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Links the living with the dead through mysterious letters, historic documents, artifacts, haunting encounters, imaginative bravado
After receiving a diagnosis, then subsequent removal of a cancerous tumor from the third ventricle, Author Phil Force decided to write about his experience. "Letters From Limbo" is a story of self-discovery after the trauma of brain cancer. Review with Phil Force aspects of his personal history which once seemed dark and observe as he finds love for everyone including himself via a reinterpretation of the world. This is a novel cancer survivors, sufferers and advocates everywhere should read. The pace has a good tempo and "Letters From Limbo" provides readers with an understanding of the process of diagnosis to recovery from the plague called: "cancer."
What an achievement! It is a major work. The letters taken together with the excellent introductory sections - so balanced and judicious and informative - what emerges is an amazing picture of William Sharp the man and the writer which explores just how fascinating a figure he is. Clearly a major reassessment is due and this book could make it happen. —Andrew Hook, Emeritus Bradley Professor of English and American Literature, Glasgow University William Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. Sharp was a Scottish poet, novelist, biographer and editor who in 1893 began to write critically and commercially successful books under the name Fiona Macleod. This was far more than just a pseudonym: he corresponded as Macleod, enlisting his sister to provide the handwriting and address, and for more than a decade "Fiona Macleod" duped not only the general public but such literary luminaries as William Butler Yeats and, in America, E. C. Stedman. Sharp wrote "I feel another self within me now more than ever; it is as if I were possessed by a spirit who must speak out". This three-volume collection brings together Sharp’s own correspondence – a fascinating trove in its own right, by a Victorian man of letters who was on intimate terms with writers including Dante Gabriel Rossetti, Walter Pater, and George Meredith – and the Fiona Macleod letters, which bring to life Sharp’s intriguing "second self". With an introduction and detailed notes by William F. Halloran, this richly rewarding collection offers a wonderful insight into the literary landscape of the time, while also investigating a strange and underappreciated phenomenon of late-nineteenth-century English literature. It is essential for scholars of the period, and it is an illuminating read for anyone interested in authorship and identity.
A study of the philosophical thought of the poet Samuel Taylor Coleridge, with a focus on the central philosophical views and their underlying metaphysic that Coleridge strove to achieve and refine over the last three decades of his life.
Crossing borders and boundaries, countries and cultures, they are the children of the military, diplomatic corps, international business, education and missions communities. They are called Third Culture Kids or Global Nomads, and the many benefits of their lifestyle – expanded worldview, multiplicity of languages, tolerance for difference – are often mitigated by recurring losses – of relationships, of stability, of permanent roots. They are part of an accelerating demographic that is only recently coming into visibility. In this groundbreaking collection, writers from around the world address issues of language acquisition and identity formation, childhood mobility and adaptation, memory and grief, and the artist’s struggle to articulate the experience of growing up global. And, woven like a thread through the entire collection, runs the individual’s search for belonging and a place called “home.” This book provides a major leap in understanding what it’s like to grow up among worlds. It is invaluable reading for the new global age.
He hugged her when she needed it. He kissed her unannounced. He cracked up at her rude puns. He got horny over her untouchable body. He eagerly reported dreams in which he remained faithful to her and he changed the channel when Halle Berry appeared on TV. He met her every requirement without overt complaint. He promised the suffering would end. And he still got down on both knees. After a series of miscarriages, Adam and Maddy manage to get pregnant. To personify and self-actualise his fatherhood, Adam decides to email their unborn child. To his surprise, B gets his message at [email protected] and replies. Then, in Week 29, B stops corresponding. Whats happened? Brace yourself for the unexpected! The Umbilical Word is a contemporary novel about chasing dreams, confronting loss and discovering whats important in life. A must-read for every parent and parent-to-be.
In this book, Kevin Rulo reveals the crucial linkages between satire and modernism. He shows how satire enables modernist authors to evaluate modernity critically and to explore their ambivalence about the modern. Through provocative new readings of familiar texts and the introduction of largely unknown works, Satiric Modernism exposes a larger satiric mentality at work in well-known authors like T.S. Eliot, James Joyce, Wyndham Lewis, Ezra Pound, Virginia Woolf, and Ralph Ellison and in less studied figures like G.S. Street, the Sitwells, J.J. Adams, and Herbert Read, as well as in the literature of migration of Sam Selvon and John Agard, in the films of Paolo Sorrentino, and in the drama of Sarah Kane. In so doing, Rulo remaps the last hundred years as an era marked distinctively by a new kind of satiric critique of and aesthetic engagement with the temporal fissures, logics, and regimes of modernity. This ambitious, expansive study reshapes our understanding of modernist literary history and will be of interest to scholars of twentieth century and contemporary literature as well as of satire.
Journal of the history of the Atlantic region.
Colonialism left an indelible mark on writers from the Caribbean. Many of the mid-century male writers, on the eve of independence, looked to England for their models. The current generation of authors, many of whom are women, have increasingly looked--and relocated--to the United States. Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon--as represented by C. L. R. James and V. S. Naipaul, among others--and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States. Discussing the canonical Caribbean narrative as it reflects national identity under the domination of English cultural authority, Belinda Edmondson focuses particularly on the pervasive influence of Victorian sensibilities in the structuring of twentieth-century national identity. She shows that issues of race and English constructions of masculinity not only are central to West Indian identity but also connect Caribbean authorship to the English literary tradition. This perspective on the origins of West Indian literary nationalism then informs Edmondson's search for female subjectivity in current literature by West Indian women immigrants in America. Making Men compares the intellectual exile of men with the economic migration of women, linking the canonical male tradition to the writing of modern West Indian women and exploring how the latter write within and against the historical male paradigm in the continuing process of national definition. With theoretical claims that invite new discourse on English, Caribbean, and American ideas of exile, migration, race, gender identity, and literary authority, Making Men will be informative reading for those involved with postcolonial theory, African American and women's studies, and Caribbean literature.
An outrageously funny novel of adventure, sex, corruption, and crime from one of the greatest British authors of the twentieth century. Michael Cullen is proud to be a bastard. His first memories are of the war, when his mother welcomed every soldier in Britain into her house, and young Michael hid beneath her bed to let the rocking of the springs lull him to sleep. By the time he’s eighteen, he’s got a pregnant girlfriend, and is staring down a long life of working-class respectability that simply makes him sick. So Michael says goodbye to his girlfriend and his home in Nottingham, and hits the road for London, where he will make his fortune—or die trying. From the nightclubs of Soho to the depths of London’s underworld, Michael can’t help but get into trouble. But whether he’s chauffeuring a vicious gangster or smuggling gold bullion across the channel, he never stops having a wonderful time. Indeed, Michael is something else entirely: a happy bastard with nothing to lose. A rollicking picaresque novel by the legendary author of such classics of kitchen sink realism as The Loneliness of the Long-Distance Runner and Saturday Night and Sunday Morning, A Start in Life is one of the funniest British novels of the twentieth century. A Start in Life is the 1st book in the Michael Cullen Novels, but you may enjoy reading the series in any order. “A Start in Life is, for my money, the best novel that Sillitoe has yet written.” —New Statesman “The kind of hilarious nonsense that keeps you riveted to deck-chair or arm-chair, depending on the season.” —The Daily Telegraph Praise for Alan Sillitoe “The master of British verbal architecture.” —Rolling Stone Alan Sillitoe (1928–2010) was a British novelist, poet, essayist, and playwright, known for his honest, humorous, and acerbic accounts of working-class life. Sillitoe served four years in the Royal Air Force and lived for six years in France and Spain, before returning to England. His first novel, Saturday Night and Sunday Morning, was published in 1958 and was followed by a collection of short stories, The Loneliness of the Long-Distance Runner, which won the Hawthornden Prize for Literature. With over fifty volumes to his name, Sillitoe was elected a Fellow of the Royal Society of Literature in 1997.