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Introduction: "Coy leericism"--Producing permissiveness: censorship, obscenity law, and the trials of spectatorship -- Peek snatchers: corporeal spectacle and the wages of looking, 1960/1965 -- Girls with hungry eyes: consuming sensation, figuring female lust, 1965/1970 -- Watching an "audience of voyeurs:" adult film reception -- Conclusion: Skin flicks without a future?
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Nine short stories that explore the effect of random chance on the lives of ordinary people.A Touch of Evil offers an answer to the eternal question: "What if?" Inspired by the work of Rod Serling in his seminal television series 'The Twilight Zone'&'Night Gallery', as well as 'The Outer Limits' & 'Twisted Tales', Touch of Evil poses questions, then offers possible answers that take the reader along pathways they may not wish to travel. For example: every day you follow a particular path in your life.But what happens when one tiny, but significant detail is changed-by fate, chance or just plain Luck? You fall asleep on a train & end up...where? That shortcut you're thinking of taking? You may not end up where you think you're going to & be careful of boxed chocolates delivered when you're not expecting them. Inside these pages you'll find things you take for granted in every day life turned ninety degrees. Just because it looks the same never means it is. A Touch of Evil. Just a tiny touch. Enjoy.
Chipo moves to Harare, Zimbabwe, with big dreams for her life, and finds them shattered after becoming pregnant. Her hard-hearted father gives the baby away to a couple, Hans and Ingrid; in rebellion, she starts a life of prostitution. When Hans and Ingrid Grundey’s vehicle hits a landmine, throwing them into the river, they end up on opposite shores, Hans in Zimbabwe, Ingrid in Zambia; both thinking the other dead, Ingrid finds a village and works as a nurse healing people, while Hans joins the mercenaries looking for the man who laid the landmine that killed his wife. A familiar ribbon intertwines the three characters, Hans, Ingrid, and Chipo, and leads them on a journey to find forgiveness, redemption, and the power of God working in and through their lives, transforming them and leading them closer and closer to finding one another. In the process of their journey, they find the meaning of the signature of God upon their lives; that seal of the Holy Spirit that transforms us and releases us to walk in power and victory against all odds.
Your heavenly Daddy wants to protect you, love you, and comfort you. What are you waiting for? His arms are open, and His heart is big.
A haunting examination of groupthink and mass hysteria in a rural community The place is Salem, Massachusetts, in 1692, an enclave of rigid piety huddled on the edge of a wilderness. Its inhabitants believe unquestioningly in their own sanctity. But in Arthur Miller's edgy masterpiece, that very belief will have poisonous consequences when a vengeful teenager accuses a rival of witchcraft—and then when those accusations multiply to consume the entire village. First produced in 1953, at a time when America was convulsed by a new epidemic of witch-hunting, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving but that compels readers to fathom their hearts and consciences in ways that only the greatest theater ever can. "A drama of emotional power and impact" —New York Post
Welcome to My World, Tilly Smart! Unexpected events occur turning my life upside down! Then, as though skiving off school and starving isnt enough for me to contend with, I even have to lose the most important thing in my life! Take action Matilda Smart! Thats my motto. Adam Khan, the most annoying neighbour pokes his oar in, unless he actually fancies me that is! Nat, Kaz, and Mary-Lou are dead puzzled, seeing me on my last legs and looking like a complete and utter wreck, but then to top it all Im accused of being a thief!
"In 1980s India, the Ramsay Brothers and other filmmakers produced a wave of horror movies about soul-sucking witches, knife-wielding psychopaths, and dark-caped vampires. Seeing Things is about the sudden cuts, botched prosthetic effects, continuity errors, and celluloid damage in these movies. Such moments may very well be "failures" of various kinds, but in this book Kartik Nair reads them as clues to the conditions in which the films were once made, censored, and seen, offering a view from below of the world's largest film culture. Combining extensive archival research and original interviews with close readings of landmark films including Purana Mandir, Veerana, and Jaani Dushman, this book tracks the material coordinates of horror cinema's spectral images. In the process, Seeing Things discovers a spectral materiality-one that informs Bombay horror's haunted houses, grotesque bodies, and graphic violence and gives visceral force to our experience of the genre's globally familiar conventions"--
Here is “a rich and lyrical masterpiece”–notes Peter Constantine–the first translation of a lost treasure by acclaimed author H. G. Adler, a survivor of Theresienstadt and Auschwitz. Written in 1950, after Adler’s emigration to England, The Journey was ignored by large publishing houses after the war and not released in Germany until 1962. Depicting the Holocaust in a unique and deeply moving way, and avoiding specific mention of country or camps–even of Nazis and Jews–The Journey is a poetic nightmare of a family’s ordeal and one member’s survival. Led by the doctor patriarch Leopold, the Lustig family finds itself “forbidden” to live, enduring in a world in which “everyone was crazy, and once they finally recognized what was happening it was too late.” Linked by its innovative style to the work of James Joyce and Virginia Woolf, The Journey portrays the unimaginable in a way that anyone interested in recent history and modern literature must read.