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The latest from the author of the Griffin Poetry Prize Award-winning collection Infinite Citizen of the Shaking Tent. GRIFFIN POETRY PRIZE, FINALIST TRILLIUM BOOK AWARD FOR POETRY, FINALIST I have to believe my account will outpace its ending. The danger and necessity of living with each other is at the core of Liz Howard’s daring and intimate second collection. Letters in a Bruised Cosmos asks who do we become after the worst has happened? Invoking the knowledge histories of Western and Indigenous astrophysical science, Howard takes us on a breakneck river course of radiant and perilous survival in which we are invited to “reforge [ourselves] inside tomorrow’s humidex”. Everyday observation, family history, and personal tragedy are sublimated here in a propulsive verse that is relentlessly its own. Part autobiography, part philosophical puzzlement, part love song, Letters in a Bruised Cosmos is a book that once read will not soon be forgotten.
The latest from the author of the Griffin Poetry Prize Award-winning collection Infinite Citizen of the Shaking Tent. GRIFFIN POETRY PRIZE, FINALIST TRILLIUM BOOK AWARD FOR POETRY, FINALIST I have to believe my account will outpace its ending. The danger and necessity of living with each other is at the core of Liz Howard’s daring and intimate second collection. Letters in a Bruised Cosmos asks who do we become after the worst has happened? Invoking the knowledge histories of Western and Indigenous astrophysical science, Howard takes us on a breakneck river course of radiant and perilous survival in which we are invited to “reforge [ourselves] inside tomorrow’s humidex”. Everyday observation, family history, and personal tragedy are sublimated here in a propulsive verse that is relentlessly its own. Part autobiography, part philosophical puzzlement, part love song, Letters in a Bruised Cosmos is a book that once read will not soon be forgotten.
Winner of the 2016 Griffin Poetry Prize A stunning debut book of poems from a bold new voice unafraid to engage with the exigencies of our contemporary world. In Liz Howard’s wild, scintillating debut, the mechanisms we use to make sense of our worlds – even our direct intimate experiences of it – come under constant scrutiny and a pressure that feels like love. What Howard can accomplish with language strikes us as electric, a kind of alchemy of perception and catastrophe, fidelity and apocalypse. The waters of Northern Ontario shield country are the toxic origin and an image of potential. A subject, a woman, a consumer, a polluter; an erotic force, a confused brilliance, a very necessary form of urgency – all are loosely tethered together and made somehow to resonate with our own devotions and fears; made “to be small and dreaming parallel / to ceremony and decay.” Liz Howard is what contemporary poetry needs right now.
The Creator sat upon the throne, thinking. Behind him stretched the illimitable continent of heaven, steeped in a glory of light and color; before him rose the black night of Space, like a wall. His mighty bulk towered rugged and mountain-like into the zenith, and His divine head blazed there like a distant sun. At His feet stood three colossal figures, diminished to extinction, almost, by contrast -- archangels -- their heads level with His ankle-bone. When the Creator had finished thinking, He said, "I have thought. Behold!" He lifted His hand, and from it burst a fountain-spray of fire, a million stupendous suns, which clove the blackness and soared, away and away and away, diminishing in magnitude and intensity as they pierced the far frontiers of Space, until at last they were but as diamond nailheads sparkling under the domed vast roof of the universe. At the end of an hour the Grand Council was dismissed. They left the Presence impressed and thoughtful, and retired to a private place, where they might talk with freedom. None of the three seemed to want to begin, though all wanted somebody to do it.
The struggle of Native American peoples after the arrival of the Europeans is well documented, even in poetry. Yet Blue Marrow introduces a unique voice and perspective to this tension, one that is poignant and simultaneously reminiscent of all that is already familiar. In this haunting collection, Halfe brings to light the hypocrisy shaped by the conflict of Christianity and tradition-unique, informative, artistic and memorable, a combination worthy of note. (KLIATT).
A joyful, imagistic discovery of woman as speaker and subject. As a woman, a black, and a lesbian, Brand arrives at a rigorous and nakedly ruthless reclamation of the poetic.
The Book of Lies was written by English occultist and teacher Aleister Crowley under the pen name of Frater Perdurabo. As Crowley describes it: "This book deals with many matters on all planes of the very highest importance. It is an official publication for Babes of the Abyss, but is recommended even to beginners as highly suggestive." The book consists of 91 chapters, each of which consists of one page of text. The chapters include a question mark, poems, rituals, instructions, and obscure allusions and cryptograms. The subject of each chapter is generally determined by its number and its corresponding Qabalistic meaning.
From design expert (and interior design readers' favorite) Phoebe Howard comes a new book focused on decorating with beautiful blue color schemes. Coastal Blues is a glorious decor book filled with inspiring images of beach houses, seacoast getaways, vacation cottages, and luxurious seaside manors. It is also a hardworking how-to-get-the-look book that offers solid interior design and styling advice. Featuring brand-new, never-before-published projects, every page reflects the ease and casual elegance of shoreline living. With chapters such as Sea Glass (brilliant blue color schemes), Indigo Bay (true blue schemes), and Ocean Mist (pale blue schemes), Phoebe Howard shows design lovers how to make the coastal style modern, fresh, and very much their own.
The lives of the inhabitants of two towns, Truth and Bright Water, separated by a river running between Montana and an Ottawa Indian reservation, intertwine over the course of a summer as seen through the eyes of two young boys.
A New York Times Book Review Notable Book of the Year • A New York Times Book Review Editors' Choice • Winner of the Alex Award and the Massachusetts Book Award • Named a Best Book of the Year by NPR, San Francisco Chronicle, Entertainment Weekly, The Huffington Post, BuzzFeed, Grantland Booklist, St. Louis Post-Dispatch, Shelf Awareness, Book Riot, School Library Journal, Bustle, and Time Our New York The acclaimed debut novel by the author of Little Fires Everywhere and Our Missing Hearts “A taut tale of ever deepening and quickening suspense.” —O, the Oprah Magazine “Explosive . . . Both a propulsive mystery and a profound examination of a mixed-race family.” —Entertainment Weekly “Lydia is dead. But they don’t know this yet.” So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.