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H. P. Lovecraft's generous tutelage of younger literary colleagues earned him their lifelong devotion and admiration. Few profited more by his assistance than Robert Bloch, who went on to become the celebrated author of "Psycho" and other classic works of horror and suspense. Establishing a correspondence with Lovecraft when he was sixteen, Bloch learned so much about the craft of writing-and about other matters-that he later stated: "Lovecraft was my university." This volume brings together Lovecraft's complete extant correspondence with Bloch as well as with such other young writers, editors, and fans of the 1930s as Kenneth Sterling (who collaborated with Lovecraft on "In the Walls of Eryx"), Donald A. Wollheim (editor of the "Phantagraph" and a leading figure in science fiction in the decades that followed), Willis Conover (whose "Lovecraft at Last" is one of the most poignant books ever written about the Providence writer), and others. As in all previous volumes in the "Collected Letters" series, these letters have been meticulously edited by David E. Schultz and S. T. Joshi, two of the leading authorities on Lovecraft. Also included are many rare and pertinent writings by the various correspondents, which shed light on their relationship to Lovecraft. An exhaustive bibliography and a comprehensive index conclude the volume.
"While the letters in this volume touch mainly on literary matters, they also record H.P. Lovecraft's love of Florida. He visited the state several times--twice as Robert Barlow's guest--and was enthralled by the vistas of live oaks and Spanish moss. He occasionally felt "homesick" for Florida when he was at home in Rhode Island, and he never yearned more to be in the Sunshine State than during cold New England winters. There was no doubt where he wished to be when he addressed a letter to Barlow, during the depths of one winter, as "O Floridian More Fortunate than you can Realise." In addition to letters, the reader will find an insightful introduction by the editors providing details and anecdotes about the friendship between Lovecraft and Barlow. The book is further enriched by Barlow's poignant memoir of Lovecraft in Florida, a glossary of notable people mentioned in the letters, autobiographical pieces by Barlow, and an invaluable index. The reader will find references to familiar names like Weird Tales, Robert E. Howard, Clark Ashton Smith, and Harry Houdini. These letters to Barlow record much about that vanished time and prove to be among the liveliest of Lovecraft's published correspondence."--Back cover
Marion is lost on a dark and lonely road; she's tired and hungry and afraid. She thinks she's dreaming when she sees a motel sign shining in the darkness: Bates Motel. But for Marion the nightmare is just beginning ... To most people Psycho needs no introduction, but although Alfred Hitchcock's film was largely faithful to the book, in the novel itself you will find a story more nuanced and - if possible - even darker.
What if a book existed that gave answers to everything you've ever wondered about? What would you do to learn its secrets? Tales of such books have abounded for millennia and are legend in occult history. One of the most pervasive modern iterations is that of the Necronomicon, said to be a genuine occult text from the 8th century. The Necronomicon really is the creation of science fiction writer H.P. Lovecraft (1891-1937), in whose books the magic volume first appears in print. In The Necronomicon Files two occult authorities explore all aspects of The Necronomicon, from its first appearance in Lovecraft's fiction to its ongoing pervasive appearance in cult and occult circles. The Necronomicon Files, revised and expanded further, reveals the hoax of the Necronomicon. Harms and Gonce show that the apocryphal history of the Necronomicon was concocted by Lovecraft to lend it verisimilitude in his fiction. The magical text was transformed into an icon among Lovecraft's literary circle, who added to the book's legend by referring to it in their own writing. People became convinced that it was a real book and its references in literature and film continue to grow. The book also examines what people have undergone to find the Necronomicon and the cottage industry that has arisen over the past three decades to supply the continuing demand for a book that does not exist. Scholarly yet accessible, humorous and intriguing, The Necronomicon Files illuminates the depth of the creative process and the transformations of modern myth, while still managing to preserve much of the romance and fascination that surrounds the Necronomicon in our culture.
"The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown." --H. P. LOVECRAFT, "Supernatural Horror in Literature" Howard Phillips Lovecraft forever changed the face of horror, fantasy, and science fiction with a remarkable series of stories as influential as the works of Poe, Tolkien, and Edgar Rice Burroughs. His chilling mythology established a gateway between the known universe and an ancient dimension of otherworldly terror, whose unspeakable denizens and monstrous landscapes--dread Cthulhu, Yog-Sothoth, the Plateau of Leng, the Mountains of Madness--have earned him a permanent place in the history of the macabre. In Tales of the Cthulhu Mythos, a pantheon of horror and fantasy's finest authors pay tribute to the master of the macabre with a collection of original stories set in the fearsome Lovecraft tradition: ¸ The Call of Cthulhu by H. P. Lovecraft: The slumbering monster-gods return to the world of mortals. ¸ Notebook Found in a Deserted House by Robert Bloch: A lone farmboy chronicles his last stand against a hungering backwoods evil. ¸ Cold Print by Ramsey Campbell: An avid reader of forbidden books finds a treasure trove of deadly volumes--available for a bloodcurdling price. ¸ The Freshman by Philip José Farmer: A student of the black arts receives an education in horror at notorious Miskatonic University. PLUS EIGHTEEN MORE SPINE-TINGLING TALES!
In this work the author gives detailed evidence for the ascent of Witchcraft set out in his previous volume of The History Witchcraft and Demonology. The epedemic that occurred is trated as it appeared in various countries and comprehensive chapters deal with Grece, rome, England, Scotland, New England, France, Germany, Italy and Spain.
In a frank and unpretentious series of letters addressed to a teenage granddaughter, this highly original book teaches us to know and understand the world we live in and its rules, and how to behave in it. In these thirty letters, Alan Macfarlane answers his granddaughter's questions about how the world works, how it got to be as it is, what it could be, and where she fits in. Lily's enquiries range from the intimate, personal and moral to the political, social and philosophical. What is the nature of good and evil? What is religion? How can I be truly me? Is right and wrong the same wherever you are? What is beauty? Does there have to be torture? Does money matter? Is knowledge always good? What is progress? What is truth? What is sex? Is democracy a good idea? These are just a few of the questions. In responding to Lily's challenging problems, Alan Macfarlane, from a lifetime's experience as a historian, anthropologist and teacher, ranges through history and across the world's cultures. Her questions are timeless. His answers add up to a classic.
A powerful and compelling tale of brooding horror that deepens and broadens to the final catastrophe—an unusual and engrossing novelette by the author of "The Curse of Yig."
How copyright law and the practice of narrative-based property development influenced each other before 1978
The subject of Michael Warner's book is the rise of a nation. America, he shows, became a nation by developing a new kind of reading public, where one becomes a citizen by taking one's place as writer or reader. At heart, the United States is a republic of letters, and its birth can be dated from changes in the culture of printing in the early eighteenth century. The new and widespread use of print media transformed the relations between people and power in a way that set in motion the republican structure of government we have inherited. Examining books, pamphlets, and circulars, he merges theory and concrete analysis to provide a multilayered view of American cultural development.