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This gripping and important book brings alive over two hundred years of humanitarian interventions. Freedom’s Battle illuminates the passionate debates between conscience and imperialism ignited by the first human rights activists in the 19th century, and shows how a newly emergent free press galvanized British, American, and French citizens to action by exposing them to distant atrocities. Wildly romantic and full of bizarre enthusiasms, these activists were pioneers of a new political consciousness. And their legacy has much to teach us about today’s human rights crises.
A selection of new and revised essays from eminent scholar and critic Professor Christopher Ricks. Christopher Ricks brings together new as well as substantially augmented critical essays across a wide range. Several derive from his term as the Professor of Poetry at the University of Oxford, when his inaugural lecture engaged with the illuminatingly puzzled relations between poetry and prose. Comparison and analysis (the tools of the critic, as T.S. Eliot insisted) are enlivened by imaginative pairings: of Samuel Johnson with Samuel Beckett, of Norman Mailer with Dickens, of Shakespeare with George Herbert, or of secret-police surveillance in Ben Jonson's Rome with that of Carmen Bugan's Romania. Along Heroic Lines devotes itself to the heroic and to 'heroics' (Othello cross-examined by T.S. Eliot; Byron and role-playing; Ion Bugan, political protest and arrest). This knot is in tension with the English heroic line (Dryden's heroic triplets, Henry James's cadences, Geoffrey Hill's concluding book of prose-poems and how they choose to conclude). All alert to the balance and sustenance of alternate tones that prose and poetry can achieve in harmony.
Using diverse sources ranging from hagiographies and historiographies to historical novels and satirical poems, this is the first book-length examination of Emmanouil Roidis’ Pope Joan (1866). Providing a long-overdue and authoritative introduction to the sinuous poetics of one of the most celebrated Modern Greek novels, Roidis and the Borrowed Muse takes in a broad gamut of British writers, from Swift, Sterne and Gibbon to Scott, Macaulay and Byron, and casts a fresh and original eye on the intertextual connections between their work and Roidis’ magnum opus. This comprehensive comparative study will appeal not only to intellectual historians, literary critics and students, but also to scholars of Romanticism and readers interested in the many facets of satire.
For thousands of years we have recorded real lives--the lives of others, and of ourselves. For what purpose and for whom has this universal and timeless pursuit endured? What obstacles have lain in the path of biographers in the past, and what continues to confound biographers today? Above all, how is it that biographies and autobiographies play such a contested, popular role in contemporary Western culture, from biopics to blogs, from memoir to docudrama? Award-winning biographer and teacher Nigel Hamilton addresses these questions in an incisive and vivid narrative that will appeal to students of human nature and self-representation across the arts and sciences. Tracing the remarkable and often ignored historical evolution of biography from the ancient world to the present, this brief and fascinating tour of the genre conveys the passionate quest to capture the lives of individuals and the many difficulties it has entailed through the centuries. From the Epic of Gilgamesh to American Splendor, from cuneiform to the Internet, from commemoration to deconstruction, from fiction to fact--by way of famous biographical artists such as Plutarch, Saint Augustine, Sir Walter Raleigh, Samuel Johnson, Jean-Jacques Rousseau, Lord Byron, Sigmund Freud, Lytton Strachey, Abel Gance, Virginia Woolf, Leni Riefenstahl, Orson Welles, Julian Barnes, Ted Hughes, Frank McCourt, and many others--Nigel Hamilton's Biography: A Brief History will change the way you think about biography and real lives.
A compelling case for the importance of the heart and emotions over that of critical theory in Johnson's literary criticism.
A New York Times Book Review Editors' Choice An illuminating group portrait of the eighteenth-century women who dared to imagine an active life for themselves in both mind and spirit. In England in the 1700s, a woman who was an intellectual, spoke out, or wrote professionally was considered unnatural. After all, as the wisdom of the era dictated, a clever woman—if there were such a thing—would never make a good wife. But a circle of women called the Bluestockings did something extraordinary: coming together in glittering salons to discuss and debate as intellectual equals with men, they fought for women to be educated and to have a public role in society. In this intimate and revelatory history, Susannah Gibson delves into the lives of these pioneering women. Elizabeth Montagu established one of the most famous salons of the Bluestocking movement, with everyone from royalty to revolutionaries clamoring for an invitation to attend. Her younger sister, Sarah Scott, imagined a female-run society and created a women’s commune. Meanwhile, Hester Thrale, who also had a salon, saved her husband’s brewery from bankruptcy and, after being widowed, married a man she loved—Italian, Catholic, and not of her social class. Other women made a name for themselves through their publications, including Catharine Macaulay, author of an eight-volume history of England, and Frances Burney, author of the audacious novel Evelina. In elegant prose, Gibson reveals the close and complicated relationships between these women, how they supported and admired each other, and how they sometimes judged and exploited one another. Some rebelled quietly, while others defied propriety with adventurous and scandalous lives. With moving stories and keen insight, The Bluestockings uncovers how a group of remarkable women slowly built up an eviscerating critique of their male-dominated world that society was not yet ready to hear.
This definitive edition, the first since 1974, presents all the poetry of Samuel Johnson (1709–1784), including his play, Irene, with detailed, wide-ranging commentary. It has been expertly edited with attention to the extant manuscripts and all relevant printings. The volume includes the entirety of Johnson’s verse in all its generic diversity: including satire, ode, elegy, verse drama, and verse prayer. The poems are presented in their original spelling and punctuation with extensive commentary on their literary background—biblical, classical, and modern—as well as careful explanation of unusual words, allusions to historical figures, and references to contemporary events that appear in the poems. Proceeding chronologically, this edition also situates Johnson’s verse in the context of his life from his early days in Lichfield to his career as an author in London. Unlike all earlier editions, the present offering provides full translations of all the Latin and Greek poems on which Johnson based so much of his English verse. Correspondingly, it provides the English poems which some of his Latin verse translates. Neither in the presentation of the verse nor in the commentary does this edition assume a command of foreign languages: it aims to be useful for all students of Samuel Johnson’s poetry.
This is a well-written and seriously researched book that proposes fresh interpretations of significant people and historical and literary events of the early nineteenth century, at the same time it unveils a few literary mysteries, such as the origin, purpose, and effects of Benjamin Disraeli’s first novel: Vivian Grey.