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Our love was fatal.Weston Carter was all kinds of wrong for a girl like me. He was musician, a womanizer, and a first class heartbreaker.But our love was epic, the kind people wrote stories about. We fell into it hard, unable to control our feelings.The first time we met I knew.Emilia was my love.My muse.The woman who owned my soul.Emilia was perfection.Two shattered hearts.Two broken lives.One fucked up love story.
For fans of Olivia and Eloise, this stunning debut from Kelly Light is an irresistible story about the importance of creativity in all its forms. Meet Louise. Louise loves art more than anything. It's her imagination on the outside. She is determined to create a masterpiece—her pièce de résistance! Louise also loves Art, her little brother. This is their story. Louise Loves Art is a celebration of the brilliant artist who resides in all of us.
Winner of the Bagutta Prize, The Manzoni Family set in ducal Italy and post-revolutionary France, captures the story of Alessandro Manzoni—celebrated Milanese nobleman, man of letters, and author of the masterpiece of nineteenth-century Italian literature, I promessi sposi (The Betrothed)—and the women of his life. The dynastic tale begins with the matriarchal figure of Giulia, the mother whom the young Alessandro Manzoni found in Paris after she had abandoned him as an infant. Following her, there is Enrichetta, the woman he and his mother chose to be his wife, and the many children she had by him until her death; literary friends from the beau monde in Italy and Paris; and Alessandro's second wife, Teresa, and her children. Against the background of Napoleonic occupation, the reestablishment of Austrian hegemony, and the stirrings of the revolutionary urge for unification and independence, Ginzburg gracefully weaves the story of the Manzoni dynasty, a family that seems to grow autonomously around the life of the writer, effortlessly incorporating the epic tumult and emotion of the age. Ginzburg explores this fascinating true story and celebrated author with the elegance that has assured her rightful place among history’s acclaimed literary titans.
The Border Between Us is a poignant coming-of-age novel from one of the most exciting voices in fiction. Ramón López was born along the US–Mexico border but is determined to get out and embrace the American dream—and he’s not sure whether his complicated family is a help or a hindrance. As the son of immigrants, as Ramón grows, his admiration for his entrepreneurial father sours as he watches his dad’s dreams of success wither on the vine. Ramón’s mother is constantly preoccupied with his younger brother, who struggles with intellectual disabilities. And the outside world is rife with danger and temptations threatening to distract Ramón from his dreams of making it to New York and succeeding as an artist. As dreams clash with reality and values conflict with desires, Ramón finds the American dream within his reach—but will it demand too big a sacrifice? Award-winning author Rudy Ruiz brilliantly captures the beauty and the danger of border life as Ramón struggles to understand his home and his place in the world. The Border Between Us is a stunning, compassionate story about a son’s fraught relationship with his father, the challenges of pursuing a creative life when you come from humble beginnings, and the power of embracing the whole of who you are.
“Honest and moving . . . Her painful tale is engrossing.”—Washington Post Book World For most of us, it was just another horrible headline. But for Deborah Spungen, the mother of Nancy, who was stabbed to death at the Chelsea Hotel, it was both a relief and a tragedy. Here is the incredible story of an infant who never stopped screaming, a toddler who attacked people, a teenager addicted to drugs, violence, and easy sex, a daughter completely out of control—who almost destroyed her parents’ marriage and the happiness of the rest of her family.
Though her life was largely circumscribed by domesticity and poverty both in England and in Canada, Catharine Parr Traill’s interests, experiences, and contacts were broad and various. Her contribution to our knowledge of nineteenth-century Canadian life, from a literary, historical, and scientific perspective, was significant. Chosen from her nearly 500 extant letters, the 136 presented here vividly reflect typical aspects of social and family life, attachments to the Old World, health and medical conditions, travel, religious faith and practice, the stresses of settlement in Upper Canada in the 1830s, and the dispersal of families with the opening up of the Canadian and American West. Spanning seventy years, the letters are presented in three sections, each prefaced by an introductory essay. The first, ‘1830–1859: “The changes and chances of a settler’s life,”’ traces Traill’s story from her emergence as one of the literary Strickland sisters in England, through the difficult, poverty-stricken years of settlement and family raising in Canada, to her husband’s death. The second, ‘1860–1884: “The poor country mouse,”’ reveals her quiet life at Westove (her cottage at Lakefield), her devotion to family and friends, and the time she spent writing botanical essays and seeking a publisher for them. A trip to Ottawa in 1884 awakened her to a recognition of the literary stature she had earned. The third section, ‘1885–1899: “The sight of green things is life to me,”’ begins with the publication of her Studies of Plant Life in Canada and sheds light on the public recognition she received, her continuing literary productivity, and the strengthening of her role as matriarch of the Strickland family in Canada. It closes with her death on 29 August 1899. Together with the introductory essays, Traill’s correspondence offers an intimate and revealing portrait of a courageous, caring, and remarkable woman—mother, pioneer, writer, and botanist.
The story Elizabeth is about a four old girl who died and she has to find out why she remained behind. In the process she cannot travel beyond her home. Some of the people in her former life try to help her and some try to harm her. Owner after owner she endures until she meets a family. They take her in and through then she is able to go back home and into the light. Where she is finally home at last.
#1 New York Times bestseller and winner of the Carnegie Medal! "A superlative novel . . . masterfully crafted."--The Wall Street Journal Based on "the forgotten tragedy that was six times deadlier than the Titanic."--Time Winter 1945. WWII. Four refugees. Four stories. Each one born of a different homeland; each one hunted, and haunted, by tragedy, lies, war. As thousands desperately flock to the coast in the midst of a Soviet advance, four paths converge, vying for passage aboard the Wilhelm Gustloff, a ship that promises safety and freedom. But not all promises can be kept . . . This paperback edition includes book club questions and exclusive interviews with Wilhelm Gustloff survivors and experts.
The letters in Plautus are potent tools for making and thinking about Plautine comedy inside Plautine comedy. Emilia Barbiero demonstrates that Plautus' embedded letters reify the internal performance and evince its theatricality by means of the epistolary medium's script-like ability to precipitate presence in absence. These missives thus serve as emblems of the dramatic script, and in their onstage composition and recitation they cast a portrait of the plays' textual origins into the plays themselves. But by virtue of their inscription with a premise which is identical to that of the comedies they inhabit, the Plautine letters also reproduce the relationship between the playwright's Greek models and his Latin translations: the mirror effect created by a dramatic text inscribed, read and realized within a dramatic text whose plot it also duplicates generates a mise-en-abyme which ultimately serves to contemplate problems of novelty and literary ownership that beset Plautus' literary endeavor.