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Although best known as an eminent classical archaeologist, Sir Arthur Evans was also passionately interested in the history of Albania. An authority on ancient Illyria, his sophisticated sense of the region's ancient roots infused his understanding of the complex culture and politics of the Balkans in the 19th century and combined to make him an authoritative and entertaining guide to this important subject. In Albanian Letters, Evans not only explores the implications of the key political events of this period (for example, the formation of the Albanian League in 1878) but also paints a vivid picture of the country's complex social and cultural make-up. In the late 19th century, the questions of nationalism and national identity were a major preoccupation for Albanians. Albanian Letters looks at how Albanians' views of their homeland were affected by developments taking place at the time, including increasing awareness of ethnic differences, population migration and changes to its distinctive culture and tradition. Albanian Letters offers a vivid snapshot of a nation at a critical period in its development.
Mary Edith Durham fought tirelessly for Albanian independence and her practical help and support for the tribes of northern Albania earned her the title of the 'Queen of the Mountains'. Her writing from the Balkans is characterized by a depth of understanding of the people of the region, lively and perceptive anecdotes as well as her exasperation at the governments of the western powers which had a tendency to ignore reports of the plight of the Albanian people. This book contains over 800 previously unpublished letters from Durham in Albania to friends and family back in England, as well as her correspondence with those in positions of authority – diplomats, politicians and journalists. Together, they provide a unique record of a crucial period in Albanian history from the perspective on an extraordinarily active and influential individual.
Did you ever want to teach your kids the basics of Albanian ? Learning Albanian can be fun with this picture book. In this book you will find the following features: Albanian Alphabets. Albanian Words. English Translations.
Broken Narrative provides an extensive reflection on history, politics, and contemporary art, revolving around the cornerstones of the artistic practice of Albanian artist Armando Lulaj. The core of the book is formed by and extended interview of Lulaj by Italian artist and writer Marco Mazzi. This inquiry starts in the year 1997, a year of social and political upheaval in Albania, of anarchy, controversies and emigration, of toxic seeds of neoliberalism sprouting in an already wounded country, and continues to the present day, where politics, hidden behind art forms, has practically destroyed (again) every different and possible future of the country. This book also sketches out a connection between the recent Albanian political context and contemporary art by considering the realities of Albania as essential for an understanding of the dynamics of international power in contemporary art and architecture, and the role of politics therein. Broken Narrative comes in a bilingual English-Japanese edition, in part as homage to the subtle esthetics of Japanese poetry, which has inspired many of the Lulaj's works, while equally evoking the subversive films of the Red Army, active in Japan at the turn of the 1960s and '70s. Broken Narrative contains a double preface in English by Albanian scholar Jonida Gashi and in Japanese by photographer Osamu Kanemura. Armando Lulaj was born in Tirana in 1980. He is a writer of plays, texts on risk territories, filmmaker, and producer of conflict images. He's research is orientated towards accentuating the border between economical power, fictional democracy, and social disparity in a global context. His main topics of interest remain power, corruption and institutional critique. Lulaj has participated in many international exhibitions and film festivals. His works are part of various important private and public collections. Armando Lulaj is one of the founders of DebatikCenter of Contemporary Art. Marco Mazzi (1980) is an Italian photographer and writer living and working between Florence, Tokyo, and Tirana. Mazzi studied Contemporary Literature at the University of Florence and has also studied Japanese avant-garde art and visual poetry in Japan. In 2008, Mazzi founded the non-profit organization Relational Cinema Association within the University of Waseda in Tokyo. Mazzi was photographer-in-residence at The Department of Eagles (Tirana, Albania) during the conference Pedagogies of Disaster and for the project Lapidari, and he was the stage and still photographer for Armando Lulaj's Recapitulation (2015), commissioned by the 2015 Venice Biennale' s Albanian Pavilion.
Text in English and Albanian, translated from a work originally written in German and Albanian.
The hundred years between 1750 and 1850 were an age of astounding orthographic diversity in Albania. In this period, the Albanian language was put to writing in at least ten different alphabets - most certainly a record for European languages. This book introduces the diverse forms in which this old Balkan language was recorded, from the earliest documents to the beginning of the twentieth century. They consist of adaptations of the Latin, Greek, Arabic and Cyrillic alphabets and, what is even more interesting, a number of locally invented writing systems. Most of the latter alphabets have now been forgotten and are unknown, even to the Albanians themselves.