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"Wollstonecraft's Letters Written in Sweden, Norway, and Denmark is a deeply personal travel narrative. The twenty-five letters cover a wide range of topics, from sociological reflections on Scandinavia and its peoples to philosophical questions regarding identity to musings on her relationship with Imlay (although he is not referred to by name in the text). Using the rhetoric of the sublime, Wollstonecraft explores the relationship between the self and society. Reflecting the strong influence of Rousseau, Letters Written in Sweden shares the themes of the French philosopher's Reveries of a Solitary Walker (1782): "the search for the source of human happiness, the stoic rejection of material goods, the ecstatic embrace of nature, and the essential role of sentiment in understanding". While Rousseau ultimately rejects society, however, Wollstonecraft celebrates domestic scenes and industrial progress in her text."--Wikipedia.
'If ever there was a book calculated to make a man in love with its author, this appears to me to be the book.' William Godwin, the author's future husband, was not alone in admiring Letters written during a short residence in Sweden, Norway, and Denmark, Wollstonecraft's most popular book during her lifetime. Not easy to categorize, it is both an arresting travel book and a moving exploration of her personal and political selves. Wollstonecraft set out for Scandinavia just two weeks after her first suicide attempt, on a mission from the lover whose affections she doubted, to recover his silver on a ship that had gone missing. With her baby daughter and a nursemaid, she travelled across the dramatic landscape and wrote sublime descriptions of the natural world, and the events and people she encountered. What emerges most vividly is Wollstonecraft's courage and ability to look beyond her own suffering to the turmoil around her in revolutionary Europe, and a better future. This edition includes further material on the silver ship, Wollstonecraft's personal letters to Imlay during her trip, an extract from Godwin's memoir, and a selection of contemporary reviews. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Long regarded as Mary Wollstonecraft's most delightful work, this series of twenty-five letters is quite possibly the perfect fusion of their famous author's personal and intellectual selves. The letters were written to her lover, Gilbert Imlay, who had sent her to the Scan-dinavian countries as his business envoy dur-ing the summer of 1795. She was accompanied by her year-old daughter and a nursemaid on part of the journey, but frequently took side trips on her own. Informed by a wealth of ideas and years of wide reading, the letters combine landscape description, sociological observation, poetic reverie, and personal apostrophe. Never ceasing to observe the members of her own sex, Wollstonecraft is concerned with the plight of Scandinavian women, and expresses her views on child care. The modern reader will be struck by the contemporaneity of her comments on prison reform, capital punishment, property, and government. This first modern edition of the Letters has been lightly edited, increasing its readability while preserving the flavor of the original. It includes the author's original notes, editorial notes, an introduction, and a selected bibliography, as well as a map of the journey.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.