Download Free Levitating The Pentagon Book in PDF and EPUB Free Download. You can read online Levitating The Pentagon and write the review.

"This work undertakes the examination of the evolutions and innovations in the American theatre of the Vietnam War era as well as a study of the dramatic scripts and productions that emerged during this period and that were created in it. It is also an aim to both generalize and specify the nature of the dramatic response, and, by way of example, to illustrate the discrepancies in style and attitude between current dramatic works focusing on Vietnam War themes and those written under the conflict's direct experience and immediate influence." "The significant dramas dealing with Vietnam were written by playwrights who had some firsthand experience of the war, either by the ex-combatants themselves, or by those who had personal or professional associations with them. These dramatists offer the most profound insights concerning the ordeal and its consequences for both the combatants and their society, yet virtually none of their works are commercially produced today. These authors confronted the fact of war directly and chronicled in dramatic terms its psychological horror. Their plays, which attempted to portray the magnitude of the event and its immediate and long-lasting effects - on both the individual and the collective American psyche - best illustrate how the theatre eventually managed to come to terms with the devastating experience of the conflict. A study of the dramas that had their genesis in personal war experience offers invaluable insights not only into the problems associated with the Vietnam experience, but also many of those which still plague American society today." "As the plays relevant to the war experience are discussed in this book, it will become readily apparent why the the Vietnam War dramas took the form they did, and perhaps also why they are being virtually ignored at the present time. It is inevitable, though, that the dramas written by veterans of the war, and the dramas written by those who had a personal relationship with returned soldiers, will eventually be rediscovered and appreciated both for their historical value as firsthand impressions of the experience and of the consequences of the action for the men and women who served and for those who awaited their return." "The American theatre of the sixties was extremely dynamic for several reasons, all deriving from the circumstances that theatre, as Shakespeare suggests, echoes and enhances the ideas, turmoil, and passions of the world it reflects. An examination of the various manifestations of theatre of the sixties, the forms it took, the subjects on which it focused, the conditions under which it was performed, the reception accorded it, is one of the most informative and revealing approaches to a study of the sociology of the decades of 1960 and 1970. This book offers a unique and objective perspective of the response of the American theatre to the social struggles and cataclysms that characterized and punctuated the era, particularly the one dominating event that left forever indelibly stamped on the American consciousness the terrible experience of a war that was hopelessly lost before it was begun."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"Abbie Hoffman, Yippie non-leader, notorious dope addict and up-and-coming rock group (the WHAT), is currently on trial with seven others for conspiracy to incite riot during the Democratic Convention. When he returned from the Woodstock Festival he had five days before leaving for Chicago to prepare for the trial. Woodstock Nation, which the author wrote in longhand while lying upside down, stoned, on the floor of an unused office of the publisher, is the product of those five days. Other works by Mr. Hoffman include Revolution for the Hell of It and Fuck the System, which he describes as a "tender love epic"."-- Back cover.
In a riveting account based on new documents and interviews with more than 400 sources on both sides of the aisle, award-winning reporter Michael Grunwald reveals the vivid story behind President Obama’s $800 billion stimulus bill, one of the most important and least understood pieces of legislation in the history of the country. Grunwald’s meticulous reporting shows how the stimulus, though reviled on the right and the left, helped prevent a depression while jump-starting the president’s agenda for lasting change. As ambitious and far-reaching as FDR’s New Deal, the Recovery Act is a down payment on the nation’s economic and environmental future, the purest distillation of change in the Obama era. The stimulus has launched a transition to a clean-energy economy, doubled our renewable power, and financed unprecedented investments in energy efficiency, a smarter grid, electric cars, advanced biofuels, and green manufacturing. It is computerizing America’s pen-and-paper medical system. Its Race to the Top is the boldest education reform in U.S. history. It has put in place the biggest middle-class tax cuts in a generation, the largest research investments ever, and the most extensive infrastructure investments since Eisenhower’s interstate highway system. It includes the largest expansion of antipoverty programs since the Great Society, lifting millions of Americans above the poverty line, reducing homelessness, and modernizing unemployment insurance. Like the first New Deal, Obama’s stimulus has created legacies that last: the world’s largest wind and solar projects, a new battery industry, a fledgling high-speed rail network, and the world’s highest-speed Internet network. Michael Grunwald goes behind the scenes—sitting in on cabinet meetings, as well as recounting the secret strategy sessions where Republicans devised their resistance to Obama—to show how the stimulus was born, how it fueled a resurgence on the right, and how it is changing America. The New New Deal shatters the conventional Washington narrative and it will redefine the way Obama’s first term is perceived.
Challenging and irreverent, this story of a posse of forest radicals that engages in demonstrations and stunts to protest environmental destruction moves at a breakneck pace, stopping just long enough to question how the world might be fixed.
This is a coffee table art book and biography of Yippie Jerry Rubin. This overstuffed coffee table book is not only the first biography of the infamous and ubiquitous Jerry Rubin―co-founder of the Yippies, Anti-Vietnam War activist, Chicago 8 defendant, social-networking pioneer, and a proponent of the Yuppie era―but a visual retrospective, with countless candid photos, personal diaries, and lost newspaper clippings. It includes correspondence with Abbie Hoffman, Norman Mailer, John Lennon & Yoko Ono, Eldridge Cleaver, the Weathermen, and interviews with more than 75 of Rubin’s friends, foes, and comrades. It reveals Rubins' and the Yippies’ historical-and-bizarre personal interactions with the likes of Allen Ginsberg, Bob Dylan, Charles Manson, Mick Jagger, and other iconic figures of the era.
Banksy, the Yes Men, Gandhi, Starhawk: the accumulated wisdom of decades of creative protest is now in the hands of the next generation of change-makers, thanks to Beautiful Trouble. Sophisticated enough for veteran activists, accessible enough for newbies, this compact pocket edition of the bestselling Beautiful Trouble is a book that’s both handy and inexpensive. Showcasing the synergies between artistic imagination and shrewd political strategy, this generously illustrated volume can easily be slipped into your pocket as you head out to the streets. This is for everyone who longs for a more beautiful, more just, more livable world – and wants to know how to get there. Includes a new introduction by the editors. Contributors include: Celia Alario • Andy Bichlbaum • Nadine Bloch • L. M. Bogad • Mike Bonnano • Andrew Boyd • Kevin Buckland • Doyle Canning • Samantha Corbin • Stephen Duncombe • Simon Enoch • Janice Fine • Lisa Fithian • Arun Gupta • Sarah Jaffe • John Jordan • Stephen Lerner • Zack Malitz • Nancy L. Mancias • Dave Oswald Mitchell • Tracey Mitchell • Mark Read • Patrick Reinsborough • Joshua Kahn Russell • Nathan Schneider • John Sellers • Matthew Skomarovsky • Jonathan Matthew Smucker • Starhawk • Eric Stoner • Harsha Walia
1968 saw an extraordinary range of protests across much of the western world. Some of these were genuinely revolutionary - around ten million French workers went on strike and the whole state teetered on the brink of collapse. Others were more easily contained, but had profound longer-term implications; terrorist groups, feminist collectives, gay rights activists could all trace important roots to 1968. Bill Clinton and even Tony Blair are, in many ways, the product of that year. The Long '68 is a striking and original attempt half a century on to show how these events - from anti-war marches in the United States to revolts against Soviet oppression in eastern Europe - which in some ways still seem so current, stemmed from histories and societies that are in practice now extraordinarily remote from our own time. The book pursues the story into the 1970s to show both the ever more violent forms of radicalization that stemmed from 1968, and the brutal reactions from those in power that brought the era to an end.
The Armies of the Night chronicles the famed October 1967 March on the Pentagon, in which all of the old and new Left—hippies, yuppies, Weathermen, Quakers, Christians, feminists, and intellectuals—came together to protest the Vietnam War. Alongside his contemporaries, Mailer went, witnessed, participated, suffered, and then wrote one of the most stark and intelligent appraisals of the 1960s: its myths, heroes, and demons. Winner of the Pulitzer Prize and the National Book Award and a cornerstone of New Journalism, The Armies of the Night is not only a fascinating foray into that mysterious terrain between novel and history, fiction and nonfiction, but also a key chapter in the autobiography of Norman Mailer—who, in this nonfiction novel, becomes his own great character, letting history in all its complexity speak through him.
This title provides a comprehensive retrospective of Jankowski's work to date and presents almost all his pieces from the years 1992-2013 in chronologigal order.
The year 1968 retains its mythic hold on the imagination in America and around the world. Like the revolutionary years 1789, 1848, 1871, 1917, and 1989, it is recalled most of all as a year when revolution beckoned or threatened. On the 50th anniversary of that tumultuous year, cultural historians Robert Cottrell and Blaine T. Browne provide a well-informed, up-to-date synthesis of the events that rocked the world, emphasizing the revolutionary possibilities more fully than previous books. For a time, it seemed as if anything were possible, that utopian visions could be borne out in the political, cultural, racial, or gender spheres. It was the year of the Tet Offensive, the Resistance, the Ultra-Resistance, the New Politics, Chavez and RFK breaking bread, LBJ’s withdrawal, student revolt, barricades in Paris, the Prague Spring, SDS’ sharp turn leftward, communes, the American Indian Movement, the Beatles’ “Revolution,” the Stones’ “Street Fighting Man,” The Population Bomb, protest at the Miss America pageant, and Black Power at the Mexico City Olympics. 1968 was also the year of My Lai, the assassinations of Martin Luther King, Jr. and Robert F. Kennedy, Warsaw Pact tanks in Czechoslovakia, the police riot in Chicago, the Tlatelolco massacre, Reagan’s belated bid, Wallace’s American Independent Party campaign, “Love It or Leave It,” and the backlash that set the stage, at year’s end, for Richard Milhous Nixon’s ascendancy to the White House. For those readers reliving 1968 or exploring it for the first time, Cottrell and Browne serve as insightful guides, weaving the events together into a powerful narrative of an America and a world on the brink.