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The fictional world of women in the time of Jane Austen set in the context of social and economic reality.
In the first book-length study of the well-respected and popular British writer Elizabeth Hamilton, Claire Grogan addresses a significant gap in scholarship that enlarges and complicates critical understanding of the Romantic woman writer. From 1797 to 1818, Hamilton published in a wide range of genres, including novels, satires, historical and educational treatises, and historical biography. Because she wrote from a politically centrist position during a revolutionary age, Grogan suggests, Hamilton has been neglected in favor of authors who fit within the Jacobin/anti-Jacobin framework used to situate women writers of the period. Grogan draws attention to the inadequacies of the Jacobin/anti-Jacobin binary for understanding writers like Hamilton, arguing that Hamilton and other women writers engaged with and debated the issues of the day in more veiled ways. For example, while Hamilton did not argue for sexual emancipation à la Mary Wollstonecraft and Mary Hays, she asserted her rights in other ways. Hamilton's most radical advance, Grogan shows, was in her deployment of genre, whether she was mixing genres, creating new generic medleys, or assuming competence in a hitherto male-dominated genre. With Hamilton serving as her case study, Grogan persuasively argues for new strategies to uncover the means by which women writers participated in the revolutionary debate.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
We only know a surprisingly small number of eighteenth-century women as personalities. This is true, in particular, of women who had to work for their living. Which is why the survival of the letters and journals of Miss Agnes Porter, dating from 1788 to 1814, constitutes an unusually important find. Miss Porter, the daughter of a Church of England clergyman, was born in 1752 with brains but not looks or wealth. Although she would have liked to marry, her various hopes ended in disappointment. She therefore had to earn her living as a governess, working principally in teaching the daughters and grand-daughter of the second Earl of Ilchester. Agnes Porter was neither morbidly religious, as were many of her Victorian successors, nor did she spend her time dwelling on the unfairness of her situation. She emerges as a intelligent, warm and likeable woman ready to make the best of her lot. Joanna Martin has provided a substantial introduction which sets Miss Porter in her historical context. A Governess in the Age of Jane Austen is a detailed, and very early, portrait of a woman entering a profession.