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Mary Queen of Scots - tragic heroine or adulteress conniving in murder? This book adds to the mysterious drama, covering an historical detective story which has absorbed readers for over 400 years. Yet it is much more than a powerful tale with human tragedy, suffering and death at its heart: it was played out for the highest political stakes - including the stability of the English and Scottish crowns, the Protestant Reformation and threat from powerful European neighbours. The Casket Letters consist of eight letters, twelve love sonnets and two marriage contracts, allegedly written by Mary to Bothwell, later her third husband, appearing to implicate her in the murder of her second husband, Darnley, and proving her adultery. This forensic re-examination of the Casket Letters and contemporary documents, and their long and chequered history, examines the conduct and motives of the principal actors and ventures on ground much-trodden by writers who both condemn and exculpate Mary. The author guides the reader through the twisting labyrinth of Scottish and English politics; examines possible forgery; rejects Mary's role in Darnley's murder (despite his impossible conduct that included drunkenness, neglect of business and intriguing for the crown); and looks at the change in her attitude to Bothwell. The Casket Letters were a gift to her enemies in England, the Scottish Protestant church and nobility, and led directly to her imprisonment and finally to execution.
Queen Elizabeth I (1533-1603) ruled England for 45 turbulent years, and her reign has come to be seen as a golden age. She exercised supreme authority in a man's world, while remaining intensely feminine. She was Gloriana, the Virgin Queen, but is also held up as a role model for company executives in the twenty-first century. She is a near-legendary figure from a remote past who remains fascinatingly modern. This handsome volume has been published to commemorate the 400th anniversary of Elizabeth I's death in 1603. It illustrates in color and, where possible, in actual size, sixty manuscripts--either by Elizabeth or to her. Each one is accompanied by a running commentary, explaining the document and placing it in its historical context, and selected transcriptions or, where necessary, translations from the originals. Elizabeth was a girl of extraordinary precocity and a brilliant linguist. Her early letters, written in a beautiful italic, are to her forbidding father, Henry VIII, and to her brother and sister, Edward VI and "Bloody" Mary. The very first letter dates from when she was a child of eleven. The last, written nearly 60 years later, is a barely-legible scrawl addressed to her successor, the future James I. The letters from her in-tray are no less extraordinary. Tsar Ivan the Terrible rounds on her in a blind fury after she refuses to marry him. The Earl of Essex, young enough to be her son, pours out declarations of love: a few pages further on is to be found her signed warrant for his execution. There are letters from ministers and galley slaves, spies and traitors, coded letters, warrants for torture, speeches to parliament, and the original--only recently identified--of the most famous of all her utterances: "I know I have the body but of a weak and feeble woman, but I have the heart and stomach of a king."
This Whitbread Award–winning biography and basis for the film Mary Queen of Scots starring Saoirse Ronan and Margot Robbie “reads like Shakespearean drama” (The Atlanta Journal-Constitution). “A triumph . . . A masterpiece full of fire and tragedy.” —Amanda Foreman, author of Georgiana In the first full-scale biography of Mary Stuart in more than thirty years, John Guy creates an intimate and absorbing portrait of one of history’s greatest women, depicting her world and her place in the sweep of history with stunning immediacy. Bringing together all surviving documents and uncovering a trove of new sources for the first time, Guy dispels the popular image of Mary Queen of Scots as a romantic leading lady—achieving her ends through feminine wiles—and establishes her as the intellectual and political equal of Elizabeth I. Through Guy’s pioneering research and superbly readable prose, we come to see Mary as a skillful diplomat, maneuvering ingeniously among a dizzying array of factions that sought to control or dethrone her. Queen of Scots is an enthralling, myth-shattering look at a complex woman and ruler and her time. “The definitive biography . . . Gripping . . . A pure pleasure to read.” —The Washington Post Book World “Reads like Shakespearean drama, with all the delicious plotting and fresh writing to go with it.” —The Atlanta Journal-Constitution
Mary Queen of Scots (1542-1587) was active as monarch of Scotland for just six years between 1561 and 1567, but her impact as a ruler in Scotland is much less important than her subsequent role in popular culture and imagination. Her story has enjoyed perpetual retelling and reached a global audience over the past four and a half centuries. This collection surveys the exceptionally varied range of objects, literature, art and media that have been produced to commemorate Mary between her own time and the present day. Why is her story so enduring, pervasive, and of such interest to so many different audiences? How have the narratives associated with these objects evolved in response to shifting cultural attitudes? The collection offers a much-needed novel perspective on the Queen of Scots, using an approach at the intersection of early modern, gender and cultural history, museum and heritage studies, and memory studies.