other side of the mirror’s reflection, Alice leans into the glass surface and once again tumbles into an unknown land. It is here that she first reads the perplexing poem “Jabberwocky,” meets Tweedledee and Tweedledum, and journeys through forests and across streams, encountering many odd characters along the way, to reach the castle where she will be named queen. A classic of children’s literature, riven with rich themes and enchanting symbolism, Through the Looking-Glass is just as beguiling today as it was upon its first publication in 1871. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Emerging in several different versions during the author's lifetime, Lewis Carroll's Alice novels have a publishing history almost as magical and mysterious as the stories themselves. Zoe Jaques and Eugene Giddens offer a detailed and nuanced account of the initial publication of Alice's Adventures in Wonderland and Through the Looking-Glass and investigate how their subsequent transformations through print, illustration, film, song, music videos, and even stamp-cases and biscuit tins affected the reception of these childhood favourites. The authors consider issues related to the orality of the original tale and its impact on subsequent transmission, the differences between the manuscripts and printed editions, and the politics of writing and publishing for children in the 1860s. In addition, they take account of Carroll's own responses to the books' popularity, including his writing of major adaptations and a significant body of meta-textual commentary, and his reactions to the staging of Alice in Wonderland. Attentive to the child reader, how changing notions of childhood identity and needs affected shifting narratives of the story, and the representation of the child's body by various illustrators, the authors also make a significant contribution to childhood studies.