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The ten essays in this interdisciplinary collection explore the lives, places, and stories of women in the Iberian Atlantic between 1500 and 1800. Contributors utilize the complexities of gender to understand issues of race, class, family, health, and religious practices in the Atlantic basin. Unlike previous scholarship, which has focused primarily on upper-class and noble women, this book examines the lives of those on the periphery, including free and enslaved Africans, colonized indigenous mothers, and poor Spanish women.
West African Warfare in Bahia and Cuba seeks to explain how a series of historical events that occurred in West Africa from the mid-1790s - including Afonja's rebellion, the Owu wars, the Fulani-led jihad, and the migrations to Egbaland - had an impact upon life in cities and plantations in western Cuba and Bahia. Manuel Barcia examines the extent to which a series of African-led plots and armed movements that took place in western Cuba and Bahia between 1807 and 1844 were the result - or a continuation - of events that had occurred in and around the Yoruba and Hausa kingdoms in the same period. Why did these two geographical areas serve as the theatre for the uprising of the Nagôs, the Lucumís, and other West African men and women? The answer, Barcia argues, relates to the fact that plantation economies supported by unusually large numbers of African-born slaves from the same - or close - geographical and ethnic heritage, transformed the rural and urban landscape in western Cuba and Bahia. To understand why these two areas followed such similar social patterns it is essential to look across the Atlantic - it is not enough to repeat the significance of the African background of Bahian and Cuban slaves. By establishing connections between people and events, with a special emphasis on their warfare experiences, Barcia presents a coherent narrative which spans more than three decades and opens a wealth of archival research for future study.
During the era of the Atlantic slave trade, vibrant port cities became home to thousands of Africans in transit. Free and enslaved blacks alike crafted the necessary materials to support transoceanic commerce and labored as stevedores, carters, sex workers, and boarding-house keepers. Even though Africans continued to be exchanged as chattel, urban frontiers allowed a number of enslaved blacks to negotiate the right to hire out their own time, often greatly enhancing their autonomy within the Atlantic commercial system. In The Black Urban Atlantic in the Age of the Slave Trade, eleven original essays by leading scholars from the United States, Europe, and Latin America chronicle the black experience in Atlantic ports, providing a rich and diverse portrait of the ways in which Africans experienced urban life during the era of plantation slavery. Describing life in Portugal, Brazil, Mexico, the Caribbean, and Africa, this volume illuminates the historical identity, agency, and autonomy of the African experience as well as the crucial role Atlantic cities played in the formation of diasporic cultures. By shifting focus away from plantations, this volume poses new questions about the nature of slavery in the sixteenth to nineteenth centuries, illustrating early modern urban spaces as multiethnic sites of social connectivity, cultural incubation, and political negotiation. Contributors: Trevor Burnard, Mariza de Carvalho Soares, Matt D. Childs, Kevin Dawson, Roquinaldo Ferreira, David Geggus, Jane Landers, Robin Law, David Northrup, João José Reis, James H. Sweet, Nicole von Germeten.
West African Warfare in Bahia and Cuba seeks to explain how a series of historical events that occurred in West Africa from the mid-1790s - including Afonja's rebellion, the Owu wars, the Fulani-led jihad, and the migrations to Egbaland - had an impact upon life in cities and plantations in western Cuba and Bahia. Manuel Barcia examines the extent to which a series of African-led plots and armed movements that took place in western Cuba and Bahia between 1807 and 1844 were the result - or a continuation - of events that had occurred in and around the Yoruba and Hausa kingdoms in the same period. Why did these two geographical areas serve as the theatre for the uprising of the Nagos, the Lucumis, and other West African men and women? The answer, Barcia argues, relates to the fact that plantation economies supported by unusually large numbers of African-born slaves from the same - or close - geographical and ethnic heritage, which transformed the rural and urban landscape in western Cuba and Bahia. To understand why these two areas followed such similar social patterns it is essential to look across the Atlantic - it is not enough to repeat the significance of the African background of Bahian and Cuban slaves. By establishing connections between people and events, with a special emphasis on their warfare experiences, Barcia presents a coherent narrative which spans more than three decades and opens a wealth of archival research for future study.
The promotion of classicism in the visual arts in late eighteenth and nineteenth-century Latin America and the need to “revive” buen gusto (good taste) are the themes of this collection of essays. The contributors provide new insights into neoclassicism and buen gusto as cultural, not just visual, phenomena in the late colonial and early national periods and promote new approaches to the study of Latin American art history and visual culture. The essays examine neoclassical visual culture from assorted perspectives. They consider how classicism was imposed, promoted, adapted, negotiated, and contested in myriad social, political, economic, cultural, and temporal situations. Case studies show such motivations as the desire to impose imperial authority, to fashion the nationalist self, and to form and maintain new social and cultural ideologies. The adaptation of classicism and buen gusto in the Americas was further shaped by local factors, including the realities of place and the influence of established visual and material traditions.
A comprehensive bibliography dealing specifically with African slave trade. This volume has been sub-classified for easier consultation and the compiler has provided, where possible, descriptions and comments on the works listed.