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Compiling nineteen essays and introductions, a volume with explanatory notes includes Per Amica Silentia Lunae and On the Boiler as well as introductions on Shelley and Balzac and essays on Irish poetry and politics.
At the turn of the twentieth century women played a key role in debates about the nature of the Irish nation. Examining women's participation in nationalist and rural reform groups, this book is an important contribution to our understanding of Irish identity in the prelude to revolution and how it was shaped by women.
Contents: H.S.H. Princess Caroline; Opening Address; C. George Sandulescu, Preface; A. Norman Jeffares, Address on Yeats the European; Alasdair D.F. Macrae, When Years Summoned Golden Codgers To His Side; Helen Vendler, Yeats As A European Poet: The Poetics of Cacophony; Patrick Rafroidi, Yeats's France Revisited; Denis Donoghue, Yeats and European Criticism; Jacqueline Genet, Villiers De l'Isle Adam and W.B. Yeats; Warwick Gould, A Crowded Theatre: Yeats and Balzac; Birgit Bramsb0/00ck, Yeats and The 'Bounty of Sweden'; Peter R. Kuch, A Few Twigs From The Wild Bird's Nest; C.K. Stead, Yeats The European; Michael Sidnell, The Presence of The Poet: Or What Sat Down At The Breakfast Table; Ronald Schuchard, Yeats, Titian and The New French Painting; John Kelly, Caelum Non Animum Mutant; William M. Murphy, Lily Yeats, W.B. Yeats, and France; Ann Saddlemyer, Georgie Hyde Lees: More Than A Poet's Wife; Michael Alexander, Savants and Artists: Pound and Yeats; Bernard Hickey, Lady Gregory: Coole and Ca'Cappello Layard; Andrew Parkin, W.B. Yeats and Other Europeans; Masaru Sekine, Four Plays For Dancers: Japanese Aesthetics and A European Mind; George Watson, Yeats, Ibsen and The 'New Woman'; Toni Cerutti, Yeatsian Studies In Italy Today; Heinz Kosok, Yeats In Germany; A. Norman Jeffares; Contributors; Index^R
Modernist Writers and the Marketplace is a new research-level collection devoted to an exciting area in the history of the book. Focusing on Henry James, W.B. Yeats, Joseph Conrad, D.H. Lawrence, Virginia Woolf, T.S. Eliot, James Joyce, Ezra Pound, Wyndham Lewis and the culture of the little magazine of the period, eleven contributors from six countries demonstrate new developments in the sociology of texts, the practice of literary biography, and textual criticism.
During his life, W.B.Yeats formed only a few literary friendships from which he received as much as he gave. One of the foremost was his association with George William Russell. 'A.E. was my oldest friend' he confided to an admirer on Russell's death in 1935. 'We began our work together.' This engaging, carefully researched book charts the history and evaluates the significance of the first twenty-three years of that work. It begins with the early months of 1884 when Yeats and Russell first met at the Arts Schools in Kildare Street, Dublin, and ends with their divisive quarrels in 1907 about the policies of the Abbey Theatre. Taking as its focal point Yeats's summary of the association - 'between us as always there existed that antagonism that unites dear friends' - the book sensitively gauges the pressures that each man exerted on the other. It also examines the way these pressures both affected their respective imaginative developments and shaped the course of the literary movement.
This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.