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Robert Oppenheimer (1904-1967) is one of the few American scientists who have become public and controversial figures in the twentieth century. This book adds a new dimension to the Oppenheimer story by offering a look at the private man behind the public figure. It consists of letters spanning the period from his Harvard student days in 1922 to his departure from Los Alamos in 1945. The letters are supplemented by recollections of those who knew Oppenheimer and by his own recollections from an interview a few years before his death. 'A beautifully organized collection of letters and reminiscences ... The editors have interviewed those who knew and worked with him, stirred in the necessary explanatory background, and produced an account, both scholarly and highly readable, which throws fresh light on a man who will probably always remain something of an enigma. Amid devotional defense and almost rabid attack, their book is a model of objectivity.' New York Times Book RevieW 'An intimate, carefully documented, and honest book.'
Laurence Harwood presents his memories and interactions with godfather C. S. Lewis, spanning Harwood's early boyhood to young adulthood. This book contributes to a more complete portrait of Lewis and focuses on Lewis's friendships with a boy and his father.
Spanning her entire life, the fully annotated selections in this volume include well known recollections of the great Victorian novelist plus a large assortment not found in her biographies. Altogether they provide a fresh, vivid, and sometimes startling portrait of a controversial genius.
The first unabridged publication of the memoirs of Cornelia Jones Pond, a privileged child of a slaveholding family in Georgia, follws her life from her birth into the antebellum world of 1834, through the apocalyptic Civil War, and beyond. UP.
J. Robert Oppenheimer was one of the outstanding physicists of his generation. He was also an immensely gifted writer and speaker, who thought deeply about the way that scientific discoveries have changed the way people live and think. Displaying his subtlety of thought and expression as do few other documents, this book of his lectures discusses the moral and cultural implications of developments in modern physics. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
At the end of World War II, J. Robert Oppenheimer was one of America's preeminent physicists. For his work as director of the Manhattan Project, he was awarded the Medal for Merit, the highest honor the U.S. government can bestow on a civilian. Yet, in 1953, Oppenheimer was denied security clearance amidst allegations that he was "more probably than not" an "agent of the Soviet Union." Determined to clear his name, he insisted on a hearing before the Atomic Energy Commission's Personnel Security Board.In the Matter of J. Robert Oppenheimer contains an edited and annotated transcript of the 1954 hearing, as well as the various reports resulting from it. Drawing on recently declassified FBI files, Richard Polenberg's introductory and concluding essays situate the hearing in the Cold War period, and his thoughtful analysis helps explain why the hearing was held, why it turned out as it did, and what that result meant, both for Oppenheimer and for the United States.Among the forty witnesses who testified were many who had played vitally important roles in the making of U.S. nuclear policy: Enrico Fermi, Hans Bethe, Edward Teller, Vannevar Bush, George F. Kennan, and Oppenheimer himself. The hearing provides valuable insights into the development of the atomic bomb and the postwar debate among scientists over the hydrogen bomb, the conflict between the foreign policy and military establishments over national defense, and the controversy over the proper standards to apply in assessing an individual's loyalty. It reveals as well the fears and anxieties that plagued America during the Cold War era.
An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher; of the small apartment that, when she was nineteen, became the home in which she transformed herself; of how punk rock gave form and voice to her own fury and explosive energy. Solnit recounts how she came to recognize the epidemic of violence against women around her, the street harassment that unsettled her, the trauma that changed her, and the authority figures who routinely disdained and disbelieved girls and women, including her. Looking back, she sees all these as consequences of the voicelessness that was and still is the ordinary condition of women, and how she contended with that while becoming a writer and a public voice for women's rights. She explores the forces that liberated her as a person and as a writer--books themselves, the gay men around her who offered other visions of what gender, family, and joy could be, and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. These influences taught her how to write in the way she has ever since, and gave her a voice that has resonated with and empowered many others.
A collection of essays, letters, and personal recollections in which Ruth Picardie records her feelings in the year before she died of breast cancer.
Considered by many to be the most beautiful woman of her generation, Sharon Tate remains a fascinating pop icon and a poster child for the 1960s. What struck most about Sharon was her gentle nature and the sheer perfection of her face, but she was far more than just a beauty. The few films she made during her brief career, including Valley of the Dolls, Eye of the Devil, and The Fearless Vampire Killers, have secured her position as a Hollywood legend. Over forty years since her last film, Sharon's spirit and charisma lives strong in the memories of those who knew her best, and her style continues to inspire the worlds of fashion, beauty, art, and film. Sharon Tate: Recollection is a one-of-a-kind celebration of Sharon's life and career, her influence as a fashion icon throughout the world, and in effect presents a sociological portrait of the 1960s -- its youth culture, the sexual revolution, the rise of independent cinema, and Hollywood's changing studio system. In this impressive photo book, Sharon Tate's story emerges through quotes and short essays -- recollections -- by her sister, Debra Tate, as well as by those who knew and have been influenced by her. What emerges from these pages is a stunning tribute to an unforgettable life. Highlights include: A foreword note by Sharon's husband Roman Polanski. An introduction and remembrances by Sharon's sister Debra Tate. Previously unseen childhood photos from the Tate family album. Original quotes and recollection essays written specially for this book by Jane Fonda, Kelly Osbourne, Bert Stern, Michelle Phillips, Patty Duke, Lee Grant, Elke Sommer, Joan Collins, Viva, Tony Scotti and Trina Turk. Retrospective quotes by Truman Capote, Diana Vreeland, Richard Avedon, Dominick Dunne, Warren Beatty, Mia Farrow, Orson Welles, Barbara Parkins, George Harrison, David Niven, Deborah Kerr, Yul Brynner and Kirk Douglas. Rare and classic photographs by David Bailey, Milton Greene, Philippe Halsman, Shahrokh Hatami, Terry O'Neill, Peter Basch, John Engstead, Peter Brün, Neal Barr and Jean Jacques Bugat. Never-before-seen or published images of Sharon in the classic film Valley of the Dolls, digitally reproduced from their original negatives and transparencies specially for this book by the 20th Century Fox archive.