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Excerpt from The Life of William Wordsworth, Vol. 2 MY dear poole, At present I have taken up the pen solely on Coleridge's account, and must confine my letter to him and his affairs. I know how much you will be concerned to hear that his health cannot be said to be much better, indeed any better at all. He is apparently quite well one day, and the next the fit comes on him again with as much violence as ever. These repeated shocks cannot but greatly weaken his constitution; and he is himself afraid that, as the disease (which is manifestly gout) keeps much about his stomach, he may be carried off by it, with little or no warning. We all here feel deeply persuaded that nothing can do him any effectual good, but a change of climate. And it is, on this subject that I have now written to you. The place which he thinks of going to is the Azores; both for the climate and the baths - which are known to be exceedingly salutary in cases of gout and rheumatism and on account of the cheapness of living there, and the little expense in getting thither. But you know well how poor Coleridge is situated with respect to money affairs; indeed, it will be impossible for him to accomplish the journey without some assistance. Further, it seems to me absolutely necessary that this should be procured in a manner the least burthensome to his feelings possible. If the thought of it should hang upon his mind when he is away, it will undo, or rather prevent, all the salutary effects of the climate. I have thought it my duty to mention these circumstances to you, as being a person more interested than perhaps any other in what befalls our common friend. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Battle of Shepherdstown and the End of the Campaign is the third and final volume of Ezra Carman’s magisterial The Maryland Campaign of September 1862. As bloody and horrific as the battle of Antietam was, historian Ezra Carman—who penned a 1,800-page manuscript on the Maryland campaign—did not believe it was the decisive battle of the campaign. Generals Robert E. Lee and George B. McClellan intended to continue fighting after Sharpsburg, but the battle of Shepherdstown Ford (September 19 and 20) forced them to abandon their goals and end the campaign. Carman was one of the few who gave this smaller engagement its due importance, detailing the disaster that befell the 118th Pennsylvania Infantry and Maj. Gen. A. P. Hill’s success in repulsing the Union advance, and the often overlooked foray of Jeb Stuart’s cavalry to seize the Potomac River ford at Williamsport. Carman also added a statistical study of the casualties in the various battles of the entire Maryland Campaign, and covered Lincoln’s decision to relieve McClellan of command on November 7. He also explored the relations between President Lincoln and General McClellan before and after the Maryland Campaign, which he appended to his original manuscript. The “before” section, a thorough examination of the controversy about McClellan’s role in the aftermath of Second Manassas campaign, will surprise some and discomfort others, and includes an interesting narrative about McClellan’s reluctance to commit General Franklin’s corps to aid Maj. Gen. John Pope’s army at Manassas. Carman concludes with an executive summary of the entire campaign. Dr. Clemens concludes Carman’s invaluable narrative with a bibliographical dictionary (and genealogical goldmine) of the soldiers, politicians, and diplomats who had an impact on shaping Carman’s manuscript. While many names will be familiar to readers, others upon whom Carman relied for creating his campaign narrative are as obscure to us today as they were during the war. The Maryland Campaign of September 1862, Vol. III: The Battle of Shepherdstown and the End of the Campaign, concludes the most comprehensive and detailed account of the campaign ever produced. Jammed with firsthand accounts, personal anecdotes, detailed footnotes, maps, and photos, this long-awaited study will be appreciated as Civil War history at its finest.
Samuel Thomas Gill, or STG as he was universally known, was Australia’s most significant and popular artist of the mid-nineteenth century. For his contemporaries he epitomised ‘Marvellous Melbourne’ basking in the glow of the gold rushes. He worked in South Australia, Victoria and New South Wales and left some of the most memorable images of urban and rural life in colonial Australia. A passionate defender of Indigenous Australians and of the environment, Gill in his art celebrated the emerging quintessential Australian character. This is the first major comprehensive book to be devoted to Gill and presents a radical reassessment of one of the most important figures in Australian colonial art and reproduces, in some instances for the first time, some of the most startling images from nineteenth-century Australian art. There will be an exhibition of S.T. Gill’s work at the State Library of Victoria in July 2015 and at the National Library of Australia in June 2016, plus smaller shows in regional Victorian galleries. In association with the State Library of Victoria.
In this innovative study of the South Carolina Low Country, author Stephanie McCurry explores the place of the yeomanry in plantation society--the complex web of domestic and public relations within which they were enmeshed, and the contradictory politics of slave society by which that class of small farmers extracted the privileges of masterhood from the region's powerful planters. Insisting on the centrality of women as historical actors and gender as a category of analysis, this work shows how the fateful political choices made by the low-country yeomanry were rooted in the politics of the household, particularly in the customary relations of power male heads of independent households assumed over their dependents, whether slaves or free women and children. Such masterly prerogatives, practiced in the domestic sphere and redeemed in the public, explain the yeomanry's deep commitment to slavery and, ultimately, their ardent embrace of secession. By placing the yeomanry in the center of the drama, McCurry offers a significant reinterpretation of this volatile society on the road to Civil War. Through careful and creative use of a wide variety of archival sources, she brings vividly to life the small worlds of yeoman households, and the larger world of the South Carolina Low Country, the plantation South, and nineteenth-century America.