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A farmer’s daughter, a convent girl, a lover of the Irish countryside, a poet, novelist and short story writer, a journalist, a friend of the English during war and peace, a fighter for justice, a Catholic, but able to see and decry the interference of religion in politics: this is in part Katharine Tynan Hinkson (1859–1931), usually known as Katharine Tynan, who lived in Ireland and England, and wrote through the turbulent times of Irish politics, suffrage, the Great War, and civil war in Ireland. Her background was rural Ireland, her father being a prosperous land-owning farmer. Educated locally and at a convent, she left aged fourteen and spent much time reading and enjoying the countryside, which became a foundation for her poetry and storytelling. She was aware of the politics of Ireland through her politically active father, and she joined the short-lived Ladies’ Land League in 1881 and was a fervent admirer of Charles Stewart Parnell. Her first major literary friendship was with her mentor, the Jesuit Father Matthew Russell, editor of the Irish Monthly, who published much of her work. He introduced Katharine to the Catholic literary couple Wilfrid and Alice Meynell in London in 1884, a visit which formed a deep love and admiration for Alice. The Meynells published much of her poetry in the Weekly Register and Merry England. Katharine made many visits to England and settled in England in 1893 after her marriage to Harry Hinkson, making it her home until returning to Ireland in 1912. After the Great War, she moved between England and Ireland, finally settling in London where she died. Katharine’s life spanned Anglo-Irish politics, the suffrage movement, the Easter Rising of 1916, the Great War (her two sons served in the British Army) and its aftermath. Her letters cover these events and the friendships and correspondence with many literary persons, including George William Russell (A.E.), G. K. Chesterton, Wilfrid Scawen Blunt, Clement King Shorter, the writer Frank James Mathew and the novelist May Sinclair. An early friend of W. B. Yeats, she was seen as part of the Irish literary revival, although in a minor role. Throughout her life she suffered from very poor eyesight. She published five autobiographies, which, together with the letters, provide us with valuable insight into her life and times.
George William Russell, better known as (1867-1935), mystic, poet, painter, journalist, editor, and practical rural economist, was a pivotal figure in the Irish literary revival and in the emergence of modern Ireland. From the beginning of the twentieth century he formed life-long friendships with W. B. Yeats, George Moore, Lord Dunsany, James Stephens, Stephen Mackenna (translator of the Enneads of Plotinus), James Joyce, and other writers, thinkers, and artists, and was closely associated with the Irish National Theatre Society (later the Abbey Theatre). Russell's influence was as extensive in practical and political affairs as it was in the more intimate spiritual domain. The length and breadth of his thinking on the social issues of his day, which are only heightened in ours, is evident in this present work. Monk Gibbon, uniquely qualified to present to readers the full spectrum of 's colors, has written an extensive and illuminating introductory essay that serves to set the scene for the wonderful series of short selections that follow, selections that make clear the extraordinary width, depth, and breadth of 's spirit. The title of this work, The Living Torch, is indeed no metaphor in this instance.
George William Russell, better known as AE (1867-1935), mystic, poet, painter, journalist, editor, and practical rural economist, was a pivotal figure in the Irish literary revival and in the emergence of modern Ireland. From the beginning of the twentieth century he formed life-long friendships with W. B. Yeats, George Moore, Lord Dunsany, James Stephens, Stephen Mackenna (translator of the Enneads of Plotinus), James Joyce, and other writers, thinkers, and artists, and was closely associated with the Irish National Theatre Society (later the Abbey Theatre). In his biography of AE, Henry Summmerfield relates of him that probably in mid-1884 he "began to experience waking dreams of astonishing power and vividness which seemed to be thrust into his consciousness by a mind which was not his. Images of cosmic happenings and other worlds overwhelmed him with a majesty far removed from anything of which he was aware in his own being. 'I remember how pure, holy and beautiful these imaginations seemed, ' AE wrote in later years, 'how they came like crystal water sweeping aside the muddy current of my life. . . . The visible world became like a tapestry blown and stirred by winds behind it. If it would raise but an instant I knew I would be in Paradise."' Song and Its Fountains is imbued with the force of this powerful inner life. In [this book] I have tried to track song back to its secret fountains. As I have thought it unnatural to see together in galleries pictures unrelated to each other, or taken from the altars for which they were painted, so I have thought it unnatural for lyric to follow lyric in a volume without hint of the bodily or spiritual circumstance out of which they were born. I have here placed some songs in their natural psychic atmosphere. Those who cannot follow my reasoning may perhaps be amused or interested by the fantasy a poet built about his life and poetry. - AE And the ancient mystery Holds its hands out day by day, Takes a chair and croons with me By my cabin built of
One authograph letter written by George William Russell (AE) to Ogden Heath on stationery of the Cosmos Club, Washington DC. Russell signed the letter "AE" and includes a hand addressed envelope dated February 5, 1935.
This letter is to an unidentified lady regarding permission to quote from his poems.