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"Fine stuff...[The Letter of Marque] leaves the devotee of naval fiction eager for sequels." —Jonathan Yardley, Washington Post Book World Captain Jack Aubrey, a brilliant and experienced officer, has been struck off the list of post-captains for a crime he did not commit. His old friend Stephen Maturin, usually cast as a ship’s surgeon to mask his discreet activities on behalf of British Intelligence, has bought for Aubrey his former ship the Surprise to command as a privateer, more politely termed a letter of marque. Together they sail on a desperate mission against the French, which, if successful, may redeem Aubrey from the private hell of his disgrace. A nighttime battle with an unusual climax, a jewel of great value, and Maturin’s fondness for opium make this segment of Patrick O’Brian’s masterful series both original and profoundly exciting.
Challenging received opinion and breaking new ground in Kipling scholarship, these essays on Kipling’s attitudes to the First World War, to the culture of Edwardian England, to homosexuality and to Jewishness, bring historical, literary critical and postcolonial approaches to this perennially controversial writer. The Introduction situates the book in the context of Kipling’s changing reputation and of recent Kipling scholarship. After the perspectives of Chesterton (1905), Orwell (1942) and Jarrell (1960), newer contributions address Kipling's approach to the Boer war, his involvement with World War One, his Englishness and the politics of literary quotation. Different aspects of Kipling’s relation to India are explored, including the ‘Mutiny’, Eastern religions, his Indian travel writings and his knowledge of ‘the vernacular’. This collection, whose contributors include Hugh Brogan, Dan Jacobson, Daniel Karlin and Bryan Cheyette, is essential reading for academics and students of Kipling, Victorian and Edwardian English literature and cultural history.
A major new biography of Rudyard Kipling Rudyard Kipling (1865-1936) was a unique figure in British history, a great writer as well as an imperial icon whose life trajectory matched that of the British Empire from its zenith to its final decades. Kipling was in his early twenties when his first stories about Anglo-Indian life vaulted him into celebrity. He went on to be awarded the Nobel Prize, and to add more phrases to the language than any man since Shakespeare, but his conservative views and advocacy of imperialism damaged his critical reputation -- while at the same time making him all the more popular with a general readership. By the time he died, the man who incarnated an era for millions was almost forgotten, and new generations must come to terms in their own way with his enduring but mysterious powers. Previous works on Kipling have focused exclusively on his writing and on his domestic life. Here, the distinguished biographer David Gilmour not only explains how and why Kipling wrote, but also explores the themes of his complicated life, his ideas, his relationships, and his views on the Empire and the future. Gilmour is the first writer to explore Kipling's public role, his influence on the way Britons saw themselves and their Empire. His fascinating new book, based on extensive research (especially in the underexplored archives of the United States), is a groundbreaking study of a great and misunderstood writer.