Download Free Letters From Captivity Book in PDF and EPUB Free Download. You can read online Letters From Captivity and write the review.

On June 30, 1970, seconds after a missile hit his plane, Israeli pilot Rami Harpaz found himself hovering between heaven and earth. The earth below, however, happened to be Egypt. In the twinkling of an eye, Harpaz went from being the highly-skilled pilot of a Phantom Jet - then the spearhead of the Israeli air force - to a prisoner in an Egyptian prison where he was to be held captive for the next three and a half years. A few hours after his plane had gone down, Harpaz' wife, Nurit, and his children received the bitter news. Nurit had just entered the final months of her latest pregnancy, a pregnancy that unexpectedly culminated in the birth of twin girls. Throughout the years of his captivity - on both sides of the Sinai Desert - Rami and Nurit went through many upheavals, happy moments vying with dispiriting disasters, hope mingling with despair. The story of their lives during that time - together and separately - could easily form the basis of a nail-biting television drama. 'Letters from Captivity' has been written in the form of an epistolary novel, blending together the moving, authentic correspondence that passed between Nurit and Rami. These are the very real letters that reveal the physical and mental struggles this rare couple had to overcome. They provide deep and meaningful insights into the crises and obstacles life puts in our way, and how we might face and overcome them. 'Letters from Captivity' is a real story, told by those who lived it, but which has been written in the most captivating prose. It is a fascinating, breathtaking, epistolary novel which does not allow the reader a single moment's respite. Rami Harpaz passed away in January, 2019, about a week before he would have celebrated his eightieth birthday party. He had only recently completed work on this book.
These fascinating letters capture the most traumatic experience of Ezra Pound's life, when he was incarcerated at the end of World War II and indicted for treason. Omar Pound and Robert Spoo have collected and edited the unpublished correspondence between the poet and his wife, combining itwith military and FBI documents, previously unknown photographs, and an extensive, insightful introduction, to create the definitive work on this period of Pound's life. During his incarceration in a U.S. Army detention camp outside Pisa, Pound was allowed to write only to his wife, so these letters afford a unique look at a painful yet highly productive period, when Pound wrote his acclaimed Pisan Cantos and worked on his translations of Confucius. Readerswill discover many fresh insights into the sources and contexts of the Cantos and the circumstances of their composition. Here, too, are many moving passages testifying to Pound's partnership with Dorothy and her courageous efforts to help him; her experiences no less than his come to life in thisvolume. But perhaps the most moving are the harsh conditions Pound found himself in: at one point, in the Pisan camp, he was confined for three weeks in an open air cage, until the sixty year old poet suffered a breakdown and was moved to a tent in the medical compound. The editors connect theanxious lyricism of the Pisan Cantos to these dramatic experiences, as the poet alternated "between savage indignation and suave serenity." The book also covers Pound's return to the United States and his confinement in a federal mental institution there. With more than 150 previously unpublished letters and documents, all authoritatively annotated, Ezra and Dorothy Pound: Letters in Captivity, 1945 1946, offers a rare glimpse into the life and work of one of our century's greatest literary figures.
This translation originally copyrighted in 2010.
This volume completes Ben Witherington's contributions to the set of Eerdmans socio-rhetorical commentaries on the New Testament. In addition to the usual features of these commentaries, Witherington offers an innovative way of looking at Colossians, Ephesians, and Philemon as interrelated documents written at different levels of moral discourse. Colossians is first-order moral discourse (the opening gambit), Ephesians is second-order moral discourse (what one says after the opening salvo to the same audience), and Philemon is third-order moral discourse (what one says to a personal friend or intimate). Witherington successfully analyzes these documents as examples of Asiatic rhetoric, explaining the differences in style from earlier Pauline documents. He further shows that Paul is deliberately engaging in the transformation of existing social institutions. As always, Witherington's work is scholarly and engaging. With detailed "Closer Look" sections, The Letters to Philemon, the Colossians, and the Ephesians is perfect for the libraries of clergy, biblical scholars, and seminaries.
Introduction : the life of paper -- The inventions of China -- Imagined genealogies (for all who cannot arrive) -- "Detained alien enemy mail : examined"--Censorship and the/work of art, where they barbed the/fourth corner open -- Ephemeral value and disused commodities -- Uses of the profane
How was it possible that almost all of the nearly 300,000 British and American troops who fell into German hands during World War II survived captivity in German POW camps and returned home almost as soon as the war ended? In Confronting Captivity, Arieh J. Kochavi offers a behind-the-scenes look at the living conditions in Nazi camps and traces the actions the British and American governments took--and didn't take--to ensure the safety of their captured soldiers. Concern in London and Washington about the safety of these POWs was mitigated by the recognition that the Nazi leadership tended to adhere to the Geneva Convention when it came to British and U.S. prisoners. Following the invasion of Normandy, however, Allied apprehension over the safety of POWs turned into anxiety for their very lives. Yet Britain and the United States took the calculated risk of counting on a swift conclusion to the war as the Soviets approached Germany from the east. Ultimately, Kochavi argues, it was more likely that the lives of British and American POWs were spared because of their race rather than any actions their governments took on their behalf.
Authority, Piracy, and Captivity in Colonial Spanish American Writing examines the intricate bond between poetry and history writing that shaped the theory and practice of empire in early colonial Spanish-American society. The book explores from diverse perspectives how epic and heroic poetry served to construe a new Spanish-American elite of original explorers and conquistadors in Juan de Castellanos’s Elegies of Illustrious Men of the Indies. Similarly, this book offers an interpretation of Castellanos’s writings that shows his critical engagement with the reformist project postulated in Alonso de Ercilla’s LaAraucana, and it elucidates the complex poetic discourse Castellanos created to defend the interests of the early generation of explorers and conquistadors in the aftermath of the promulgation of the New Laws and the mounting criticism of the institution of the encomienda. Within the larger context of a new poetics of imperialistic expansion, this book shows how the Elegies offers one of the earliest examples of the reconfiguration of some of the main tenets of Petrarchism/Garcilacism, as well as the bold transmutation of dominant poetic discourses that had until then been typically associated with the nobility. Focusing on the practice of poetic imitation (imitatio) and the themes of authority, piracy, and captivity, this book shows the transformation undergone by heroic poetry owing to Europe’s encounter with America and illustrates the contribution of learned heroic verse to the emergence of a Spanish-American literary tradition.
Capture-- Imprisoned servicemen -- Bonds between men -- Ties with home -- Going "round the bend"--Liberation -- Resettling -- Conclusion
"Like Siberia itself, this story is wild, mysterious, full of danger—and then, quite unexpectedly, captivates you with its beauty. I was so glad I went on the adventure." —Goldy Moldavsky, New York Times bestselling author of Kill the Boy Band Notes from My Captivity is a sharp, sensitive, and darkly funny novel perfect for fans of Libba Bray’s Beauty Queens and Adam Silvera’s More Happy Than Not. Adrienne Cahill cares about three things: getting into a great college; becoming a revered journalist like her idol, Sydney Declay; and making her late father proud of her. So when Adrienne is offered the chance to write an article that will get her into her dream school and debunk her foolish stepfather’s belief that a legendary family of hermits is living in the Siberian wilderness, there’s no question that she’s going to fly across the world. But the Russian terrain is even less forgiving than Adrienne. And when disaster strikes, none of their extensive preparations seem to matter. Now Adrienne’s being held captive by the family she was convinced didn’t exist, and her best hope for escape is to act like she cares about them, even if it means wooing the youngest son.
Drawing on texts written by and about European and Euro-American captives in a variety of languages and genres, Lisa Voigt explores the role of captivity in the production of knowledge, identity, and authority in the early modern imperial world. The practice of captivity attests to the violence that infused relations between peoples of different faiths and cultures in an age of extraordinary religious divisiveness and imperial ambitions. But as Voigt demonstrates, tales of Christian captives among Muslims, Amerindians, and hostile European nations were not only exploited in order to emphasize cultural oppositions and geopolitical hostilities. Voigt's examination of Spanish, Portuguese, and English texts reveals another early modern discourse about captivity--one that valorized the knowledge and mediating abilities acquired by captives through cross-cultural experience. Voigt demonstrates how the flexible identities of captives complicate clear-cut national, colonial, and religious distinctions. Using fictional and nonfictional, canonical and little-known works about captivity in Europe, North Africa, and the Americas, Voigt exposes the circulation of texts, discourses, and peoples across cultural borders and in both directions across the Atlantic.