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"These letters are in no sense a history-except that they contain the truth. They were written at the time and within close range of the events they describe. Half of the fighting, including the brave attack before Fromelles, is left untouched on, for these pages do not attempt to narrate the full story of the Australian Imperial Force in France. They were written to depict the surroundings in which, and the spirit with which, that history has been made; first in the quiet green Flemish lowlands, then with a swift, sudden plunge into the grim, reeking, naked desolation of the Somme." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
This work is a collection of letters by the French-American pilot Victor Chapman. Chapman earned many medals during his service and was one of the founding members of the Lafayette Escadrille. He was the first American pilot to die in the First World War after being shot down by German ace Kurt Wintgens. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
""These letters are in no sense a history-except that they contain the truth. They were written at the time and within close range of the events they describe. Half of the fighting, including the brave attack before Fromelles, is left untouched on, for these pages do not attempt to narrate the full story of the Australian Imperial Force in France. They were written to depict the surroundings in which, and the spirit with which, that history has been made; first in the quiet green Flemish lowlands, then with a swift, sudden plunge into the grim, reeking, naked desolation of the Somme."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
"The letters that follow are those of a young painter who was at the front from September [1914] till the beginning of April [1915]; at the latter date he was missing in one of the battles of the Argonne. Are we to speak of him in the present tense or in the past? We know not: since the day when the last mud-stained paper reached them, announcing the attack in which he was to vanish, what a close weight of silence for those who during eight months lived upon these almost daily letters! But for how many women, how many mothers, is a grief like this to-day a common lot!" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
""In deciding to publish some of the letters written by the late Lieutenant H. P. M. Jones during his twenty-seven months' service with the British Army, accompanying them with a memoir, I was actuated by a desire, first, to enshrine the memory of a singularly noble and attractive personality; secondly, to describe a career which, though tragically cut short, was yet rich in honourable achievement; thirdly, to show the influence of the Great War on the mind of a public-school boy of high intellectual gifts and sensitive honour, who had shone with equal lustre as a scholar and as an athlete."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
""These Letters, which were written to me from France during the first winter of the World War, do not in any way pretend to literary attainment; they are just the simple letters of a soldier recording as a diary the daily doings of his regiment at the front. Often were they penned under great difficulties, and many a time under a rain of fire. The accounts of the awful loss of life and the discomforts experienced, both by officers and men unused to such severe climatic conditions, are sometimes heart-rending, and they make the reading sad."" This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
This early work by Edward Streeter was originally published in 1918 and we are now republishing it as part of our WWI Centenary Series. 'Dere Mable: Love Letters of a Rookie' is a cute comic work that takes the form of letters sent to a lover by an American soldier in the First World War. It is illustrated with wonderful cartoon drawings by G. William Breck. Both the author and illustrator were serving with the American Expeditionary Force in France when this was written. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
This early work by Edward Hungerford was originally published in 1920 and we are now republishing it as part of our WWI Centenary Series. 'With the Doughboy in France' is a history of the American forces in France during World War One. It especially focusses on the work of the Red Cross and their organisation and operation. It includes chapters titled 'The American Red Cross as a Department Store', 'Our Red Cross Performs Its Supreme Mission', 'When Johnny Came Marching Home', and many more. This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
"These brief sketches are only fragmentary and have of necessity been hastily written. The writer has been asked to state his impression of the work among the men in France. He did not go there to write but to work. He has tried simply to state what he saw and to leave the reader to draw his own conclusions. A mere statement of the grim facts at the front, if they are not sugar-coated or glossed over, may not be pleasant reading, but it is unfair to those at home that they should not know the hard truth of the reality of things as they are." This book is part of the World War One Centenary series; creating, collating and reprinting new and old works of poetry, fiction, autobiography and analysis. The series forms a commemorative tribute to mark the passing of one of the world's bloodiest wars, offering new perspectives on this tragic yet fascinating period of human history. Each publication also includes brand new introductory essays and a timeline to help the reader place the work in its historical context.
Excerpt from Letters From France These letters are in no sense a history-except that they contain the truth. They were written at the time and within close range of the events they describe. Half of the fighting, including the brave attack before Fromelles, is left un touched on, for these pages do not attempt to narrate the full story of the Australian Imperial Force in France. They were written to depict the surroundings in which, and the spirit with which, that history has been made; first in the quiet green Flemish lowlands, then with a swift, sudden plunge into the grim, reeking, naked desolation of the Somme. The record of the and its now historical units in their full action, will be painted upon that background some day. If these letters convey some reflection of the spirit which fought at pozieres, their object is well fulfilled. The author's profits are devoted to the fund for nursing back to useful citizenship Australians blinded or maimed in the war. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.