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The relationship between two teenage girls who become acquainted through letters intensifies as their correspondence reveals some of the terrible problems of their lives.
Upon arrival at Barton Prison, Julian is processed and taken to a cell occupied by a prisoner named Gordon, who soon becomes his lover. However, six months later, a jealous guard sends Gordon to another wing of the prison, separating the lovers. Not to be deterred, Julian sends a message to Gordon via Lanky, another prisoner, which starts a long correspondence between them. Through their letters, readers learn more about the two men -- their backgrounds, their secrets, their hopes and dreams. The letters reveal the story of two lovers trapped inside a prison, separated from the world outside and from each other. But prison life is hard. There are bashings and murders. There are corrupt prison officers and violent inmates. How can Julian, who comes from an upper middle-class family and is incarcerated for an accident, hope to survive against such odds, especially when he becomes the target of a particularly corrupt and vicious screw?
“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.
Rare correspondence from Humphrey Bogart, Audrey Hepburn, Frank Sinatra, Jane Fonda, and other Hollywood luminaries from the silent film era to the 1970s. Letters from Hollywood reproduces in full color scores of entertaining and insightful pieces of correspondence from some of the most notable and talented film industry names of all time—from the silent era to the golden age, and up through the pre-email days of the 1970s. Culled from libraries, archives, and personal collections, the 135 letters, memos, and telegrams are organized chronologically and are annotated by the authors to provide backstories and further context. While each piece reveals a specific moment in time, taken together, the letters convey a bigger picture of Hollywood history. Contributors include celebrities like Greta Garbo, Alfred Hitchcock, Humphrey Bogart, Frank Sinatra, Katharine Hepburn, Marlon Brando, Elia Kazan, Cary Grant, Francis Ford Coppola, Tom Hanks, and Jane Fonda. This is the gift book of the season for fans of classic Hollywood. With a foreword by Peter Bogdanovitch. “This is, quite simply, one of the finest books I’ve ever read about Hollywood.” —Leonard Maltin
When Bronwyn Harris finally gets approval to visit her former third-grade student, Jorge, in prison, she doesn't know what to expect. After telling his story in her best-selling first book, Literally Unbelievable: Stories from an East Oakland Classroom, Harris worries that he will be upset or angered by her portrayal of him. Instead, in a captivating series of letters between a teacher and student, he shares incredible vulnerability while providing details of his life while growing up in East Oakland. Like many kids in the neighborhood, he joins a gang and, shortly after turning eighteen, is arrested for shooting at Oakland police officers in an episode of all-too-common street violence.As a grade-schooler, Jorge had asked, "How can I learn to be good?" And in prison, he commits himself to self-improvement. "I am going to change my life and that's the truth," he writes to Harris. "I want to become a better person and not just for me but for my family also. Because I got family that needs me to be out there."Letters From the Inside reveals a glimpse of prison life that's both tragic and mundane, as Jorge provides a raw glimpse of life behind bars in California. Because of the state's "gun enhancement" laws, he's locked up until 2030 but expresses amazing optimism even as he misses life milestones and the death of his mother. When I got locked up and sentenced to nineteen years, I felt as if my life was over. I didn't care about anything. During this time I lost my mother in a fire, so I was just hurt and going through a lot of pain. I was at the lowest point of my life. But after a few years of being incarcerated, I healed a bit from losing my mom and just told myself I was going to do everything and anything to come home and to better myself as a person. That's why I'm taking advantage of all the good things being offered to me right now.
SSecret letters spark true love in this emotionally compelling romance from the New York Times bestselling author of A Curse So Dark and Lonely, Brigid Kemmerer. Juliet Young always writes letters to her mother, a world-traveling photojournalist. Even after her mother's death, she leaves letters at her grave. It's the only way Juliet can cope. Declan Murphy isn't the sort of guy you want to cross. In the midst of his court-ordered community service at the local cemetery, he's trying to escape the demons of his past. When Declan reads a haunting letter left beside a grave, he can't resist writing back. Soon, he's opening up to a perfect stranger, and their connection is immediate. But neither Declan nor Juliet knows that they're not actually strangers. When life at school interferes with their secret life of letters, sparks will fly as Juliet and Declan discover truths that might tear them apart.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Newsweek/The Daily Beast • The Huffington Post • Kansas City Star • Time Out New York • Kirkus Reviews This extraordinary collection of personal correspondence has all the hallmarks of Kurt Vonnegut’s fiction. Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece Slaughterhouse-Five; wry dispatches from Vonnegut’s years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Günter Grass, and Bernard Malamud. Vonnegut’s unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels—from a crackpot scheme for manufacturing “atomic” bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. (“Knopf, for example, might give John Updike’s contract to Simon and Schuster, and receive Joan Didion’s contract in return.”) Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon. • On a job he had as a young man: “Hell is running an elevator throughout eternity in a building with only six floors.” • To a relative who calls him a “great literary figure”: “I am an American fad—of a slightly higher order than the hula hoop.” • To his daughter Nanny: “Most letters from a parent contain a parent’s own lost dreams disguised as good advice.” • To Norman Mailer: “I am cuter than you are.” Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote. Praise for Kurt Vonnegut: Letters “Splendidly assembled . . . familiar, funny, cranky . . . chronicling [Vonnegut’s] life in real time.”—Kurt Andersen, The New York Times Book Review “[This collection is] by turns hilarious, heartbreaking and mundane. . . . Vonnegut himself is a near-perfect example of the same flawed, wonderful humanity that he loved and despaired over his entire life.”—NPR “Congenial, whimsical and often insightful missives . . . one of [Vonnegut’s] very best.”—Newsday “These letters display all the hallmarks of Vonnegut’s fiction—smart, hilarious and heartbreaking.”—The New York Times Book Review
A frequent commentator for NPR's "All Things Considered," Zickefoose now presents paintings of scenes from her beloved southern Ohio home, illuminated in well-crafted essays based on her daily walks and observations.
Ollie and Moritz are two teenagers who will never meet. Each of them lives with a life-affecting illness. Contact with electricity sends Ollie into debilitating seizures, while Moritz has a heart defect and is kept alive by an electronic pacemaker. If they did meet, Ollie would seize, but turning off the pacemaker would kill Moritz. Through an exchange of letters, the two boys develop a strong bond of friendship which becomes a lifeline during dark times – until Moritz reveals that he holds the key to their shared, sinister past, and has been keeping it from Ollie all along.