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The Busybody is the most popular comedy by the eighteenth-century playwright Susanna Centlivre. The play centres on two couples trying to form a relationship against the wills of their guardians, and in a battle of wits, playing with many conventions from theatre traditions across the continent, a conclusion is eventually reached. Like her predecessor Aphra Behn, Centlivre was immensely successful in her day, drawing huge crowds to extended runs of her numerous plays, but the stabbing male pens of the nineteenth and twentieth centuries decried her work as being louche and dangerous, and her name slowly sunk into obscurity. This edition, published with William Hazlitt’s prefatory note and extra material on Centlivre’s life and writing, seeks to highlight the dexterity with which she took on the stage. 'Acted] a thousand times in town and country, giving delight to the old, the young and the middle-aged.' (William Hazlitt)
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
The eighteenth century essayist, dramatist, journalist and politician Sir Richard Steele is best known today as the principal author of the periodicals ‘The Tatler’ and ‘The Spectator’. One of the most compelling figures of his time, Steele adopted a prose technique characterised by its easy, rapid, humorous and sincere style. His publications represented a new approach to journalism, offering cultivated essays on contemporary manners, establishing a pattern that would influence the course of English literature. This eBook presents Steele’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Steele’s life and works * Concise introductions to the major texts * All the major tracts, with individual contents tables * Features rare essays appearing for the first time in digital publishing * Images of how the texts were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * The complete plays and poetry, with superior formatting * Includes the complete run of both ‘The Tatler’ and ‘The Spectator’ * Features two biographies – discover Steele’s literary life * Ordering of texts into chronological order and genres CONTENTS: The Prose The Christian Hero (1701) The Spectator Club (1711) The Englishman’s Thanks to the Duke of Marlborough (1712) The Importance of Dunkirk Consider’d (1713) The Crisis (1714) Mr. Steele’s Apology for Himself and His Writings (1714) The Englishman: Being the Close of the Paper So-Called No. 57 (1714) An Account of the Fish-Pool (1718) The Crisis of Property (1720) A Nation a Family (1720) Isaac Bickerstaff: Physician and Astrologer (1887) Miscellaneous Tracts The Dramatic Works The Funeral (1701) The Lying Lover (1703) The Tender Husband (1705) The Conscious Lovers (1723) The School of Action (1725) The Gentleman (1809) Prologues to Plays by Other Writers The Poem The Procession (1695) The Journalism The Tatler (1709-1711) The Spectator (1711-1712) The Biographies Richard Steele (1894) by G. A. Aitken Sir Richard Steele (1900) by Henry Austin Dobson
The late D. F. McKenzie worked on this comprehensive edition of the works of the playwright, poet, librettist, and novelist William Congreve for more than twenty years, until his sudden death in 1999. This was a task he had taken over from Herbert Davis, to whom this edition is dedicated. During that time McKenzie uncovered new verse and letters, collated Congreve's texts, recorded their complicated textual history, constructed appendices that shed light on the dramatic context in which Congreve worked, and examined how his contemporaries received Congreve's work. More importantly, McKenzie has convincingly re-evaluated Congreve's works and life to transform our image of the man and his reputation. McKenzie here follows the editorial practice suggested in two early editions of the Works published by Congreve's friend, the bookseller Jacob Tonson, in 1710 and 1719. These three volumes follow a plan similar to that in the Tonson edition, with The Old Batchelor, The Double-Dealer, and Love for Love collected in the first, a central volume with The Way of the World, and a final volume with Congreve's novel Incognita, some of his prose works, letters, and later verse. In each case, Congreve's work is left to speak for itself, unencumbered by intrusive notes, textual apparatus, or collations, which are gathered instead near the end of each volume. This edition will be an invaluable resource for scholars for many years to come. It is a monument to McKenzie's own scholarship as well as to the integrity of William Congreve.