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"Schapiro's letters to his future wife, Lillian Milgram, were written in 1926 and 1927, while he was a graduate student touring the artistic monuments of Europe and the Near East. Bearing intimate witness to this formative journey, they augment the visual and factual details he so painstakingly recorded in his notebooks with impassioned reflections on art and lively accounts of his encounters with an older generation of art historians."--Back cover.
In 1870, Louisa May Alcott and her younger sister Abby May Alcott began a fourteen-month tour of Europe. Louisa had already made her mark as a writer; May was on the verge of a respected art career. Little Women Abroad gathers a generous selection of May’s drawings along with all of the known letters written by the two Alcott sisters during their trip. More than thirty drawings are included, nearly all of them previously unpublished. Of the seventy-one letters collected here, more than three-quarters appear in their entirety for the first time. Daniel Shealy’s supporting materials add detail and context to the people, places, and events referenced in the letters and illustrations. By the time of the Alcott sisters’ sojourn, Louisa’s Little Women was already an international success, and her most recent work, An Old-Fashioned Girl, was selling briskly. Louisa was now a grand literary lioness on tour. She would compose Little Men while in Europe, and her European letters would form the basis of her travel book Shawl Straps. If Louisa’s letters reveal a writer’s eye, then May’s demonstrate an eye for color, detail, and composition. Although May had prior art training in Boston, she came into her own only during her studies with European masters. When at a loss for words, she took her drawing pen in hand. These letters of two important American artists, one literary, the other visual, tell a vibrant story at the crossroads of European and American history and culture.
An American celebrity chef and an Italian chocolate maker cook up a magical recipe for true love. In a tiny village in the hills of Tuscany is a statue of Cupid with the power to grant the deepest desires of the heart to all who ask. The village is home to single mother Valentina and her struggling chocolate shop. All she's ever wanted was to fit in, determined to provide a quiet, normal life for herself and her daughter. She works hard to keep it together, asking for nothing...especially not Cupid's help. Not when that would mean admitting to herself and everyone else that her deepest desire is to find the love of a woman. American celebrity chef Andie should be having the time of her culinary life while on a PR blitz in Tuscany. Instead, a tabloid scandal that threatens to destroy her career has her hiding in a remote hillside village. With nothing to do but worry and wait, she spends her time avoiding shame and infamy by flirting with a local chocolate maker who's as irresistible as the sweets she sells. She's shocked by the discovery that her heart longs for much more than a temporary distraction, but even if she can convince the reluctant Valentina to give her a chance, how can she balance a relationship in Italy with a career in the States? When it comes to realizing the deepest desires of their hearts, it just might take an act of divine intervention for these two women to find their future together!
Reprint of the original, first published in 1869.
Winner of the Overseas Press Club of America's Cornelius Ryan Award • Finalist for the Pulitzer Prize in Nonfiction A New York Times Book Review Notable Book • Named a Best Book of the Year by New York Magazine and The Progressive "A deeply honest and brave portrait of of an individual sensibility reckoning with her country's violent role in the world." —Hisham Matar, The New York Times Book Review In the wake of the September 11 attacks and the U.S.-led invasion of Iraq, Suzy Hansen, who grew up in an insular conservative town in New Jersey, was enjoying early success as a journalist for a high-profile New York newspaper. Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul. Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country—and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, “a broken heart . . . A one-hundred-year-old relationship.” Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation—a profound reckoning with what it means to be American in a moment of grave national and global turmoil.
The volume gathers together, and allows the reader to explore, the diverse experiences of a group of quite unconnected young, wealthy travellers as they made their way through eighteenth-century Europe towards Rome and conveyed their views by letters to friends and family at home.
Here, collected in book form for the first time, are the letters written by Mark Twain on the famous Holy Land Excursion of 1867—letters that Twain once said would ruin him if published. Twain, a brash young journalist with one book under his belt, was one of seventy-seven passengers on the steamship Quaker City when it left New York in June 1867, to begin “The Grand Holy Land Pleasure Excursion.” As special correspondent for the Daily Alta California, Twain wrote fifty letters during the next six months, describing in detail the places visited and the sights seen as the pilgrims journeyed from Tangier to Paris, then to Venice, Constantinople, and Bethlehem—with many stops in between. Full of sprightly humor and savage satire, these letters also contain some of the most elegant vituperation ever to appear in an American newspaper. Twain later incorporated parts of the letters into The Innocents Abroad, probably the most famous travel book ever written by an American, but every letter was drastically revised to appeal to the more refined taste of eastern readers. Daniel Morley McKeithan’s discussion of the alterations and deletions made in each letter throws light on Twain’s methods of composition and revision. Those who have read The Innocents Abroad and those who have not will find equal delight in this volume.
The Creator sat upon the throne, thinking. Behind him stretched the illimitable continent of heaven, steeped in a glory of light and color; before him rose the black night of Space, like a wall. His mighty bulk towered rugged and mountain-like into the zenith, and His divine head blazed there like a distant sun. At His feet stood three colossal figures, diminished to extinction, almost, by contrast -- archangels -- their heads level with His ankle-bone. When the Creator had finished thinking, He said, "I have thought. Behold!" He lifted His hand, and from it burst a fountain-spray of fire, a million stupendous suns, which clove the blackness and soared, away and away and away, diminishing in magnitude and intensity as they pierced the far frontiers of Space, until at last they were but as diamond nailheads sparkling under the domed vast roof of the universe. At the end of an hour the Grand Council was dismissed. They left the Presence impressed and thoughtful, and retired to a private place, where they might talk with freedom. None of the three seemed to want to begin, though all wanted somebody to do it.