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These letters between the pioneering environmentalist and her beloved friend reveal “a vibrant, caring woman behind the scientist” (Los Angeles Times). “Rachel Carson, author of The Silent Spring, has been celebrated as the pioneer of the modern environmental movement. Although she wrote no autobiography, she did leave letters, and those she exchanged—sometimes daily—with Dorothy Freeman, some 750 of which are collected here, are perhaps more satisfying than an account of her own life. In 1953, Carson became Freeman's summer neighbor on Southport Island, ME. The two discovered a shared love for the natural world—their descriptions of the arrival of spring or the song of a hermit thrush are lyrical—but their friendship quickly blossomed, as each realized she had found in the other a kindred spirit. To read this collection is like eavesdropping on an extended conversation that mixes the mundane events of the two women's family lives with details of Carson’s research and writing and, later, her breast cancer. . . . Few who read these letters will forget these remarkable women and their even more remarkable bond.” —Publishers Weekly “Darting, fresh, sensuous, pleasingly elliptical at times, these letters also serve to tether the increasingly deified Carson firmly to earth—just where she’d want to be.” —Kirkus Reviews (starred review) “It is not often that a collection of letters reveals character, emotional depth, personality, indeed intellect and talent, as well as a full biography might; these letters do all that.” —The New York Times Book Review “Provides insight into the creative process and a look into the daily lives of two intelligent, perceptive women whose family responsibilities were, at times, almost crushing.” —Library Journal “Dotted with vivid observations of the natural world and perceptive commentary on friendship, family, fame, and life itself, Always, Rachel will appeal to readers interested in biography and women’s studies as well as those drawn to nature writing and the history of the environmental movement.” —Booklist Online
“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.
In these letters, de Beauvoir tells Sartre everything, tracing the extraordinary complications of their triangular love life; they reveal her not only as manipulative and dependent, but also as vulnerable, passionate, jealous, and...
Love letters are potent. They breathe. They speak. They can arouse, comfort, captivate. They can also cut deep. The powerful, deeply personal letters collected here reveal the painful underside of love. Witness Winston Churchill 'growl with anger to be treated with benevolent indifference' and Edith Piaf reel in the throes of a 'terrible' passion. Through the letters of literary icons Charlotte Brontë, Oscar Wilde and Virginia Woolf, Hollywood stars Elizabeth Taylor and Richard Burton and statesmen Henry VIII and Franklin D. Roosevelt, Yours Always offers an unusually intimate insight into the lives of such illustrious figures. Love is revealed here in its many shades of disharmony and confusion: unrequited, uncertain, imbalanced, unconventional, thwarted, failed and forbidden. Love is not always rose-tinted, and Yours Always illuminates the sorrows that can accompany falling in, falling out, and staying in love. Includes letter to and from: Charlotte Brontë, Richard Burton, Lord Byron, Winston Churchill, Marie Curie, Charles Dickens, Ernest Hemingway, Henry VIII, Ted Hughes, Graham Greene, Franz Kafka, Marilyn Monroe, Iris Murdoch, Edith Piaf, Franklin D. Roosevelt, Elizabeth Taylor, Oscar Wilde, Virginia Woolf, W.B. Yeats
Whether or not you're currently dating someone, if you're a young person thinking about romance, you probably have a lot of questions. Who should you date? How do you turn down an unwanted date, navigate a first date, or break up with someone? Is kissing OK? Is marriage really for you? The Bible is sufficient to help you to think through the concerns of singleness and dating, and it has crucial things to say about the thoughts, attitudes, actions, and situations that commonly arise in this exciting stage of life. In friendly, practical letters, Sean and Spencer (and sometimes their wives, Jenny and Taylor) explore God's Word for answers on singleness, the start of a relationship, and tough dating situations, from breakups to broken boundaries. Their biblical insights will help you to make informed decisions on the road ahead.
When Richard Slater receives a letter of complaint from one of his constituents, a Margaret Hayton, he merely responds with his standard letter of empty promises. Clearly, this woman is insane and must be avoided at all costs. But she will not be dismissed so easily, and when Richard finally sets eyes on the ‘twenty-something vision in stone-washed denim, with a cloud of dark ringlets and huge, serious eyes’ he risks losing his heart, his head and quite possibly his political career.
Lily, who has attention-deficit hyperactivity disorder, and Abelard, who has Asperger's, meet in detention and discover a mutual affinity for love letters--and, despite their differences, each other.
The late John Cheever once insisted that saving a letter is like trying to preserve a kiss. Luckily for us, the loved ones of great writers ranging from Sappho to Anne Sexton, from Anton Chekhov to Mr. Cheever himself have ignored that clever dictum. In more than one hundred of the most powerful, witty, wicked and whimsical letters ever written, we chronicle passion's erratic progress. Why should Marcus Aurelius's amorous words sit side by side with John Steinbeck's letter to the woman who inspired much of his late work? Distinguished scholar Cathy Davidson argues that the love letter is a form of literature all its own, a genre whose language may have changed from ancient Rome to twentieth-century America but whose basic form and content remain the same. For if all literature is a kind of seduction, then the love letter becomes the perfect vehicle for writers to hone their seductive skills. With novelistic flair, Ms. Davidson has arranged these letters as though they were all part of one romance - a romance in which any of us may have played a part. From the joy of Falling in Love to the pain of Unrequited Love, we chart the evolution of that most hard-to-define emotion. These pages are filled with glorious examples of writers being just like the rest of humanity, to wit: willing to stake so much on what at times seems like nothing more than a promise and an act of faith. How delightful to discover the master of light verse Ogden Nash writing tenderly to a woman he first saw across a crowded room nine months earlier: This is a particularly gifted and intelligent pen. Look what it's writing now: I love you. That's a phrase I can't get out of my head - but I don't want to. I'vewanted to try it out for a long time; I like the look of it and the sound of it and the meaning of it. Of course what writers do better than anyone else is to write about love. Through Ms. Davidson's deft touch, The Book of Love becomes a treasure trove of literary discovery. She
Franz Kafka met Felice Bauer in August 1912, at the home of his friend Max Brod. Energetic, down-to-earth, and life-affirming, the twenty-five-year-old secretary was everything Kafka was not, and he was instantly smitten. Because he was living in Prague and she in Berlin, his courtship was largely an epistolary one—passionate, self-deprecating, and anxious letters sent almost daily, sometimes even two or three times a day. But soon after their engagement was announced in 1914, Kafka began to worry that marriage would interfere with his writing and his need for solitude. The more than five hundred letters Kafka wrote to Felice—through their breakup, a second engagement in 1917, and their final parting in the fall of that year, when Kafka began to feel the effects of the tuberculosis that would eventually claim his life—reveal the full measure of his inner turmoil as he tried, in vain, to balance his desire for human connection with what he felt were the solitary demands of his craft.
The 19th–century American poet’s uncensored and breathtaking letters, poems, and letter-poems to her sister-in-law and childhood friend. For the first time, selections from Emily Dickinson’s thirty-six year correspondence with her childhood friend, neighbor, and sister-in-law, Susan Huntington Dickinson, are compiled in a single volume. Open Me Carefully invites a dramatic new understanding of Emily Dickinson’s life and work, overcoming a century of censorship and misinterpretation. For the millions of readers who love Emily Dickinson’s poetry, Open Me Carefully brings new light to the meaning of the poet’s life and work. Gone is Emily as lonely spinster; here is Dickinson in her own words, passionate and fully alive. Praise for Open Me Carefully “With spare commentary, Smith . . . and Hart . . . let these letters speak for themselves. Most important, unlike previous editors who altered line breaks to fit their sense of what is poetry or prose, Hart and Smith offer faithful reproductions of the letters’ genre-defying form as the words unravel spectacularly down the original page.” —Renee Tursi, The New York Times Book Review