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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
How is Kenneth Starr's extraordinary term as independent counsel to be understood? Was he a partisan warrior out to get the Clintons, or a saviour of the Republic? An unstoppable menace, an unethical lawyer, or a sex-obsessed Puritan striving to enforce a right-wing social morality? This volume is designed to offer an evaluation and critique of Starr's tenure as independent counsel. Relying on lengthy, revealing interviews with Starr and many other players in Clinton-era Washington, Washington Post journalist Benjamin Wittes arrives at an understanding of Starr and the part he played in one of American history's most enthralling public sagas. Wittes offers a portrait of a decent man who fundamentally misconstrued his function under the independent counsel law. Starr took his task to be ferreting out and reporting the truth about official misconduct, a well-intentioned but nevertheless misguided distortion of the law, Wittes argues. At key moments throughout Starr's probe - from the decision to reinvestigate the death of Vincent Foster, to the repeated prosecutions of Susan McDougal and Webster Hubbell to the failure to secure Monica Lewinsky's testimony quickly - the prosecutor avoided the most sensible prosecutorial course, fearing that it would compromise the larger search for truth. This approach not only delayed investigations enormously, but it gave Starr the appearance of partisan zealotry and an almost maniacal determination to prosecute the president. Wittes provides in this account of Starr's term a reinterpretation of the man, his performance, and the controversial events that surrounded the impeachment of President Clinton.
Fr. Richard Schiefen collection.
St. John Henry Newman was an influential churchman and man of letters, who led the Oxford movement and later became a cardinal deacon in the Roman Catholic Church. His eloquent prose style helped revive emphasis on the dogmatic authority of the church and urged reforms of the Church of England after the pattern of the original Catholic Church. A prolific author of many genres, Newman’s major works include the celebrated ‘Tracts for the Times’, his autobiography ‘Apologia pro vita sua’, religious novels and the poem ‘The Dream of Gerontius’, which was set to music by Edward Elgar. This eBook presents Newman’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Newman’s life and works * Concise introductions to the major texts * All the novels, with individual contents tables * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare essays and religious tracts * Includes Newman’s rare poetry – available in no other collection * Both the first and revised edition texts of ‘Apologia pro vita sua’ * Special criticism section, with seven essays evaluating Newman’s work * Features two biographies – discover Newman’s religious life * Ordering of texts into chronological order and genres CONTENTS: The Novels Loss and Gain (1848) Callista (1855) The Non-Fiction The Arians of the Fourth Century (1833) Tracts for the Times (1833-1841) Contributions to ‘British Critic’ (1836-1842) On the Prophetical Office of the Church: Via Media, Volume 1 (1837) Lectures on Justification (1838) Parochial and Plain Sermons (1834-1843) Select Treatises of Saint Athanasius (1842) Historical Tracts of Saint Athanasius (1843) Lives of the English Saints (1844) Essays on Miracles (1843) Oxford University Sermons (1843) Sermons on Subjects of the Day (1843) Essay on the Development of Christian Doctrine (1845) Retractation of Anti-Catholic Statements (1845) Faith and Prejudice and Other Unpublished Sermons (1848-1873) Discourses to Mixed Congregations (1849) Difficulties of Anglicans (1850) The Present Position of Catholics in England (1851) The Idea of a University (1852) Cathedra Sempiterna (1852) On Consulting the Faithful in Matters of Christian Doctrine (1859) Letter to Dr. Pusey (1865) An Essay in Aid of a Grammar of Assent (1870) Essays Critical and Historical (1871) Historical Sketches (1872) Sermons Preached on Various Occasions (1874) Letter to the Duke of Norfolk (1875) Five Letters (1875) Sermon Notes (1878) Via Media, Volume 2 (1883) On the Inspiration of Scripture (1884) Development of Religious Error (1885) The Poetry St. Bartholomew’s Eve (1821) Memorials of the Past (1832) Verses on Various Occasions (1867) The Criticism What, Then, Does Dr. Newman Mean? (1864) by Charles Kingsley Cardinal Newman (1892) by Augustine Birrell Cardinal Newman as a Musician (1892) by Edward Bellasis Essays from ‘Occasional Papers’ (1897) by R. W. Church Newman as a Prose-Writer (1899) by Lewis E. Gates Cardinal Newman (1912) by William Ralph Inge The True Nature of Newman’s Genius (1914) by Wilfrid Ward The Autobiography Apologia pro vita sua: First Edition Text (1864) Apologia pro vita sua: Revised Text (1890) The Biographies John Henry Newman (1900) by William Samuel Lilly John Henry Newman (1913) by William Barry
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.