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Printz Honor Book • YALSA Nonfiction Award Winner • Boston Globe-Horn Book Award Winner • SCBWI Golden Kite Winner • Cybils Senior High Nonfiction Award Winner From the author of National Book Award finalist Charles and Emma comes an incredible story of brotherly love. The deep and enduring friendship between Vincent and Theo Van Gogh shaped both brothers' lives. Confidant, champion, sympathizer, friend—Theo supported Vincent as he struggled to find his path in life. They shared everything, swapping stories of lovers and friends, successes and disappointments, dreams and ambitions. Meticulously researched, drawing on the 658 letters Vincent wrote to Theo during his lifetime, Deborah Heiligman weaves a tale of two lives intertwined and the extraordinary love of the Van Gogh brothers.
A taut, appealing, and often quite funny exploration of existential angst."—Kirkus Reviews In a nameless suburb in an equally nameless country, every house has a room reserved for the president. No one knows when or why this came to be. It’s simply how things are, and no one seems to question it except for one young boy.The room is kept clean and tidy, nobody talks about it and nobody is allowed to use it. It is for the president and no one else. But what if he doesn’t come? And what if he does? As events unfold, the reader is kept in the dark about what’s really going on. So much so, in fact, that we begin to wonder if even the narrator can be trusted...Ricardo Romero has been compared to Franz Kafka and Italo Calvino, and we see why in this eerie, meditative novel narrated by a shy young boy who seems to be very good at lying about the truth. Following in the footsteps of Julio Cortázar and a certain literary tradition of sinister rooms (such as Dr Jekyll’s laboratory), The President’s Room is a mysterious tale based on the suspicion that a house is never just one single home.
Now a Netflix Film, Starring and Directed by Chiwetel Ejiofor of 12 Years a Slave William Kamkwamba was born in Malawi, a country where magic ruled and modern science was mystery. It was also a land withered by drought and hunger. But William had read about windmills, and he dreamed of building one that would bring to his small village a set of luxuries that only 2 percent of Malawians could enjoy: electricity and running water. His neighbors called him misala—crazy—but William refused to let go of his dreams. With a small pile of once-forgotten science textbooks; some scrap metal, tractor parts, and bicycle halves; and an armory of curiosity and determination, he embarked on a daring plan to forge an unlikely contraption and small miracle that would change the lives around him. The Boy Who Harnessed the Wind is a remarkable true story about human inventiveness and its power to overcome crippling adversity. It will inspire anyone who doubts the power of one individual's ability to change his community and better the lives of those around him.
Now a Netflix film starring and directed by Chiwetel Ejiofor, this is a gripping memoir of survival and perseverance about the heroic young inventor who brought electricity to his Malawian village. When a terrible drought struck William Kamkwamba's tiny village in Malawi, his family lost all of the season's crops, leaving them with nothing to eat and nothing to sell. William began to explore science books in his village library, looking for a solution. There, he came up with the idea that would change his family's life forever: he could build a windmill. Made out of scrap metal and old bicycle parts, William's windmill brought electricity to his home and helped his family pump the water they needed to farm the land. Retold for a younger audience, this exciting memoir shows how, even in a desperate situation, one boy's brilliant idea can light up the world. Complete with photographs, illustrations, and an epilogue that will bring readers up to date on William's story, this is the perfect edition to read and share with the whole family.
For fifteen years, Carl Steinar and his sons, Peter and Lyle, have maintained a tenuous balance, keeping together their family and farm on the western plains of Nebraska. Like blades in a well-oiled windmill, each works in harmony with the other. But when Abbie Blaire, the new reporter in town comes to write a story about them, a monkey wrench is thrown into their perfect machine: She is the spitting image of the wife and mother the Steinar men lost years ago. They soon find themselves on new trajectories in which their needs and goals can only collide.
To celebrate having reached their one hundredth volume, here is Persephone's marvelous collection of short stories by women. They are very well chosen: some are by first-rank authors, including Katherine Mansfield, Edith Wharton, Dorothy Parker, Irène Némirovsky and Penelope Fitzgerald; others from well-known writers who have been championed by the imprint and deservedly gained fresh recognition, such as Dorothy Whipple and Mollie Panter-Downes. There are 30 stories in all, and all remarkably unhampered by their time. The first, Susan Glaspell's story of love and lexicography from 1909, seems as bold as the last, by Georgina Hammick (from 1986), though you might not have found such an unflinching description of a gynaecological procedure 103 years ago. Put-upon mothers, exasperated wives, discarded mistresses - shared tropes bind these disparate stories into a coherent whole. A stand-out is Norah Hoult's 1938 story of a wife whose husband is grateful for the money her gentleman friend pays her for sex.
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