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Gathers letters the French composer wrote to friends, relatives, writers, and fellow composers and music critics about his life and music
The Life of Berlioz situates the celebrated French musician in the vibrant and highly politicized musical culture of the periods of the Bourbon Restoration, July Monarchy, Second Republic, and Second Empire in which he lived and worked as composer, conductor, concert manager, and writer. The author of the Symphonie fantastique was indeed possessed of a fertile and fantastical imagination; but the common image of Berlioz as a misunderstood and mistreated genius obscures both the solidity of his work as a musical architect and the reality of his position as one sometimes favored by those in power. Berlioz is the quintessential romantic composer by dint of the conspicuous intermingling of art and life that marks his musical and literary output. Studying this away from the subjective sentimentality that can still mar studies of the composer in France, serves only to enhance the uncommon radiance of his music and uncommon esprit of his art.
This study begins with a look at works by William Wordsworth and Samuel Taylor Coleridge, focusing on the 18th-century view of childhood and fantasy. It expands on the notion that English Romanticism played a significant role in preparing adults to accept fantasy literature for children.
Departing from established structuralist or psychological approaches to the fantastic, Jos Monlecn offers an ideological reading of this literary product of mass culture. In an exploration of the origins and development of the fantastic, Monlecn traces the relation of reason to unreason in light of three distinct events that influenced capitalist thinking: the French Revolution, the uprisings of 1848, and the Bolshevik Revolution. The fantastic, Monlecn argues, reflected social tensions and produced a cultural space in which to appropriate fears brought on by the revolutions--to tame the "specter" mentioned by Marx and Engels in The Communist Manifesto. At the same time the fantastic helped carve in Europe a defense of order through the introduction of unreason as a viable discourse. Monlecn pays particular attention to the development of the fantastic in Spain, whose unique economic and cultural conditions form a distinct background against which to test his paradigm for the development of the genre in the rest of Europe. This study touches upon a wide range of works, including those by Bcquer, BazNBn, Galdcs, Alarccn, Maupassant, Shelley, Poe, and James, as well as etchings by Goya. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
French adaptations of William Shakespeare by classic French authors, translated back into English and introduced by Frank Morlock: Hamlet by Alexander Dumas, pre; Ophelia by Arthur Rimbaud; and As You Like It by George Sand.
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