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Reproduction of the original: Charles Philip Yorke, Fourth Earl of Hardwicke, Vice-Admiral R.N. - A Memoir by Lady Biddulph of Ledbury
DigiCat Publishing presents to you this special edition of "Charles Philip Yorke, Fourth Earl of Hardwicke, Vice-Admiral R.N. — a Memoir" by Elizabeth Philippa Baroness Biddulph. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
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It is, as Lord Melbourne hinted to Queen Victoria, 'a little curious that so many good-looking children should have been born of the union between George III and Queen Charlotte.' His florid youthful comeliness soon passed, leaving him with protuberant eyes and pendulous lips, and even the Queen's best friends could not describe her as anything but plain. Yet these two found themselves in course of time surrounded by a family of seven sons and six daughters all of whom were, at least in their earlier years, more than passably handsome. This study by the noted biographer Dorothy Margaret Stuart was the first full length account of the six princesses. Fanny Burney exclaimed, with characteristic fervor, 'Never in tale or fable were six sister princesses more lovely!' and a visitor from America wrote in 1788, 'The four eldest princesses are thought surprising beauties. They are certainly handsome' When Gainsborough was painting the series of family portraits he spoke with rapture of the royal children.The six Princesses were so spaced in order of time that they tended to fall into two equal groups: the elder Charlotte Augusta Matilda, Princess Royal, born in 1766; Augusta Sophia, born in 1768; Elizabeth, born in 1770: and the younger-Mary, born in 1776; Sophia, born in 1777; and Amelia, born in 1783. This biography provides a full account of all of the six princesses.
The "Quarterly Review" presents a rare opportunity to Romantic scholars to test the truth of Marilyn Butler's claim that the early nineteenth-century periodical is the matrix for democratization of public writing and reading. This is the second title in this series to look at its influence.