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"Mother Ocean Daughter Sea Strength Unchanging Strengthen Me" The Shari'a are an ancient race. They are un-warlike and they are ruled by their shamanic witches. The Allemanii are more recently arrived in their locale and are both awed and made fearful by the magical powers of the witches. After generations of peaceful coexistence, a cataclysm occurred out of nowhere and the Allemanii turned on their neighbors and hosts, slaughtered most of them and scattered the survivors. Suddenly, to be a Shari'a is proscribed and to be caught practicing their magic is to be hunted to the death. In MOTHER OCEAN, DAUGHTER SEA, Brierly was a secret healer who was betrayed by someone she had trusted. In SEA LARK'S SONG, exposed as a Shari'a healer, on the run and now aware of a secret truth about what had happened to her people--and in love with one who may put her life at risk even more--Brierly must hide in the mountains and sort her way through a tangle of secrets as she attempts to bring her lost people, and their magical, healing power, back into the world. Her true love faces an almost overwhelming challenge: he must struggle against centuries of fear, hatred, secrecy and conspiracy to turn his own people away from the commitment to destruction. If he does not, not only will Brierly and her people's survival be at risk but his own people may end up facing a similar fate, as destructive as the one they had wrought upon the Shari'a.
Weaver-Zercher blends academic analysis with her own experiences of researching, reading, and talking with others about Amish fiction in order to explore the phenomenon, with particular attention to the hypermodernity and hypersexuality that are fueling the appeal of the genre for evangelical Christian readers.
David Kline has been called a "twentieth–century Henry David Thoreau" by his friends and contemporaries; an apt comparison given the quiet exuberance with which he records the quotidian goings–on on his organic family farm. Under David's attentive gaze and in his clear, insightful prose the reader is enveloped in the rhythms of farm life; not only the planting and harvesting of crops throughout the year, but the migration patterns of birds, the health and virility of honeybees left nearly to their own devices, the songs and silences of frogs and toads, the disappearance and resurgence of praying mantises in fields–turned woodlands, the search for monarch butterflies in the milkweed. There's rhythm in community, too—neighbors gathering to plant potatoes or to maintain an elderly friend's tomato garden, organic farming conferences and meetings around family dining tables or university panels. Interspersed with local lore (when the spring's first bumblebee appears the children can go barefoot) is deep technical knowledge of cultivation and land management and the hazards of modern agri–business. Kline records statewide meetings of district supervisors, knows which speakers and committee chairmen are in the pockets of the oil and gas lobbyists, stands up and says his part. At a time when America's population is being turned toward the benefits of small, local farming practices on our health and our environment, Kline's daybook offers a striking example of the ways in which we are connected to our environment, and the pleasure we can take in daily work and stewardship.
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
A new wave of scholarship inspired by the ways the writers and musicians of the long nineteenth century themselves approached the relationship between music and words.