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A history of the First World War told through the letters exchanged by ordinary British soldiers and their families.??Letters from the Trenches reveals how people really thought and felt during the conflict and covers all social classes and groups Ð from officers to conscripts and women at home to conscientious objectors.??Voices within the book include Sergeant John Adams, 9th Royal Irish Fusiliers, who wrote in May 1917:'For the day we get our letter from home is a red Letter day in the history of the soldier out here. It is the only way we can hear what is going on. The slender thread between us and the homeland.'??Private Stanley Goodhead, who served with one of the Manchester Pals battalion, wrote home in 1916: 'I came out of the trenches last night after being in 4 days. You have no idea what 4 days in the trenches means...The whole time I was in I had only about 2 hours sleep and that was in snatches on the firing step. What dugouts there are, are flooded with mud and water up to the knees and the rats hold swimming galas in them...We are literally caked with brown mud and it is in all?our food, tea etc.'??Jacqueline Wadsworth skilfully uses these letters to tell the human story of the First World War Ð what mattered to Britain's servicemen and their feelings about the war; how the conflict changed people; and how life continued on the Home Front.
Letters and editorial published in the Daily Mail give a first hand contemporary record of the Great War
From the worst horrors of modern trench warfare a small handful of soldiers and nurses created a body of poetry that is so vivid and intense that one hundred years later it has engraved itself on our national consciousness. This anthology focuses on those poets who were on the front line, from the famous Sassoon, Owens and Graves, to nurses like Vera Brittain. The poems are accompanied by a brief and accessible introduction, which sets the context for a reader new to the poems, as well as short biographical profiles of the poets.
There have been thousands of books on the Great War, but most have focused on commanders, battles, strategy, and tactics. Less attention has been paid to the daily lives of the combatants, how they endured the unimaginable conditions of industrial warfare: the rain of shells, bullets, and chemical agents. In The Secret History of Soldiers, Tim Cook, Canada's foremost military historian, examines how those who survived trench warfare on the Western Front found entertainment, solace, relief, and distraction from the relentless slaughter. These tales come from the soldiers themselves, mined from the letters, diaries, memoirs, and oral accounts of more than five hundred combatants. Rare examples of trench art, postcards, and even song sheets offer insight into a hidden society that was often irreverent, raunchy, and anti-authoritarian. Believing in supernatural stories was another way soldiers shielded themselves from the horror. While novels and poetry often depict the soldiers of the Great War as mere victims, this new history shows how the soldiers pushed back against the grim war, refusing to be broken in the mincing machine of the Western Front. The violence of war is always present, but Cook reveals the gallows humour the soldiers employed to get through it. Over the years, both writers and historians have overlooked this aspect of the men's lives. The fighting at the front was devastating, but behind the battle lines, another layer of life existed, one that included songs, skits, art, and soldier-produced newspapers. With his trademark narrative abilities and an unerring eye for the telling human detail, Cook has created another landmark history of Canadian military life as he reveals the secrets of how soldiers survived the carnage of the Western Front.
When the United States entered The Great War in 1917, along with the mobilization of the military, charitable organizations activated their programs to support the troops. One of these organizations was the Young Men's Christian Association. J. Gresham Machen left the comfort of his teaching position at Princeton Theological Seminary to work with the Y.M.C.A. This book provides transcriptions of his complete correspondence with his family during his service in 1918 and 1919 annotated with footnotes, maps, and a glossary of people and subjects.
A “fascinating” look at hardship, heroism, and civilian life in England during the Great War (World War One Illustrated). The truth about the sacrifice and suffering among British civilians during World War I is rarely discussed. In this book, people who were there speak about experiences and events that have remained buried for decades. Their testimony shows the same candor and courage we have become accustomed to hearing from military veterans of this war. Those interviewed include a survivor of a Zeppelin raid in 1915; a Welsh munitions worker recruited as a girl; and a woman rescued from a bombed school after five days. There are also accounts of rural famine, bereavement, and the effects on families back home—and even the story of a woman who planned to kill her family to save them further suffering.
Originally appearing at the same time as the pacifist novel All Quiet on the Western Front, this powerful collection provides a glimpse into the hearts and minds of an enemy that had been thoroughly demonized by the Allied press. Composed by German students who had left their university studies in order to participate in World War I, these letters reveal the struggles and hardships that all soldiers face. The stark brutality and surrealism of war are revealed as young men from Germany describe their bitter combat and occasional camaraderie with soldiers from many nations, including France, Great Britain, and Russia. Like its companion volume, War Letters of Fallen Englishmen, these letters were carefully selected for their depth of perception, the intensity of their descriptions, and their messages to future generations. "Should these letters help towards the establishment of justice and better understanding between nations," the editor reflects in his introduction, "their deaths will not have been in vain." This edition contains a new foreword by the distinguished World War I historian Jay Winter.
This is the remarkable story of the American First World War serviceman Arthur Clifford Kimber. When his country entered the Great War in 1917, Kimber left Stanford University to carry the first official American flag to the Western Front. Fired by idealism for the French cause, the young student initially acted as a volunteer ambulance driver, before training as a pilot and taking part in dogfights against ‘the Boche’. His letters home give a vivid picture of what Kimber witnessed on his journey from Palo Alto, California to the front in France: keen-eyed descriptions of New York as it prepared for the forthcoming conflict, the privations of wartime Britain and France, and encounters with former president Theodore Roosevelt and Hollywood actress Lillian Gish. Kimber details his exhilaration, his everyday concerns and his horror as he adapts to an active wartime role. Arthur Clifford Kimber was one of the first Americans on the front line after the entry of the US into the war and, tragically, also one of the last to be buried there – killed in action just a few weeks before the end of the war. Here, his frank letters to his mother and brothers, compiled, edited and put in context by Patrick Gregory and Elizabeth Nurser, are published for the first time.
Tatiana L. Dubinskaya’s autobiographical novel of life in the Russian army marked the first major work published by a female World War I soldier in the Soviet Union. Often compared to All Quiet on the Western Front, Dubinskaya’s stark and unsparing story presents a rare look at women in combat and one of the few works of fiction set on the eastern front. Zinaida, a Russian schoolgirl, runs away from home to join the army. Sent to the front, she endures the horrors of trench warfare and the hardships of military life. Undercurrents of revolutionary thinking filter into the ranks as morale begins to crumble. Zinaida must come to grips with the havoc unleashed by the czar’s overthrow and the new socialist government’s attempts to impose revolutionary reforms on the army. Destabilization and desertion follow, and her regiment joins the chaotic mass retreat of the Russian army in the summer of 1917. In addition to Dubinskaya’s original novel, this edition includes selections from her 1936 autobiographical work, Machine Gunner, which she rewrote to satisfy Stalinist censors.
As 1914 drew to a close, little did anyone in Australia know that four years of warfare lay ahead. Mothers could not forsee the anguish they would suffer, nor wives and sweethearts their heartbreak. Young men had little idea of the grim reality of war as they marched off to do their patriotic duty for King and country.