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"The letters that follow are those of a young painter who was at the front from September [1914] till the beginning of April [1915]; at the latter date he was missing in one of the battles of the Argonne. Are we to speak of him in the present tense or in the past? We know not: since the day when the last mud-stained paper reached them, announcing the attack in which he was to vanish, what a close weight of silence for those who during eight months lived upon these almost daily letters! But for how many women, how many mothers, is a grief like this to-day a common lot!" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
"These letters are in no sense a history-except that they contain the truth. They were written at the time and within close range of the events they describe. Half of the fighting, including the brave attack before Fromelles, is left untouched on, for these pages do not attempt to narrate the full story of the Australian Imperial Force in France. They were written to depict the surroundings in which, and the spirit with which, that history has been made; first in the quiet green Flemish lowlands, then with a swift, sudden plunge into the grim, reeking, naked desolation of the Somme." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
""In this record of my experiences as a private in the great war I have tried to put the emphasis on the things that seemed to me important. It is true I set out to write a book of smiles, but the seriousness of it all came back to me and crept into my pages. Yet I hope, along with the grimness and the humor, I have been able to say some words of cheer and comfort to those in the United States who are sending their husbands, their sons and brothers into this mighty conflict. The book, unsatisfactory as it is to me now that it is finished, at least holds my honest and long considered opinions. It was not written until I could view my experiences objectively, until I was sure in my own mind that the judgments I had formed were sane and sound. I give it to the public now, hoping that something new will be found in it, despite the many personal narratives that have gone before, and confident that out of that public the many friends I have made while lecturing over the country will look on it with a lenient and a kindly eye."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
"It seemed necessary that some record of the accomplishment of the Lafayette Corps be set down, not only for the pleasure of the men who were a part of it, but the others in later days might not forget these volunteers who were among the first Americans to go to the aid of France at a time of great need." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
"The present Anthology contains a number of representative poems produced by English-speaking men and women. The editorial policy has been humanly hospitable, rather than academically critical, especially in the case of some of the verses written by soldiers at the Front, which, however slight in certain instances their technical merit may be, are yet psychologically interesting as sincere transcripts of personal experience, and will, it is thought, for that very reason, peculiarly attract and interest the reader. It goes without saying that there are several poems in this group which conspicuously succeed also as works of art. For the rest, the attempt has been made, within such limitations as have been experienced, to present pretty freely the best of what has been found available in contemporary British and American war verse." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
Recasts the role of the Indian Army on the Western Front, questioning why its performance was traditionally deemed a failure.
This early work by John Mavrogordato was originally published in 1917 and we are now republishing it as part of our WWI Centenary Series. 'The World in Chains' is an essay divided up into short pieces about the philosophy of war and its relation to business interests. This work contains the authors thoughts on subjects such as eugenics, patriotism, trade profit and national loss, and other aspects of wartime considerations. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
The horrors of the First World War released a great outburst of emotional poetry from the soldiers who fought in it as well as many other giants of world literature. Wilfred Owen, Rupert Brooke and W B Yeats are just some of the poets whose work is featured in this anthology. The raw emotion unleashed in these poems still has the power to move readers today. As well as poems detailing the miseries of war there are poems on themes of bravery, friendship and loyalty, and this collection shows how even in the depths of despair the human spirit can still triumph.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.